From Publishers Weekly
Olivia Langston (1845-1904) married Mark Twain (Samuel Clemens) in 1870 and remained his wife for 34 years. In line with the conventions of the times, she saw herself as a wife, mother and "tamer" of iconoclastic Twain. However as Willis, literature professor at Drury College in Missouri, points out in this carefully researched, readable biography, Langston was also his valued critic and editor. In humorous anecdotes Twain portrayed "Livy" as a shrew--but the relationship between the mild-mannered, self-effacing woman and the cantankerous literary genius was apparently one of deep commitment and love. Their affection for one another, claims Willis, saw them through the rise and fall of their financial fortunes, the death of their daughter and Livy's many illnesses. The author's access to letters and journals gives insight into both husband and wife, as well as providing a portrait of American domestic life in the late 1800s.
Copyright 1992 Reed Business Information, Inc.
From Kirkus Reviews
Twain's domestic years (1870-1904) were not what he considered his best. But in spite of illness and financial stress, they were the years when he wrote the novels and stories he is remembered for--works that, according to Willis (Literature/Drury College) in this slight and sentimental story, were edited and inspired by Olivia ``Livy'' Langdon, Twain's wife, whom he called ``angel'' and ``gravity.'' Recovering from ``neurasthenia,'' a form of weakness that afflicted upper-class, intellectually repressed Victorian women, Livy entered a ``classic'' marriage as the ``civilizing'' influence on a hard-drinking, smoking, swearing, sociable dreamer who liked to travel. She decorated his homes, entertained his friends, toured Europe and the world with him as he lectured and wrote, and provided the fortune that allowed them to live so well on an editor's salary--a fortune he lost on the ill-fated Paige typesetting machine. Livy also bore four children: a son who died in infancy and three emotionally crippled daughters, also tamed in odd ways--at age four, the oldest was ``whipped'' daily in the bathroom with a ``hairbrush or papercutter.'' Although Livy's dark side--her elitist, tyrannical, and repressive nature--is obvious, the love story Willis claims to offer is not. Rather, there is a record of holidays (not very festive), expenses, travels, domestic chores, visits, visitors, griefs, and all possible illnesses--from pinkeye to epilepsy--and the medical foolishness with which many of them were treated. The best story, only implicit here, is not the taming of Mark but the liberation of Livy, the adventure of being Mrs. Clemens, especially the lecture tour around the world with all the bizarre escapades in Fiji, Tasmania, Africa, and India, lovingly related in Following the Equator, a Twain work that does not even appear in Willis's bibliography, with the voyage itself squeezed between Twain's carbuncles and daughter Susy's death. (Two eight-page photo inserts--not seen.) --
Copyright ©1992, Kirkus Associates, LP. All rights reserved.