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Straight from the Source: An Expose from the Former Editor in Chief of the Hip-Hop Bible Hardcover – Bargain Price


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Product Details

  • Hardcover: 288 pages
  • Publisher: VH1; 1st MTV Books/Pocket Books Hardcover Ed edition (September 9, 2008)
  • Language: English
  • ISBN-10: 141655968X
  • ASIN: B001U0OJRY
  • Product Dimensions: 9.3 x 6.2 x 1.3 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 3.7 out of 5 stars  See all reviews (21 customer reviews)
  • Amazon Best Sellers Rank: #151,656 in Books (See Top 100 in Books)

Editorial Reviews

About the Author

Kim Osorio, a native of the Bronx, New York, was the first female editor-in-chief of The Source magazine. She led the publication to some of its highest-selling issues ever before suing for sexual harassment. She lives in New Jersey with her fiancé and two daughters.

Excerpt. © Reprinted by permission. All rights reserved.

Chapter One

Time's Up

Time moves too fast in the mornings. No matter how hard I try to be somewhere on time, I can never seem to get it right. But this morning, driving in New York City in the spring of 2003, it would probably help if I allowed myself more than ten minutes to get from New Jersey to lower Manhattan.

I pressed down on my car horn two times with both hands so that the yellow taxi in front of me got the hint. "Come on. The light is fuckin' green!" My windows are up, and no one is in the car with me. Basically, I am just yelling at myself.

The clock read half past six o'clock, and the radio was tuned to NYC's number one hip-hop radio station. "Hot 97, where hip-hop lives. This is the Renegade Radio," I heard Sway say over the airwaves. I was scheduled to do a live radio interview representing the Source magazine. As the newly appointed editor in chief, the agenda was to promote the new issue, which had just hit newsstands that week.

My friend Miss Info was one of the jocks on the morning show with Sway, and since she and the Source's owners were not exactly fond of each other, she hooked up the interview as a favor to me more than anything else. I typed out to her on my two-way pager, I am 5 minutes away, not factoring in the five minutes it would take to park my car and the additional five minutes that I would need to get past the security desk. Altogether, I was fifteen minutes away, which meant any hopes of my getting coffee before I went on the air were pretty much crushed.

I rushed out of the parking lot so fast that I almost forgot my ticket, then I checked in at the front desk. By the time I made it up the elevator, someone was waiting by the back door to take me into the waiting area. "You're going to go on in about two minutes."

Two minutes! Ugk, I thought. Not enough time to mentally prepare for an interview I knew could be tough. "Can I borrow this pad?" I asked the guy that walked me in.

"Sure." He offered me a pen to go along with it.

My mind was racing with questions that I anticipated they could ask. So I started to quickly jot down notes on the pad -- points that I knew I had to hit and topics I knew I needed to avoid.

Benzino's beef with Eminem not connected to the magazine...Stay neutral and don't say anything bad about Eminem...or 50...50! Don't mention knowing 50 personally.

There was so much controversy involving the magazine's rivalry with XXL, Benzino's beef with Eminem, and Eminem's record label, Interscope, having pulled their advertising dollars from the magazine that I knew the real reason they'd agreed to have me on the show. This was morning radio. The point was to entertain the listeners by ridiculing the guests. They were not going to ask me anything I wanted to answer. They were not going to help me promote the magazine. That was my job. Their job was to get me to say something that I didn't want to.

"It's time," said the guy, who walked back in the room to take me into the studio. Two minutes had gone by in just one, I swore.

"Okay, I'm ready." I tried to cover up any signs of my nervousness, even though I knew he could see my heart beating through my coat. I'd done live interviews before -- sometimes even on politics and shit that I didn't know the way I knew hip-hop or the Source -- but I was more nervous than usual. And this was not even television, it was radio. Normally, all I had to worry about was not stuttering and making sure I used an SAT word every few sentences so I came off intelligent. But this time was different. I felt like Bill Clinton trying to avoid discussing whether I actually inhaled.

I could handle this, though. Just stay on topic and never let them see you sweat,I thought. What was I so nervous about anyway? Sway and I were cool. He would not even go there.

'"Kim Osorio, editor in chief of the Source magazine, is in the room with us," Sway said, standing in front of the microphone, his long dreads standing behind him.

I sat down, put the headphones on one ear so I could listen to anything that went on in the room, and placed the pad with my notes in front of me. There were so many words on the page, but the number stood out like a sore thumb. The number 50.

Miss Info walked over to me from where she had just finished delivering her "celebrity drama" segment and sat in the chair to my right. She scribbled some notes on my pad, but I couldn't look down to read them because Sway had already started asking me questions.

After a couple of easy ones, I was in my comfort zone and had let go of any paranoid thoughts that I'd come into the room with. Then Sway, out of nowhere, straight violated my whole womanhood.

"You were sucking off 50 Cent?"

"Huh?"

"Didn't Eminem say something about you sucking off 50 Cent?"

"Eminem never said that. No."

"Isn't there a song where Eminem said you were on your knees sucking off 50?"

"No, I think you got that wrong."

"So you were never sucking off 50 Cent?"

"No."

What in the hell??? I started to write down on my notepad to Miss Info. That quickly, I was thrown off. I couldn't look Sway in the face because I didn't want to turn him to stone. I was so angry, Medusa had nothing on me.

Sway cut to a commercial, the on-air light went off, then he walked out of the room to take a break. Miss Info was on her feet. "I'm going to go talk to him."

In truth, it was too late to talk to him because he had already tried to blow up the spot. Did he even know anything about 50? How could I just ignore this now? If my coworkers, or even worse, my superiors, were listening, I was going to be humiliated when I got into the office. I had to calm down and figure out what had just happened.

First off, Sway was way off. I started to work it out in my head like an algebra problem. I've always been good at math, so I knew I could figure out the answer before we went back on the air. There was an Eminem verse that mentioned my name, but Sway had the lyrics wrong. Wait, maybe this was a new song that he was talking about. Uh-oh. Oh no. No, wait. I know the song he's talking about. Sway's buggin'. That was the song where Eminem was talking about his wife, whose name happens to also be Kim. Damn it, why is her name Kim? "She's probably on her knees somewhere sucking off 50 Cent." He's not talking about me in that song. I should have said that on the air. The song that mentioned my name said something entirely different: "Kim Osorio, you sorry ho...drag you through the barrio." Or something like that. Say that on the air. No, duh, don't say that on the air, but clear this up.

"Hot 97, we're back on the air with Kim Osorio, editor in chief of the Source magazine." Sway was back in the room, and the red on-air light was back on. Miss Info was sitting next to me and writing on my pad again. I felt I was in a time warp. This time, I had no choice but to pay attention to her and not him. He's going to come back to it. Just stay calm. Treat it like they're men in the street whistling at you and you don't turn around so they just automatically call you a bitch. Stay professional.

"So there is a song where Eminem mentions you, right?" Sway rephrased his question.

I knew that whenever I acted out of emotion it was usually the wrong thing to do. So now I just followed exactly what Miss Info was telling me to do. Why is her handwriting so damn small?

"You know what, Sway. It's, like, what's the first thing a man says when he's whistling at you in the street and you're not paying him any attention? He calls you out of your name. That's all that was. I've never even met Eminem."

That damn Eminem, look at all the shit he was about to start.

It's hard to laugh and joke around when you're as mad as I was at the station that day, but I somehow managed to ignore it and forgive Sway. I left the station immediately after the interview and went straight to the office, pretending it didn't all happen, but knowing it was at the top of everyone's mind and on the tip of everyone's tongue. I couldn't let anyone know just how much it bothered me to have been put on the spot like that. When you're in a position of power, you have to dust your shoulders off. You have to learn how to become immune to insults and expect the worst things to be said about you. Throughout my career at the Source, mud was slung so many times on my name, both inside and outside the office. Biggie said it best: "Mo' money, mo' problems." For me, though, once I became editor in chief, it was the problems that seemed to come a lot faster.Copyright © 2008 by Kim Osorio


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Customer Reviews

This is dull book, owing largely to the lack of actual story.
teellbee
The "real" hip-hop world is not something I know a lot about beyond what I read in magazines or on blogs.
MD
I've been waiting for this book to come out, bought it as soon as it did and read it in a weekend.
mlangan

Most Helpful Customer Reviews

6 of 6 people found the following review helpful By mlangan on September 8, 2008
Format: Hardcover
I've been waiting for this book to come out, bought it as soon as it did and read it in a weekend. Admittedly, I just wanted to tie up all the bits and pieces that i read in the media. i was looking for a clean and clear cut time-line and story of what happened to this successful editor-in-chief and the ultimate demise of hip-hop's bible. I got that and so much more. This story is an honest tale of a true lover of hip hop, raised on those exciting and optimistic days when hip hop was young and fresh (pun intended) only to be worked over like the rest of us by the ugliness and ultimately staleness of ego, power and greed. While Ms. Osorio's story is an insider's industry tale, what is ultimately so great about this novel, is she is just like the rest of us, just a true fan of the music.

great read for all hip hop fans.
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6 of 6 people found the following review helpful By Veronica Cannao on September 3, 2008
Format: Hardcover
It's was an excellent book....It just amazes me how Kim had to fight so hard to stay on top and how a dedicated mother fought for a great life for her daughter. As an ex- single mom I have put up with some crazy things at my job so I could put food on my table...I give Kim a lot of credit and look up to her....I would recommend this book to Oprah....
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5 of 5 people found the following review helpful By Geminigirl on September 19, 2008
Format: Hardcover Verified Purchase
Considering myself an "outsider" to rap/hip hop post 1990, I never gave The Source more than a cursory flip through and didn't know that Kim Osorio was the EIC until after I heard about her lawsuit. In fact, the only thing I HAD heard about the magazine regarded "Benzino's" ego-driven vendettas against certain artists so I was pretty eager to read this book to get the real story.

The flow of the book is excellent, she doesn't waste time detailing her personal relationships but admits to them without the sometimes tasteless sensationalization that others have used in recent tell-alls. As a woman who also grew up on rap & hip/hop, I truly felt her pain and the pain of other women who initially loved the artists, music & lifestyle of hip hop but then gradually got worn down due to the mysogyny & abuse perpetuated by so many males who've also grown up on this genre.

Kim's attempts to remain professional in the face of the kind of madness she worked in was admirable - I probably would've quit long before she did but on the other hand, why should she have to quit such a lucrative position and more importantly, one that she loved because of a crazy boss?!

This is a very entertaining & addictive read told in a matter-of-fact style that will have you laughing out loud at some of her observations and is a book that I'd highly recommend to those immersed in hip hop news as well as the curious (like me) who just wanted to get some insight into how such a popular & influential magazine imploded.
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5 of 5 people found the following review helpful By MD on September 18, 2008
Format: Hardcover
This book was a great read! I have been waiting for it to come out and as soon as the book arrived I picked it up and couldn't put it down.
The "real" hip-hop world is not something I know a lot about beyond what I read in magazines or on blogs. I love the music, but have always known there is more to hip-hop than the music. Ms. Osorio let me in to "her" hip-hop world to see it from the inside.
I don't need to read about video girls and their drama or about woman sleeping to get to the top. I am a professional woman and I want to read about other real professional women. In this book, I read of the struggles and conflicts that Ms. Osorio had and how she dealt with them. The same things may not have happened to me, but I can really relate.
It took a lot of courage to fight The Source, but she did and she WON! I am happy Ms. Osorio shared her story and I hope that she will share more in the future.
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5 of 5 people found the following review helpful By Rose S. on September 5, 2008
Format: Hardcover
Well I must say from the minute I started reading Ms. O's book, she had me. I could not put this book down. It was well written, actually her writing skills are excellent. It was captivating, clever, witty, and just down right "REAL"! Ms. O's story inspired me. I too work in the entertainment industry and know all too well how it's a "man's world". I'm glad Ms O. rose to the top and didn't let anyone shut her down when it was time to fight for what was "right"!!! I recommend this book to EVERYONE. You don't have to be into Hip Hop to enjoy this book. I look forward to the next book by Ms. O.!!! This is one talented young lady.
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7 of 8 people found the following review helpful By N. Woods on September 10, 2008
Format: Hardcover
Finally!!!!! A story about a woman in hip-hop that has a purpose. This book was such an awesome read, I couldn't put it down. Kim tells the reader all that you wanted to know and then some about her fight in the male dominated world of Hip-Hop! The story is exciting yet inspirational and keeps you turning the pages because you want to know what happens next. I want to send a special shout out to Kim for sharing her story with us, women who face the same type of obstacles in the workplace. This is one brave lady!!!! I look forward to reading the next book telling us all the stories that she must have held back....
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7 of 8 people found the following review helpful By T. Smalls on September 2, 2008
Format: Hardcover
I think the book is good for anyone to read but it's mostly geared to women and not just any woman- a woman on the come up of her career. Men will see the background bashment it takes to run a magazine and the minuet beefs that can get started in the entertainment industry in a New York minute if you're not paying close attention. Women, on the other hand, will get lots more from it if they really sit down and read it. They will understand what it's like to be a woman in a male dominating industry and how lots of times if something went wrong, it would be automatically be blamed on your emotions. It will also show you how petty the entertainment industry is and why you shouldn't deal with these cornballs in the industry because one moment you're enjoying nice love sessions in your favorite telly, the next you know your dessert of choice is blowing you up on the radio. Sad but true, there is a double standards when it comes down to men, women, and sexuality.

Ms. Osorio works hard to show you her personal journey during the maniacal days at the Source and under the rule of Dave Mays (wanna-be-black behind) and Benzino. I think it's a good read if you're interested in getting in the industry or was a avid reader of the Source during her tenure, 2000-2005. I give this book 8 out of 10 stars respectively because everyone knows that Kim Osorio is a legend in modern-day Hip Hop in her own right.
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