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Most Helpful Customer Reviews
11 of 11 people found the following review helpful:
4.0 out of 5 stars
Great for a bluesy, rainy day.,
By A Customer
This review is from: Strange Weather (Audio CD)
This is a wonderful album for feeling kind of melancholy. Faithfull's cracked voice has an odd kind of beauty, yet her songs are full of sorrow. I love listening to this album when I'm a bit blue, and have found it to wear well over the years. Sorrowful without being maudlin. I'd recommend it.
10 of 10 people found the following review helpful:
5.0 out of 5 stars
Here is a little controversy,
By
This review is from: Strange Weather (Audio CD)
Strange Weather is Marianne Faithfull's masterpiece.
To me, it's as good as an album gets. Why? It's like looking into a soul, which, to me, is the highest virtue of art: to lay out the human condition as a truly honest expression of the author. The truth here is so profoundly expressed that even a song that shouldn't by any stretch belong to Marianne Faithfull, "Ain't Goin' Down," rolls through her voicebox like something she might have said in a half-sleep, a revelation. Yes, it's melencholy; yes, it is melodramatic. But the songs and the album are "of a piece," like an old engine that cranks with every tune and starts up with just the same reliable grind and effortless churn. It's truly beautiful, from beginning to end. While I love 20th Century Blues as well, I don't get that from any other Marianne Faithfull album. But I don't need it from any other. We have the purest, truest expression, right here.
13 of 14 people found the following review helpful:
5.0 out of 5 stars
Marianne proves her talent,
By A Customer
This review is from: Strange Weather (Audio CD)
When this album came out in '87, a critic called it "music to slit your wrists by." Marianne took it as a compliment. The CD is definitely a downer to those unfamiliar with Marianne. With this, she explores old blues and torch standards, and also does a new version of "As Tears Go By," her first hit back in '64, updating to suit her much-changed voice, and sinking her teeth into the intense world-weary feel of the lyrics. She also does a version of "Yesterdays," first done by Lady Day herself, Billie Holiday. A real highlight, that one. Even Sinatra couldn't do that one justice. While I wouldn't recommend it as an intro to Marianne's music, it is definitely a treasure and proves that Marianne Faithfull is an artist worth her weight in gold (even though she doesn't have many gold records to back that up).
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