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Strange Pilgrims
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21 of 21 people found the following review helpful
on February 16, 2003
In twelve short stories, Garcia Marquez proves that he is not only capable of writing deeply, he is capable of writing concisely. The stories in this book are extremely thought provoking, relating to the human spirit and little oddities about people.
There is one story in particular that I will not forget. It is about a woman who gets stranded with a flat tire, and hitches a ride with a bus to a mental institution. The story unfolds from there, and I don't think I have ever felt so deeply troubled by a single story like I was in this case. Of the twelve stories, I liked 8 or 9, the others were a little boring (or maybe I did not get them). I highly recommend it, especially for those who do not have the patience to read GM's "One Hundred Years of SOlitude" and would like an intro to the author.
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15 of 15 people found the following review helpful
HALL OF FAMEon January 29, 2001
As I read "Strange Pilgrims," the collection of short stories by Colombian-born Gabriel Garcia Marquez, I was reminded of the classic television series "The Twilight Zone." Like some of the best episodes in that series, many of the stories in "Strange Pilgrims" are rich in irony and psychological intrigue, and incorporate elements of the macabre and the fantastic. And many of the stories have twist endings. This collection has been translated into English by Edith Grossman.
These stories deal with Latin Americans on voyages, for various reasons, to Europe. The book thus has a trans-Atlantic, international feel. Highlights of the collection include "Bon Voyage, Mr. President," about a deposed head of state seeking medical attention in Switzerland; "The Saint," a supernatural tale of a father seeking canonization of his daughter from the Pope; the creepy "The Ghosts of August"; and the grotesque "Seventeen Poisoned Englishmen."
Throughout the book Garcia Marquez presents many images that are beautiful or disturbing, but often memorable: a drowned man floating with "a fresh gardenia in his lapel," a moray eel nailed to a door, a bedspread stiff with the dried blood from a murder. An added bonus is the appearance of Chilean poet Pablo Neruda as a fictional character in one of the tales. "Strange Pilgrims" is a varied collection of weird treats from a master storyteller.
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12 of 12 people found the following review helpful
I wonder if Garcia-Marquez is capable of writing a bad story. Certainly this selection of twelve are like polished gemstones. They might not be shiny or scintillating, but they are so solid, so satisfying. Each of them centers around Latin Americans, mostly Colombians, and their strange experiences in Europe. Back in South America, they move in familiar patterns, they feel at home, but in Europe, unknown and unseen forces affect them, they are prey to the pitfalls of strangeness, they can't see anything coming until it runs them over. While the gigantic geography, turbulent history, and luxuriant and untamed nature of South America fosters magical realism in authors, at least in Garcia-Marquez and some of the other greats, they also produce characters very much larger than life. Europe has always seemed to me a much tamer place, having reduced uncertainty over centuries--- more set in its ways, with fewer surprises, established, sedate. Garcia-Marquez perhaps sees it in a similar way and it unnerves his Latin American protagonists. An ex-dictator lives in a student garret, sells his jewels, and undergoes a useless operation. A woman disappears "by accident" into a mental institution and a playboy dithers in a cheap Paris hotel, not knowing a word of French, while his young wife dies in a hospital. A postal clerk spends years trying to see the Pope to convince him of his daughter's saintly qualities. He lugs the deceased but uncorrupted daughter around in a huge case. An aged ex-prostitute feels death is at her door, but actually it is something else. Nobody really feels at home, nobody can trust their feelings, because everything works differently. Europe isn't exactly an alien place for them, but they are, each time, unwitting victims of the unexpected.

Garcia-Marquez is one of those authors who seem to write about ordinary people whose lives take strange twists. But the worlds they inhabit, the people around them, the very fabric of their existence seem to me utterly fantastic. His talent lies not in presenting ordinary life, but extraordinary life. You accept a little more, a little more until suddenly you find yourself believing in the unbelievable. In the great warrens of Western civilization, but also in the daily grinds of Asia, Africa, or Latin America, life may take interesting paths, or curious twists, but for the most part, it is very predictable. These stories all have only the veneer of predictability; underneath the realism is full of spooky holes. Yet, that is not only due to a magical tone as in novels like "The Autumn of the Patriarch" or "One Hundred Years of Misunderstanding", it is due to the author's constant combination of known daily life with near-fantasy. You can hardly draw the line between them, so closely does he knit. Great stories by a truly great talent. Read them.
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5 of 5 people found the following review helpful
on May 18, 2006
"Strange Pilgrims" is a wonderful, but sometimes overlooked, collection of 12 short stories from the Nobel Prize-winning author Gabriel Garcia Marquez. The stories that compose the collection vary in length and quality, but even the less successful among them are worthy of the reader's attention. The stand-out stories include "The Saint", "Maria dos Prazeres", "Miss Forbes's Summer of Happiness" and "I Only Came to Use the Phone" -- a bizarre and haunting tale of a young woman whose car breaks down in a Spanish desert, on a rainy afternoon. She is unwittingly picked up as a hitchhiker and mistaken for a mental patient who is taken to an asylum. This theme, of the familiar merging with the nightmarish is explored again in "The Trail of Your Blood in the Snow."

In "I Sell My Dreams", the protagonist meets Pablo Neruda ("He moved through the crowd like an invalid elephant, with a child's curiosity in the inner workings of each thing he saw, for the world appeared to him as an immense wind-up toy with which life invented itself") and discusses the labyrinths of Borges, among other things. "Light is Like Water", a charming ode to the power of a child's imagination, is a story brimming with surreal imagery.

These 12 tales perfectly define the genre of 'magical realism'. The collection also seems like a fine place to start for those seeking to familiarize themselves with the work of Garcia Marquez, before tackling epic novels like "One Hundred Years of Solitude" and "Love in the Time of Cholera". These are the kinds of stories that seem to stick in the reader's memory and welcome repeated readings.
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4 of 4 people found the following review helpful
on December 7, 1998
An incredibly inventive and thought-provoking collection, "Strange Pilgrims" is reminiscent of Milan Kundera's "Book Of Laughter and Forgetting", as well as Tim O'Brien's "The Things They Carried". Constructed as interweaving short stories, these twelve misfit pieces all deal with moving themes: loneliness, death, travel, the otherworldly nostalgia that these phenomena provoke, and ultimately the sadness of being lost in your own experiences. Like Kundera's "Laughter and Forgetting", "Strange Pilgrims" does not attempt to draw lucid conclusions between its seemingly unrelated characters. Instead, Garcia-Marquez simply allows the reader to develop his own relationship to the text. At times, "Strange Pilgrims" achieves what Garcia-Marquez so eloquently refers to when speaking of writing in the book's introduction-"the closest a human can get to the experirence of levitation." Highly recommended.
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3 of 3 people found the following review helpful
I will be brief in praising this book. Gabriel García Márquez is the most celebrated and BELOVED novelist in the Spanish language since Cervantes, the author of Don Quixote. If you have not read him before, YOU SHOULD! But enough of the "good medicine" talk. García Márquez is entertaining. In these stories you will be witness to strange events told with a straight face, and in achingly beautiful prose. A woman's hand trailing blood in the snow, a lovely, sleeping beauty on board a plane, a man in Rome with a small coffin containing his daughter's body... These stories have a light touch-- they get your interest and entertain you! No need for me to go on... check it out for yourself!
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5 of 6 people found the following review helpful
on September 14, 2000
First book I ever read by GGM, and it packed a whallop!
Here are stories that seem to prove that to be human is to be in touch with magic. His voice is like no one else's, like some kind of rebel or radical, free of the constraints of society. I was refreshed by his individuality, his rather sweetly humorous take on the tragic foibles of man.
After this, I read almost everything else he authored. I encourage all readers to get this book and read it now!
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2 of 2 people found the following review helpful
on November 4, 1998
True to form, Marquez writes beautifully. He is blunt with his words in such a way that ties them together purely. You feel as though you are in the stories, not simply imagining them. In a way, these stories are like a good mystery or even horror film; you know something isn't quite clear, yet you continue to watch because it all comes together in the right way. These stories leave you with a just a bit more insight into people and human nature. They leave you satisfied, which, in my opinion, is the sure sign of great writing.
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1 of 1 people found the following review helpful
on April 27, 2010
What an ideal book for my Garcia Marquez collection. Some stories appear to have no point--but that's a North American viewpoint. South Americans: "It is what It Is." My favorite story about children turning on the lights in their apartment and being magically realistic is in this collection. Short story books serve two purposes for me: One, when I can't sleep and need a boost toward dreamland, and Two, the paperback is easy to cart around while I'm in waiting rooms for appointments. The book can also serve as a "test run" for a new reader who wants to sample his style, characters, sentences ending in ways you'd never expect but can appreciate, and plots (some, "sort of").
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1 of 1 people found the following review helpful
on February 4, 2000
This is truly a book for all people of all ages, there are magical aspects of every story, which are great for childrens imaginations. Marquez combines this with realism that makes anyone question what is real and what is not
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