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Todd Solondz, director of the acclaimed
Welcome to the Dollhouse and the controversial
Happiness, continues pushing the envelope of social decorum with the merciless and casually cruel
Storytelling, his most ruthless satire of suburban complacency. Broken into two unrelated chapters, "Fiction" follows college girl Selma Blair through a degrading encounter with her resentful writing teacher (Robert Wisdom), while the more sprawling and scattershot "Non-Fiction" circles around the mutual exploitation of a fumbling documentary filmmaker (Paul Giamatti doing a near-parody of director Solondz) and his clueless subject, a suburban high school slacker named Scooby (Mark Webber). The squirmy laughs are laced with humiliation and the satire is acidic and cynical; in the world of Solondz, victims and victimizers alike are petty, selfish, vindictive, and thoughtless, and empathy is strictly rationed. Though sharply written and well directed, this misanthropic vision is strictly for daring filmgoers and Solondz fans.
--Sean Axmaker
Another disturbance of the peace from the writer-director Todd Solondz, who made "Welcome to the Dollhouse" and "Happiness." This time, we get a movie split in half, the first part of which concerns a creative-writing student (Selma Blair), thin and white, who dumps her disabled boyfriend and, for good measure, sleeps with her black professor. In the second half, we trace the exploits of a documentary filmmaker (Paul Giamatti) who wants to unearth what the youth of today are doing with themselves in high school. The answer is, more or less, nothing, although we do come across one slacker who would like to be on TV. In short, Solondz presents two tales meant to winkle out the cultural encounters that embarrass us the most, and then twists the knife and leaves us squirming harder than before. It's clever enough, and you could gash yourself on some of the lines, but, when a director is as resolutely ungenerous as Solondz, the end can only come as a relief. -Anthony Lane
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The New Yorker