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Strange Days
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Strange Days

The DoorsAudio CD
4.5 out of 5 stars  See all reviews (192 customer reviews)

Price: $12.04 & FREE Shipping on orders over $35. Details
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Amazon Price New from Used from
MP3 Music, 10 Songs, 2006 $9.49  
Audio CD, Import, 2007 $6.99  
Audio CD, 1990 $12.04  
Vinyl, Original recording remastered, 2009 $23.28  
Audio Cassette, 1990 --  

Listen to Samples and Buy MP3s

Songs from this album are available to purchase as MP3s. Click on "Buy MP3" or view the MP3 Album.

Song Title Time Price
listen  1. Strange Days 3:06$1.29  Buy MP3 
listen  2. You're Lost Little Girl 3:00$0.99  Buy MP3 
listen  3. Love Me Two Times 3:15$1.29  Buy MP3 
listen  4. Unhappy Girl 1:57$0.99  Buy MP3 
listen  5. Horse Latitudes 1:35$0.99  Buy MP3 
listen  6. Moonlight Drive 3:01$1.29  Buy MP3 
listen  7. People Are Strange 2:10$1.29  Buy MP3 
listen  8. My Eyes Have Seen You 2:27$1.29  Buy MP3 
listen  9. I Can't See Your Face In My Mind 3:23$0.99  Buy MP3 
listen10. When The Music's Over10:59Album Only

Amazon's The Doors Store


Image of album by The Doors


Image of The Doors


With an intoxicating, genre-blending sound, provocative and uncompromising songs, and the mesmerizing power of singer Jim Morrison's poetry and presence, the Doors had a transformative impact not only on popular music but on popular culture.

The Doors' arrival on the rock scene in 1967 marked not only the start of a string of hit singles and albums that would become stone ... Read more in Amazon's The Doors Store

Visit Amazon's The Doors Store
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Frequently Bought Together

Strange Days + The Doors (180 Gram Vinyl) + Waiting for the Sun
Price for all three: $44.70

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Product Details

  • Audio CD (October 25, 1990)
  • Number of Discs: 1
  • Label: Elektra / Wea
  • ASIN: B000002I27
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (192 customer reviews)
  • Amazon Best Sellers Rank: #185,250 in Music (See Top 100 in Music)

Editorial Reviews

Product Description

Digitally remastered pressing of The Doors sophomore album from 1967, which begins where their debut left off....aggressive, creative and unique. The Doors' mixture of Rock, Blues and Jazz combined with vocalist Jim Morrison's poetic lyrics and powerful vocals created a musical Molotov cocktail that could make your senses a good way! 10 tracks including 'Love Me Two Times', 'People Are Strange' and the epic 'When The Music's Over'. Warner.

Even darker than their purple-hued debut, the Doors' follow-up, Strange Days, closed 1967 with an ominous flourish. Highlighted mostly by short, radio-friendly tunes such as the bluesy "Love Me Two Times" and the cabaret-style "People Are Strange" and featuring a smattering of edgy recitations ("Horse Latitudes") and smoky rockers ("My Eyes Have Seen You"), the album features a centerpiece that was another ambitious extended track, "When the Music's Over." On it, Morrison railed at everything from organized religion to pollution, and his rallying cry--"We want the world, and we want it now!"--became a call to arms for the counterculture rising up around the band. --Billy Altman

Customer Reviews

Most Helpful Customer Reviews
61 of 66 people found the following review helpful
5.0 out of 5 stars A Classic Release Brought Back To Life! April 9, 2007
Format:Audio CD
"Strange Days" was The Doors' sophomore effort, the attempt at bringing back for another round the kind of feverish, poetic magic attained in their classic debut. Few follow-ups have achieved the kind of artistic, sonic accomplishments The Doors got here which is why many consider "Strange Days" their best effort, second only to their first album. Now in light of the 40th anniversary of the band's introduction to the world, Doors engineer Bruce Botnick has taken all their albums and remixed them from the original master tapes, what he achieves here, as with the remastered debut, is a complete resurrection of a classic recording. The album now breathes and screams with fierce energy and detail. The opening title track is now a true gothic opus as the effect of the first synthesizers is better appreciated in Jim Morrison's menacing delivery of a world gone insane. John Densmore's drums are heavy and intense while Ray Manzarek's organ is more defined. "Love Me Two Times" is a ferocious blues rocker with a killer bass now more audible while the creepiness of "Horse Latitudes," a spoken-word piece Morrison wrote in high school, is more striking this time as many of the layered effects are clearer. "Moonlight Drive" has better piano/organ parts. Some purists have been scoffing at the remixing, claiming these are not the same albums. This is a wrong analysis, what Botnick has done is create a more clear, defined piece considering the older recordings suffered from the original technological setbacks of the 60s and in the case of the first album even the speed was off. Solos and instrumentals are easier to hear now and the sound quality is superior to anything previously released. Read more ›
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12 of 12 people found the following review helpful
5.0 out of 5 stars SACD Strange Days July 9, 2013
Format:Audio CD|Verified Purchase
This release is worth the money-if you have a SACD player. I closed my eyes and listened and I seemed to be in a small room listening to a live band, The sound was open and clean. The surround mix was amazing even startling at times. This and the first album are my two most favorite Doors releases. I also listened to it on my computer speakers (Logitech THX 2.1 Channel) and the sound in stereo was excellent, also. I find myself wishing I could play the multichannel in my car as well-maybe someday if SACD goes mainstream. I also bought the first album, Morrison Hotel and LA Woman over a 2-3 week period. I tried "The Doors" first and that convinced me to get this one -and my wife-after listening to the first two, wanted Morrison Hotel, after which I went for LA Woman. I am not disappointed with any of them.
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85 of 105 people found the following review helpful
1.0 out of 5 stars Strange, indeed March 24, 2008
Format:Audio CD
Strange why you would mess with a classic.

This is NOT the original recording. It has been remixed. Bad idea. I don't understand why the Doors albums were remastered in 1999, but only released in the US in that box set. The '99 remasters sounded great. But remixed?? I think even the average listener would be able to tell that something just doesn't sound right here. It isn't the same classic recordings you're used to hearing.

Now, why am I against the remixes? Well, for one, it opens the door to reinterpretation. I mean, why not get a whole host of remixers for the project? You could have today's top DJs remixing classic albums from every era. You could buy the Scissors Sisters version of People Are Strange for when you want that combination of Jim Morrison and super sexy deep club beats. Why not just put the raw tracks on DVD audio and let the listener "remix" for themselves? Maybe you could get some guest musicians to add tracks to the original recordings. I mean, maybe what LA Woman really needs is a Slash guitar solo. Or how about getting Linkin Park to add some crunchy heaviness and rapping to When The Music's Over?

Do you get the point? If you start rearranging the past, where do you stop? And now these remixed CDs are taking the place of the original catalog, so new listeners will be hearing something totally different than what we originally heard and fell in love with. Classics are classics for a reason. Remastering for higher fidelity is one thing, but remixing, rearranging, and reinterpreting are quite another.
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11 of 11 people found the following review helpful
By Ulven
Format:Audio CD
The strangeness of this album is indicated not merely by the title, but also by the obscure photography source.'Alabama Song', from the first album, is a compostion by a strange musician from early century Germany named Kurt Weill, and was originally sung by his wife, the gritty songstress Lotte Lenya.This street on the cover, is where Weill and Lenya were prominently photographed.The Doors were obviously quite taken by this unusual looking place.The characters spookily and humourously gracing this street here on "Strange Days", further enhance the European sentiments of this album.The Doors are of course, an American rock group.But the underlaying mood is here is most definitely not of Americam typicality.The cynicism of the Berlin cabaret scene, of which 'Alabama Song' is an infamous part, runs steadily through almost every song on "Strange Days".A cynicism, which is in contrast to the slick pizazz of the Broadway cabaret culture of the Doors' countrymen.

The man with the fingers(Manzarek) must have dislodged the sound mechanism from some showground carousel to produce his contribution.It's a very different treatment to the upfront, clear and unreverbed sound of the first album's organ.This pretty musicality though, is set-off by excedingly dark lyrics, sung with the utmost gloom.The slide guitaring by Krieger sums up this contradictory sentiment with perfection.I often don't know whether to smile or to fear.Add to this Densmore's odd-ball choice of rhythms, and suddenly the carousel organ doesn't seem so pretty anymore.With the Doors, it's never really darkness by obvious means.They incorporate niceties, then display the perverted relationships that can exist with such things.

'Strange Days', organly chord-grinds its album name-sake onto the scene, true to its word.
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Topic From this Discussion
L.A. Woman or Strange Days?
You should get BOTH! haha...but I would recommend L.A. Woman first. The album as a whole is better to me. But still both are great, you won't be disappointed with either.
Apr 19, 2006 by J. L. Baer |  See all 5 posts
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