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Stranger Than Paradise (The Criterion Collection) (1984)

John Lurie , Eszter Balint , Jim Jarmusch  |  R |  DVD
3.9 out of 5 stars  See all reviews (60 customer reviews)

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Product Details

  • Actors: John Lurie, Eszter Balint, Richard Edson
  • Directors: Jim Jarmusch
  • Format: Multiple Formats, NTSC, Mono, Black & White, Anamorphic, Digital Sound
  • Language: English, Hungarian
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.78:1
  • Number of discs: 2
  • Rated: R (Restricted)
  • Studio: Criterion Collection
  • DVD Release Date: September 4, 2007
  • Run Time: 89 minutes
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (60 customer reviews)
  • ASIN: B000SFJ4HW
  • Amazon Best Sellers Rank: #48,593 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Stranger Than Paradise (The Criterion Collection)" on IMDb

Special Features


Editorial Reviews

Product Description

Rootless Hungarian émigré Willie (John Lurie), his pal Eddie (Richard Edson), and visiting sixteen-year-old cousin Eva (Eszter Balint) always manage to make the least of any situation, whether aimlessly traversing the drab interiors and environs of New York City, Cleveland, or an anonymous Florida suburb. With its delicate humor and dramatic nonchalance, Jim Jarmusch’s one-of-a-kind minimalist masterpiece, Stranger Than Paradise, forever transformed the landscape of American independent cinema. Also included in this special-edition release is Jarmusch’s legendary debut feature, Permanent Vacation, a time capsule of late-seventies Manhattan, on DVD for the first time in the United States

Back in the excess-is-best 1980s, the pared-down minimalism of 1984's Stranger than Paradise played like the product of another time--or even another planet. It was so "off," i.e. offbeat and off-kilter, it was (right) on. Now seen as a classic of American independent cinema, it compares favorably to other monochromatic first features, like Border Radio and Mala Noche (also lovingly restored by the movie mavens at the Criterion Collection). The acclaim was justified--except it wasn't Jarmusch's first film. That honor belongs to 1980's Permanent Vacation, making its long-awaited digital debut on this two-disc set. Shot by Tom DiCillo, Jarmusch's initial offering revolves around the name Parker: Chris Parker is Aloysious Parker, a ducktailed New Yorker with a jones for Charlie Parker. Allie's a drifter and a dime-store philosopher. "That's how thing work for me," he drawls in voice-over, "I go from this place, this person, to that place or person." And so he does. Fresh from NYU, where he assisted Nicholas Ray, Jarmusch displays an innate talent for framing and dialogue (Allie lives for "vibrating, bugged-out sound"). His touch with actors--Frankie Faison's raconteur aside--is less assured, but he learned quickly. Lounge Lizard John Lurie cameos as a sax player. DiCillo returns for Stranger than Paradise, in which he and Jarmusch trade color for black and white stock (donated by Wim Wenders). In this "semi-neorealist black comedy," as the filmmaker puts it in the production notes (included with this set), Hungarian teenager Eva (Eszter Balint) arrives in New York ("The New World") to stay with her cousin, Willie (Lurie). A drifter, like Allie, she continues on to Cleveland ("One Year Later") and Florida ("Paradise"). With nothing better to do, Willie and Eddie (Richard Edson) tag along. As opposed to the rapid-fire cutting of the day, Jarmusch uses static shots divided by black screen. He may have taken cues from Ozu and The Honeymooners--dig those porkpie hats--but the end product couldn’t be more idiosyncratic.

This director-approved double-feature comes complete with a German TV documentary (Kino '84: Jim Jarmusch), behind-the-scenes footage, US and Japanese trailers, and a 44-page booklet with essays by J. Hoberman and Luc Sante. Just as Stranger than Paradise stands as one of the defining films of the 1980s, this special edition represents one of the most essential DVD releases of the 2000s. --Kathleen C. Fennessy

Customer Reviews

3.9 out of 5 stars
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Most Helpful Customer Reviews
81 of 82 people found the following review helpful
5.0 out of 5 stars Brilliant, hilarious study of aimlessness & anomie December 24, 2002
Format:VHS Tape
This deceptively simple movie, Jim Jarmusch's first, has been called the first modern independent film. Shot in black and white, it follows the nonadventures of three completely aimless characters, Willie, Eddie and Willie's cousin Eva. The first scenes mostly show Willie lying in bed or smoking a cigarette in his dingy Brooklyn apartment. His friend Eddie visits and they sit silently drinking beer. When Cousin Eva from Hungary arrives, the three of them sit around watching television. Not very exciting maybe, but there is a subtle genius to the way this film progresses. Eva goes to Cleveland to live with her aunt; Eddie and Willie decide to visit her. Soon the three drive down to Florida. Each landscape is portrayed as desolate and depressing. The shots look like black and white photos from the Old West, or perhaps the depression. Gradually the three interact and display emotion, though it is all within the rigid confines of their incredibly limited existence. There is quite a bit of deadpan humor, which works precisely because the actors seem unaware of it. The performances are all completely natural and understated, containing none of the self-conscious hipness of many more recent art films. This is probably the closest any film has come to portraying a pure existentialism that is both funny and tragic. These characters utterly lack any sense of purpose, ambition or connectedness to a wider world. What's more and what is a little disturbing is the way this film, if you get into the spirit of it, makes you seriously question whether anyone can truly break through these limits. On one level, we can wonder at and laugh at the apparent stupidity of these people as they sit in silence or engage in ridiculous conversations about nothing. Read more ›
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28 of 29 people found the following review helpful
4.0 out of 5 stars Engrossing Film By Jarmusch November 16, 2000
An excellent example of why independent films are so invaluable, "Stranger Than Paradise," written and directed by Jim Jarmusch, is a bare-bones production that never would have found the light of day in the mainstream. Essentially a character study, the story is a glimpse into the lives of three people: Willie (John Lurie); his cousin, Eva (Eszter Balint), recently arrived in New York from Hungary; and Willie's friend, Eddie (Richard Edson). After a couple of weeks in the Big Apple with Willie, Eva moves to Cleveland to live with their Aunt; a year later, Willie and Eddie are off to visit her. One thing leads to another, and the trio wind up in Florida (the designated paradise of the title). Watching this film is like spending time with some people you know; the characters are real people, so much so that watching them becomes almost voyeuristic, the camera somehow intrusive, exposing as it does the private lives of these individuals. It succinctly captures their lack of ambition, the ambiguity with which they approach life, and the fact that they seemingly have no prospects for the future beyond whatever a lucky day at the track affords them. The action, such as it is, is no more than what you would find in the average day of someone's life. The dialogue is what drives the film, though frankly, nothing they have to say is very interesting. And yet, this is an absolutely engrossing film; sometimes amusing, at times hilarious, but mesmerizing throughout. The performances are entirely credible, and again, you never have the sense that these are actors, but rather real people who happen to have had some moments from their lives filmed and presented to the audience for perusal. Read more ›
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11 of 11 people found the following review helpful
5.0 out of 5 stars The Honeymooners by way of Ozu September 7, 2007
By Cubist
Stranger Than Paradise not only announced the arrival of an original filmmaker with Jim Jarmusch, but also signaled the arrival of a new wave of American independent cinema along with the Coen brothers' Blood Simple and Spike Lee's She's Gotta Have It. Jarmusch's film came as a response to the impersonal commercial filmmaking of the Hollywood studios. His film was originally nothing more than a 30-minute short film shot from 40 minutes of extraneous film stock donated by German filmmaker Wim Wenders. Eventually, Jarmusch came into a small sum of money -- $120,000 worth -- and was able to complete the film.

Described by Jarmusch as The Honeymooners by way of Ozu, Stranger introduced his trademark style: minimal sets and long, uninterrupted takes with very little camera movement that are punctuated by the occasional fade to black. It is a funky mix of deadpanned American humour and a European visual sensibility. Stranger was made during the dawn of MTV and its success seems rather odd considering that it was the antithesis of most films being made in America at the time. The rather slow, meandering pace of Stranger did not conform to the quick cut, music video style that was fashionable at the time. His characters also lacked any sort of real ambition which was a world apart from most mainstream films. His approach seems downright revolutionary now as people's collective attention spans have gotten considerably shorter.

Stranger Than Paradise won the Camera d'or at the 1984 Cannes Film Festival and was soon heralded by many critics as a watershed film in American independent cinema.
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Most Recent Customer Reviews
5.0 out of 5 stars Great film
Great film. Typical Jarmusch genre.
Published 1 month ago by carr0lln
4.0 out of 5 stars Bleak, bone dry humour ...
"Stranger Than Paradise" (1984) is directed by Jim Jarmusch (Deadman, Night on Earth, Mystery Train). Read more
Published 5 months ago by Edmonson
5.0 out of 5 stars Love the Hungarian People
A grainy black & white '50s film in seedy settings & "Screaming Jay Hawkin's" rendition of "I Put A Spell On You"...what more could a person want? Read more
Published 7 months ago by Kandy Langford
1.0 out of 5 stars i do not want this
I did not mean to puchase this i do not want this. I dont know how this got charged to my card but i do not want this.
Published 7 months ago by chelsea
1.0 out of 5 stars inversion of values
Sad and stripped landscapes in black and white, actors who remain during whole scenes without saying anything, Jarmusch made ​​in spite of himself an excellent caricature of that... Read more
Published 10 months ago by dimitriweb [this reviewer has been added to the top 10 (see more)]
5.0 out of 5 stars "Toto, I've a feeling we're not in Kansas anymore." Nope, you're in...
The greatest enjoyment I got out of this movie was when I watched it with a woman who had a very short attention span, and was more interested in movies in color with lots of... Read more
Published 11 months ago by Tom W
4.0 out of 5 stars Odd and slowly paced but interesting character study
This b/w low key film is about a man who reluctantly entertains his Hungarian cousin, Eva, for a while until she takes off for another state. Read more
Published 14 months ago by Viva
5.0 out of 5 stars I adored this movie
I always love any movie by director Jim Jarmusch. You either totally get him or you don't.

He is in love with great photography, when it creates a mood. Read more
Published on September 27, 2012 by AKN
3.0 out of 5 stars Without context, an aimless, though interesting film.
I'd heard of Jim Jarmusch before watching this movie, but I didn't know anything about the movie itself besides that odd ringing of the title in my head that said I'd heard it... Read more
Published on June 19, 2011 by Alex
3.0 out of 5 stars STRANGE Story
It is a really strange movie consisting of the visually separated scenes telling a story of a Hungarian tourist-turned-illegal-emigrant (or what? Read more
Published on May 8, 2011 by Michael Kerjman
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