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160 of 168 people found the following review helpful:
5.0 out of 5 stars Well written book - Bravo
Although I read about three books a week (over 120 per year) it is only once a year on average that I find one against which to lodge the following complaint. This book throws my reading schedule completely off track. When you find one that is so well written and so full of useful information you tend to slow down your reading speed to make sure that you don't miss...
Published on June 29, 2003 by Harold McFarland

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49 of 56 people found the following review helpful:
1.0 out of 5 stars We need a good book on storytelling - but this ain't it!
Having seen the previous reviews, I came to this book with high hopes. They were never realised. Obviously the author has hit the nail squarely on the head for some readers, but I'll be hornswoggled if I can tell why.

When I got to the end of the book I was still waiting for something, Anything, that would turn my dissatisfaction into a feeling that it had all been...

Published on July 30, 2002 by Karl


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160 of 168 people found the following review helpful:
5.0 out of 5 stars Well written book - Bravo, June 29, 2003
Although I read about three books a week (over 120 per year) it is only once a year on average that I find one against which to lodge the following complaint. This book throws my reading schedule completely off track. When you find one that is so well written and so full of useful information you tend to slow down your reading speed to make sure that you don't miss anything important. What should have been a couple of hours to read ended up taking over a week as I read one part, digested it, then went back to read another one.

The text covers the most important story types to tell in order to exercise influence over others, gain credibility, etc. It also defines a story and how it can influence in ways that bare facts cannot, provides information on the psychology of how a story influences, and the important "dos and don'ts" of a storyteller. Annette Simmons provides multiple examples throughout the text so the reader understands how to apply the principles right away.

If you are studying storytelling, how to inspire others, how to influence others, how to change corporate culture, or any other aspect of change on a personal or organizational level then your education will be lacking if it does not include the information in this book. "The Story Factor" receives the highest recommendation that I can give.

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68 of 72 people found the following review helpful:
5.0 out of 5 stars How "truth well-told" can inspire, influence, and persuade, July 6, 2005
As Simmons explains in her Introduction, "This book [shares] what I have learned over the last eight years about story and about the power of story to persuade and influence. My personal story is to learn, share everything I have learned, and earn the right to learn more. You will find here [in The Story Factor] everything I know about using story to influence others."

How many books on the subject of leadership does Amazon now offer? I just checked. The current total is 16,159. Who were history's greatest leaders? (My own list includes Alexander, Jesus, Abraham Lincoln, Franklin Delano Roosevelt, Winston Churchill, and Mohandas Gandhi.) What do all of them share in common? Each was a great storyteller. Each used one or more of the six types of stories which Simmons brilliantly explains in her book:

Who I Am
Why I Am Here
The Vision
Teaching
Values-in-Action
I Know What You Are Thinking

To these six I presume to add I Know What You Care About. Point is, great leaders have a clear identity as well as a clear purpose and a compelling vision, use relevant information effectively to educate others and use a narrative effectively to anchor a necessary course of action within a human context because they thoroughly understand the given audience. As Simmons correctly asserts, persuasion must begin with trust and immediately fails without it. Hence the importance of credibility. Persuasion then requires that the "message" resonate with what is of greatest importance to the given audience. Hence the imperative need for relevance as when Roosevelt (during his "fireside chats") and Churchill (during his speeches in Parliament) told their listeners what they must understand, not necessarily what they wanted to hear.

Throughout her brilliant book, Simmons rigorously examines the basic components of effective storytelling. She explains what a story is and what it can do that facts alone cannot. She suggests how to tell "a good story," in process explaining the psychology of an effective story's influence. She offers excellent advice on how to influence the unwilling, the unconcerned, and the unmotivated. Simmons also devotes an entire chapter to "Storylistening as a Tool of Influence," then in the next chapter identifies a number of storyteller Dos and Don'ts. She concludes her book with insights which have their greatest value only if considered within the context created by the previous chapters.

For whom will this book be of greatest value? Certainly to those who must regularly communicate with others and currently lack the skills to do so effectively. Also to those who are required to make a major presentation of some kind such as when attempting to persuade a supervisor to approve a significant course of action or persuading a customer to make a major purchase. In fact, there are countless other situations in which the skills which Simmons explains and the tools which she provides can also give those who master them a decisive advantage.

Keep in mind, however, that "story" is but one of several factors in communication. Long ago, John Wiley Hill (founder of Hill & Knowlton) defined public relations worthy of the name as "truth well-told." Simmons leaves absolutely no doubt whatsoever about the importance of a truthful "message" communicated by a trusted "messenger." Credibility is absolutely essential and can only be earned by a combination of trust and expertise. What I also appreciate about Simmons' approach throughout this book is the conversational tone she establishes and then sustains. There is a refreshing absence of preaching. She is convinced (and I totally agree) that each person has her or his own "story" to tell. It remains for each person to select the most appropriate style was well as the most effective tools to tell that story well. Who are you? Why are you here? What do you REALLY care about? It remains for each reader to answer questions such as these and, obviously, the answers will vary significantly. Whatever the answers may be at any given time, Simmons urges that they be celebrated...and cherished.

Those who share my high regard for this book are urged to check others such as Doug Lipman's Improving Your Storytelling (he wrote the Foreword to The Story Factor), Stephen Denning's The Leader's Guide to Storytelling, and Storytelling in Organizations co-authored by John Seely Brown, Denning, Katarina Groh, and Laurence Prusak.
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33 of 36 people found the following review helpful:
5.0 out of 5 stars Essential Book for Leaders and Writers, November 2, 2005
By 
Donald Mitchell "Jesus Loves You!" (Thanks for Providing My Reviews over 109,000 Helpful Votes Globally) - See all my reviews
(VINE VOICE)    (HALL OF FAME REVIEWER)    (TOP 100 REVIEWER)   
Having loved stories as a youngster (especially the Greek myths as related by my mother), I lost sight of the power of stories until I became a management consultant. I realized that the sales and education process both relied on simple, powerful stories rather than rational evidence. I again forgot about stories until I heard Howard Gardner talking about their primary significance for leaders. I then made a point to write all of my books by using as many complex, nuanced and persuasive stories as possible. Many people have praised me as a natural story teller, so I thought was done with the subject. Then, just last month, I heard Steve Denning talk about his experience in using stories to launch knowledge management at the World Bank. Oops! Here were new story ideas for me.

I ordered Denning's excellent book, The Leader's Guide to Storytelling . . . and decided to check out Amazon.com to see who else had written highly rated books on the subject. Annette Simmons' The Story Factor jumped out at me. When I examined both books, I realized that The Story Factor should be read first. It provides the overview that we all need on this subject as speakers and writers.

Ms. Simmons begins by describing six archetypal stories that we need to know how to tell: Who I Am; Why I Am Here; Vision; Teaching; Values-in-Action; and I Know What You're Thinking.

I was impressed to see these categories in print. As a consultant, I have been coaching leaders for over 30 years on how to fill in their repertoire of stories from categories that they usually ignore (especially, I Know What You're Thinking).

Having laid out that agenda, the rest of the chapters focus on "what" and "how to" elements:

What Is Story?
What Story Can Do that Facts Can't
How to Tell a Good Story
The Psychology of Story's Influence
Sound Bite or Epic?
Influencing the Unwilling, Unconcerned, or Unmotivated
Storylistening as a Tool of Influence
Storyteller Dos and Don'ts
The Life of a Storyteller

The book also contains a valuable bibliography that is worth the price of this volume.

Having read this book, I think I've finally gotten the point that I need to work on my stories . . . and not just every 15 years or so.

Give this book to those you love . . . and keep a copy for yourself!
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49 of 56 people found the following review helpful:
1.0 out of 5 stars We need a good book on storytelling - but this ain't it!, July 30, 2002
By 
Karl (England, Great Britain) - See all my reviews
This review is from: The Story Factor: Secrets Of Influence From The Art Of Storytelling (Hardcover)
Having seen the previous reviews, I came to this book with high hopes. They were never realised. Obviously the author has hit the nail squarely on the head for some readers, but I'll be hornswoggled if I can tell why.

When I got to the end of the book I was still waiting for something, Anything, that would turn my dissatisfaction into a feeling that it had all been worthwhile. But my hopes simply weren't met.

OK. Do you see a pattern in those first two paragraphs? Lots of tantalising "odours" but nothing to get your teeth into. That is how this book was *for me*.

The book starts well.
Chapter 1: The Six Stories You Need to Know How to Tell. Great stuff - for the first 26 pages, But somehow that seems to be the nearest we come to anything concrete regarding the art of storytelling. It is followed by over 200 pages of text, but those 200+ pages concentrate almost entirely on "what" you should do, with far too little on "how" to do it.

Things weren't helped by the story at the start of Chapter 6: Sound Bite or Epic. I was already halfway through the book, and still wondering when we were going to get to the meat and potatoes, and the "Somali tale from Ethiopia" about a woman going to a shaman who tells her to get hold of a tiger's whisker, really pulled the plug.
Firstly Somalia (where Somali's come from) and Ethiopia are two separate countries, next-door neighbours, who spend much of the time at each other's throats. Secondly they don't have "shamans" in Africa, they have witch doctors, etc. Thirdly, there are no tigers in Africa, only lions (tigers are found on the Indian subcontinent).

Now you might think this is nit picking, especially since the story itself does illustrate a valid point.
My problem is that this kind of presentation strikes me as being thoroughly disrespectful. It confuses Somalia and Ethiopia, it lumps all "wise men" under the trendy label "shaman", and it shows a basic ignorance of nature. In short, *to me* it says: "I'm telling a story, I don't have to go to the bother of actually getting the factual bits right - not even in the attribution."

Fine, but if an author want me to pay them for what they're offering then I believe they DO owe their readers sufficient respect to avoid making such basic errors.

My biggest concern, however, is that the book simply doesn't "walk its talk".
If storytelling - "or just "story", as the author whimsically insists on calling it through most of the book - is supposed to be so effective, shouldn't the book actually *illustrate* this fact rather than just telling me about it?
Why, for example, are a number of the stories included in the book presented in cut down form instead of allowing the reader to savour - and learn from - the full length version?

This author apparently runs workshops on various aspects of storytelling, and for all I know these may be incredibly stimulating and effective. Unfortunately, I found no such excitement in this book, just the same few messages - "storytelling is wonderful", "storytelling builds bridges", etc. - repeated over and over and OVER again.

For my money, just about ANY book by Idries Shah will give more insight into storytelling than "The Story Factor" - even the books that (apparently) contain nothing but stories.

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14 of 14 people found the following review helpful:
4.0 out of 5 stars How to use "once upon a time" all of the time, December 11, 2006
Annette Simmons is thoroughly convincing in her assertion that the best way to influence and inspire others is to tell stories. Unfortunately, she is a bit heavy-handed on the "why" of storytelling, which she explains in depth in every chapter, and a shade light regarding "how" to accomplish her lofty goals. Simmons explains that telling people an engaging story is far more persuasive than reciting facts and figures, or showing a PowerPoint presentation. To illustrate her position, Simmons uses good stories and parables as examples. She describes the six categories of stories you can use to connect with and influence people, and she offers suggestions on how to become a prolific, entertaining storyteller. This is not a typical "how-to" book with lists of things to do, but it is instructive and useful. We recommend it to anyone who is interested in the art of persuasion or who loves a good yarn.
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21 of 23 people found the following review helpful:
5.0 out of 5 stars A major contribution to organizational storytelling, July 15, 2004
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This book does what any book about applied storytelling should do: it describes how to apply storytelling without compromising storytelling's artistic heart.

Annette offers the book as a way to achieve "inspiration, influence and persuasion." By the end of the book, the reader learns that the "secret" of influence is, in fact, what has drawn so many fans to the art of storytelling: stories persuade because they lead us to the common ground of mutual respect - not by giving one party a secret weapon with which to manipulate the other. In Annette's words:

"Story doesn't grab power. Story creates power.... As a storyteller you borrow a story's power to connect people to what is important and to help them make sense of their world." (Page 29).

"The Story Factor" is my favorite "storytelling in business" book. To be sure, I had the pleasure of writing the forward to it. I did so in part because Annette has been my student in storytelling as well as my mentor in my own work with businesses. But I would never write a forward to any book in which I did not believe as deeply as I believe in my own books. I receive no payment from sales of "The Story Factor."

Here are some particular things I liked about "The Story Factor":

1. The description of the "Six Stories You Need to Know How to Tell" is worth the price of the book. People want the answers to certain questions before they'll give you a chance to persuade them of anything. These six stories achieve some of your essential interpersonal goals right away, and lay the groundwork for you to achieve the others.

2. In the chapter called "What Stories Do That Facts Can't," Annette shows how your stories can de-escalate conflict, side-step traps laid for you, avoid the "because I said so" kind of arguments, broaden a discussion by grounding it in a wider reality, etc.

3. One of Annette's chapters takes up one of my least favorite questions: "How do I tell a good story?" Why do I dread being asked that question? Because it seems to pre-suppose that there is a recipe for telling stories that works in all situations. In her characteristic Aikido-like way, however, Annette directs her readers to follow solid, easy-to-use advice that doesn't lock them into a limited formula. She briefly and convincingly outlines nine key points to keep in mind - that will nearly guarantee good telling.

4. Annette's tone hits that "sweet spot" between the hype of so many pop business books, on the one hand, and the dense, soggy prose that deadens so many academic-type books on communication, business strategies, etc., on the other. She speaks to her reader with conversational ease - but without "selling" or oversimplifying.

5. Annette's book is filled with memorable, well-told stories. Some are brief enough to throw into a conversation; others could be the keystone of a speech. The story about the red and green shoes is now part of my permanent mental landscape, as are the burning piano and the silent door-to-door salesman. With few exceptions, Annette integrates the stories into her chapters, rather than separating them into self-contained boxes. She never says why; I'll bet, though, that it's because she believes that stories persuade best when they aren't self-consciously introduced as "stories," but when they flow out of your very being, your attitude toward your listeners, and your commitment to your message.

If you care at all about using storytelling in an organization, for persuasion, or to get across a personal message, you'd be foolish to pass up this book. Beginners in the use of story will be well guided; experts will find great new stories to tell as well as a clear, systematic exposition of how story works in practice - and, underlying it all, a refreshing, inspiring perspective about how humans actually persuade each other. This book is not only about influence; it has already become highly influential. Miss it at you own risk!

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20 of 22 people found the following review helpful:
1.0 out of 5 stars Not the book to buy if you are looking for a "How to" book, September 12, 2009
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"Never judge a book by its cover.." as the saying goes. On AMAZON, I would put it as "Never judge a book by its ratings". As a previous review indicated, I have no clue in the world how this book is a 4 1/2 stars book. The book keep on telling WHY storytelling is important (I guess we know that and that's why we invest in books on the topic) but fails to address the "Art of Storytelling" as it shows on the cover. My advice would be to avoid doing the same mistake and to carry on looking as this book is definitely not worth it.
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11 of 11 people found the following review helpful:
4.0 out of 5 stars Narratives are one of the most powerful ways to communicate, use them, February 27, 2006
The telling of a story is a timeless way to communicate and share information. Tell the story well and the information will have a profound and lasting affect on an audience. In order to help inspire, persuade, and influence others, the author offers some advice on the art of storytelling. In this book readers will learn:

· The six distinct stories one must know how to tell. These include:
o "Who am I?" stories.
o "Why I am here?" stories.
o "The vision?" story.
o "Teaching" stories.
o "Values in Action" stories.
o "I know what you are thinking" stories.
· What exactly is a story? Learn why stories can connect with human audience in a way that renders the repeating of simple facts as almost useless.
· How to tell a good story? Develop the skill of storytelling through effective and proper use of material, expressions, and gestures.
· Stories connect on a psychological level. These deeper connections can allow the storyteller to connect with unwilling, unconcerned, and unmotivated listeners. Influence those that would not be reachable otherwise.
· There is power in being a listener as well as a storyteller. By listening to the audience, a storyteller can assess where the audience is coming from and start the story from their position. This can be a key area when trying to persuade an unwilling audience.
· Storytelling Do's and Don'ts. Basically learn what should and should not be done in the course of telling stories. Follow this advice to ensure that the storyteller inspires audiences to be influenced by advice, ideas, and points of view.
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16 of 18 people found the following review helpful:
5.0 out of 5 stars Informative & Entertaining ... A Rare Combination, March 23, 2003
Finally, a management book that isn't filled with trite one sentence solutions to complicated problems. The author points out that in order to succeed, in business or life, other people must trust you and your goals. The way to exert influence and gain this trust is through opening up lines of communications via stories.

Everyone has a story to tell. With books, plays and movies people find stories intriguing because they reveal truths and emotions that are universal. Tapping into this universal appeal is the key to influencing others.

I found this book, with it's plethora of stories and examples, an excellent how-to guide. Not only are the stories entertaining, but they are arranged in 6 categories which allows the reader to easily apply them to specific situations. An interesting by-product is that I now listen more intently to other's stories and file them away in my mind for future reference. I have not only become a better communicator, I have become a better listener.

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16 of 18 people found the following review helpful:
5.0 out of 5 stars Your Story Is Your Brand, August 9, 2002
By 
Jim Duffey (St.Petersburg,FL) - See all my reviews
"The Story Factor" by Annette Simmons is the best book I have read in a very long time. In fact in this pioneering work she has shown her gift for genius(we all have it, just don't all get it out there)by marrying together two seemingly unlikely ideas, storytelling and managagement skills. By management I refer to anything in our lives, from business, to personal life, to dealing with our own internal demons. There are plenty of competing distraction out there for us to read, but this book must not be missed. The Story Factor is a perfect primer for anyone looking to learn more about storytelling as a valuable adjunct to other lifeskills.

Ms. Simmons offers her readers a strong case for valuing our own lives as being filled with meaningful anecdotes we can mine, and use, in order to connect with a genuine purpose. As an example Ms. Simmons points out the need for people to challenge ideas that fly in the face of reality. To elucidate her point she tells of Dr.Gail Christopher of The Innovations In American Government Program who questioned the notion that we can "do more with less". In the canabalization of much of corporate(and public) America we are now finding that you more often get less.
With a well-timed story we can often be the iconoclast without necessarily stinking up the place being loud and boisterous.
I am a speech-language pathologist and small business owner. I am interested and very motivated in finding useful(to me, and my customers)ways to help people find purpose and fulfillment in their lives. Annette Simmons great little tome has helped me do just that. In fact I have become so much more successful since reading it that I must get back to work here. Buy it, read it, and prepare to change!

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