Stranger in a Strange Land [Import] [Paperback]

ROBERT A. HEINLEIN (Author)

Product Details

• Paperback
• Publisher: NEW ENGLISH LIBRARY LTD (1995)
• ISBN-10: 0450050777
• ISBN-13: 978-0450050770
• Product Dimensions: 7.1 x 4.2 x 1.4 inches
• Shipping Weight: 8.5 ounces
• Average Customer Review: 3.9 out of 5 stars  See all reviews (653 customer reviews)

More About the Author

Robert A. Heinlein, four-time winner of the Hugo Award and recipient of three Retro Hugos, received the first Grand Master Nebula Award for lifetime achievement. His worldwide bestsellers have been translated into 22 languages and include Stranger in a Strange Land, Starship Troopers, Time Enough for Love, and The Moon Is a Harsh Mistress. His long-lost first novel, For Us, the Living, was recently published by Scribner and Pocket Books.

Customer Reviews

Most Helpful Customer Reviews

379 of 412 people found the following review helpful:

5.0 out of 5 stars Science fiction's greatest achievement, December 4, 2002

By 

Daniel Jolley "darkgenius" (Shelby, North Carolina USA) - See all my reviews
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This review is from: Stranger in a Strange Land (Mass Market Paperback)

Reviewing Stranger in a Strange Land is quite a challenge. Is it the best science fiction novel ever published? I would say yes. Is it my favorite? No; it's not even my favorite Heinlein novel. To add a little more irony to the pot, Heinlein himself insisted that the book is not really science fiction to begin with. Stranger really marks a huge turning point in Heinlein's career. Unhappy with the brand of "juvenile" writer and the editing that position constantly entailed, Heinlein was determined to write a truly adult novel, one with no taboos, no limits, and no restrictions of any kind. With Stranger in a Strange Land he accomplished that in spades, basically taking on the heretofore sacrosanct subjects of sexuality and religion. Heinlein was not sure that anyone would even publish this story that took him 12 years to write; what was published was a mere figment of the original manuscript, 60,000 words having been cut out. Even though Heinlein did the editing himself, it had to have felt like jabbing an ice pick into his own heart to do it. Thankfully, we can now read the complete, original manuscript the way Heinlein intended the story to be told.

The plot is deceptively simple. The first manned mission to Mars never made it home to Earth. The second mission, twenty years later, found Valentine Michael Smith, an infant born on Mars and the only surviving member of the ill-fated first mission. Having been raised by Martians, Smith is literally a stranger in a strange land when he is brought back to earth with "miraculous" abilities and a Martian philosophy of life. The Federation government basically hides him away from prying eyes, partly in fear of the legal and political dangers posed by his unique status. Having been raised by Martians, the human experience is completely new and rather frightening to him. He has never even met a woman until nurse Jill Boardman sneaks into his room to get a glimpse of him. Fearful that the government is going to keep Michael basically imprisoned (or worse), Jill helps sneak him out of the hospital, and the two of them end up at the home of Jubal Harshaw. Jubal is an outspoken, older man who lives a thoroughly individual lifestyle, but he commits himself to helping Michael escape his perilous situation. Michael quickly begins to absorb human knowledge and, less quickly, begins to understand the confusing mentality of human beings.

Halfway through the novel, you may be asking yourself why the book was so controversial; the answer becomes clear as Michael now steps out into the wider world. He and Jill move around incognito, and Michael learns more about people. After a stint as an unsuccessful magician, he eventually decides to become a preacher. He's not preaching a religion, though; he offers humans a new way of living and thinking, one based on the Martian system he grew up in. This new lifestyle involves a lot of nudity, a lot of open fornication, and the constant repetition of a mantra of sorts naming yourself and those around you God. The "I am God, you are God" theme is essentially Heinlein's means of emphasizing the personal responsibility of each individual for his own life. It is not strictly antireligious, but certainly it is not an idea that would go over well among most fundamentalists. I say most because I am a fundamentalist myself, but I understand what Heinlein was saying and recognize the fact that, after all, this is fiction. Frankly, though, the free love theme bothers my sensibilities and causes my viewpoint of the novel to change somewhat. Even though disapproval began to temper my enthusiasm toward the end, I certainly cannot give this book less than five stars.

Science fiction readers had never read anything quite like Stranger back in 1961; its originality, bold themes, and fearless writing hit with the force of a hurricane, and science fiction has never been quite the same. The Hugo Award this novel rightfully won barely begins to give it the honor and acclaim it deserves. I cannot recommend this novel highly enough, albeit I must enclose a caveat with my endorsement. This book has the power to shock readers even today; do not let your own beliefs take away from the wonder to be found in the pages of this novel. Stranger requires and deserves a completely open mind from anyone who would approach it; it also requires multiple readings to even begin to plumb the depths of its riches.

Anyone wanting to understand and get a true appreciation of the genius of Robert Heinlein really must read Stranger, but I would not recommend picking this book up before you have sampled some of Heinlein's other wares. It would be a real shame to let any adverse emotional reaction to the themes of this novel deprive you of the joy and wonder to be found in countless other Heinlein stories and novels.

83 of 97 people found the following review helpful:

5.0 out of 5 stars If you are not philosophically inclined, don't read this book, October 20, 2005

By 

Joseph Barefoot (San Francisco) - See all my reviews
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This review is from: Stranger in a Strange Land (Mass Market Paperback)

This novel was way ahead of its time in many ways, and yes, stuck in the 50s in other ways. Reading some people's negative reviews here has been amusing.

Most of them presume that Heinlein was writing from their 90s or post-2000 perspective for some insane reason. Take note: He wrote this *before* the so called "free-love" movement had become widespread in the 60s. Take further note: The water-brother mini-society he created in the novel wasn't "free-love" at all, but had a quite high barrier to entry.

Other negative posters are clearly unable to escape their ethnocentric viewpoint, finding the relationships constructed by Heinlein to be distasteful based on their societal values. If you are unable to think about a society that practices polyamory without feeling embarassment or nausea, or really think that it is simply "unnatural", then don't read this book. (...)

Most of all, remember this is science fiction. It's intended to portray an alternate reality, and I think it does a fine job of that while satirizing our reality at the same time. I could go on about other particulars of the book, but I won't: In short, this is one of the finest books ever written.

30 of 34 people found the following review helpful:

5.0 out of 5 stars Heinlein's best novel, October 22, 1999

By 

Fredrick J. Obermeyer (Cooperstown, NY) - See all my reviews
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This review is from: Stranger in a Strange Land (Mass Market Paperback)

When I first picked up _Stranger in a Strange Land_ I wasn't expecting much. I had read _Starship Troopers_ and _The Puppet Masters_ and thought they were O.K. But this book just blew me away. Not so much because of its science fiction extrapolations, but rather for how funny, intelligent and true the book rang. _Stranger..._ shows human beings through the eyes of one Valentine Michael Smith, a Martian with human origins. He is so child-like, so innocent, so funny and calm in every situation even though he has such awesome powers--it's amazing to read about him. Along with Gully Foyle, in _The Stars My Destination_ I think he is one of the best SF protagonists ever written. And the way he learns and evolves from the strange cast of human characters--I also really liked Patty and Jubal Harshaw--is wonderful to read. The ending is so unforgettable. And how Heinlein came up with such a cool word like grok I'll never know. Also, he brings the interesting concept of water brothers into the story, and shows how humanity should love each other without resorting to meaningless violence. Sometimes Heinlein gets a bit too wordy and some of his views about God and woman I find hard to swallow--I can see why this book is so controversial. But aside from those minor flaws, _Strange..._ is a great book to read not only because it is enjoyable by itself as literature, but also because it has the intelligence and audacity to pose such difficult questions and firm beliefs about humanity, God and our place in the universe when now such concerns are ignored by most current SF.