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Stranger Than Paradise


Price: $16.65 & FREE Shipping on orders over $35. Details
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Product Details

  • Actors: John Lurie, Eszter Balint, Richard Edson, Cecillia Stark, Danny Rosen
  • Directors: Jim Jarmusch
  • Format: Anamorphic, Black & White, Closed-captioned, Widescreen, NTSC
  • Language: English (Dolby Digital 2.0 Mono)
  • Subtitles: Spanish, French
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Aspect Ratio: 1.85:1
  • Number of discs: 1
  • Rated: R (Restricted)
  • Studio: MGM (Video & DVD)
  • DVD Release Date: September 5, 2000
  • Run Time: 89 minutes
  • Average Customer Review: 4.0 out of 5 stars  See all reviews (65 customer reviews)
  • ASIN: 0792846834
  • Amazon Best Sellers Rank: #98,746 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Stranger Than Paradise" on IMDb

Special Features

  • Making Of

Editorial Reviews

Winner of the Camera d'Or for Best First Feature at the 1984 Cannes Film Festival, Jim Jarmusch's "bracingly original avant-garde black comedy" not only launched his career but also earned him recognition from critics as one of today's more inventive and creative filmmakers. Stranger than Paradise, a story of self-discovery for the slacker generation, is one of the most "original, wonderfully oddball, independent American films" and "extremely entertaining to watch." Lounge Lizard musician John Lurie stars as Willie, a disenchanted New Yorker who, along with his best friend Eddie (Richard Edson) and cousin Eva (Eszter Balint), decides it's time to leave behind their boring lives in search of "paradise." But as their unforgettable road trip to Florida unfolds, they find that amidst the sunshine, blue skies and palm trees, their pursuit of happiness is constantly road-blocked by the very thing they can't run away from...themselves.

Customer Reviews

4.0 out of 5 stars

Most Helpful Customer Reviews

85 of 86 people found the following review helpful By Lleu Christopher on December 24, 2002
Format: VHS Tape
This deceptively simple movie, Jim Jarmusch's first, has been called the first modern independent film. Shot in black and white, it follows the nonadventures of three completely aimless characters, Willie, Eddie and Willie's cousin Eva. The first scenes mostly show Willie lying in bed or smoking a cigarette in his dingy Brooklyn apartment. His friend Eddie visits and they sit silently drinking beer. When Cousin Eva from Hungary arrives, the three of them sit around watching television. Not very exciting maybe, but there is a subtle genius to the way this film progresses. Eva goes to Cleveland to live with her aunt; Eddie and Willie decide to visit her. Soon the three drive down to Florida. Each landscape is portrayed as desolate and depressing. The shots look like black and white photos from the Old West, or perhaps the depression. Gradually the three interact and display emotion, though it is all within the rigid confines of their incredibly limited existence. There is quite a bit of deadpan humor, which works precisely because the actors seem unaware of it. The performances are all completely natural and understated, containing none of the self-conscious hipness of many more recent art films. This is probably the closest any film has come to portraying a pure existentialism that is both funny and tragic. These characters utterly lack any sense of purpose, ambition or connectedness to a wider world. What's more and what is a little disturbing is the way this film, if you get into the spirit of it, makes you seriously question whether anyone can truly break through these limits. On one level, we can wonder at and laugh at the apparent stupidity of these people as they sit in silence or engage in ridiculous conversations about nothing.Read more ›
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28 of 29 people found the following review helpful By Reviewer on November 16, 2000
Format: DVD
An excellent example of why independent films are so invaluable, "Stranger Than Paradise," written and directed by Jim Jarmusch, is a bare-bones production that never would have found the light of day in the mainstream. Essentially a character study, the story is a glimpse into the lives of three people: Willie (John Lurie); his cousin, Eva (Eszter Balint), recently arrived in New York from Hungary; and Willie's friend, Eddie (Richard Edson). After a couple of weeks in the Big Apple with Willie, Eva moves to Cleveland to live with their Aunt; a year later, Willie and Eddie are off to visit her. One thing leads to another, and the trio wind up in Florida (the designated paradise of the title). Watching this film is like spending time with some people you know; the characters are real people, so much so that watching them becomes almost voyeuristic, the camera somehow intrusive, exposing as it does the private lives of these individuals. It succinctly captures their lack of ambition, the ambiguity with which they approach life, and the fact that they seemingly have no prospects for the future beyond whatever a lucky day at the track affords them. The action, such as it is, is no more than what you would find in the average day of someone's life. The dialogue is what drives the film, though frankly, nothing they have to say is very interesting. And yet, this is an absolutely engrossing film; sometimes amusing, at times hilarious, but mesmerizing throughout. The performances are entirely credible, and again, you never have the sense that these are actors, but rather real people who happen to have had some moments from their lives filmed and presented to the audience for perusal.Read more ›
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12 of 12 people found the following review helpful By Cubist on September 7, 2007
Format: DVD
Stranger Than Paradise not only announced the arrival of an original filmmaker with Jim Jarmusch, but also signaled the arrival of a new wave of American independent cinema along with the Coen brothers' Blood Simple and Spike Lee's She's Gotta Have It. Jarmusch's film came as a response to the impersonal commercial filmmaking of the Hollywood studios. His film was originally nothing more than a 30-minute short film shot from 40 minutes of extraneous film stock donated by German filmmaker Wim Wenders. Eventually, Jarmusch came into a small sum of money -- $120,000 worth -- and was able to complete the film.

Described by Jarmusch as The Honeymooners by way of Ozu, Stranger introduced his trademark style: minimal sets and long, uninterrupted takes with very little camera movement that are punctuated by the occasional fade to black. It is a funky mix of deadpanned American humour and a European visual sensibility. Stranger was made during the dawn of MTV and its success seems rather odd considering that it was the antithesis of most films being made in America at the time. The rather slow, meandering pace of Stranger did not conform to the quick cut, music video style that was fashionable at the time. His characters also lacked any sort of real ambition which was a world apart from most mainstream films. His approach seems downright revolutionary now as people's collective attention spans have gotten considerably shorter.

Stranger Than Paradise won the Camera d'or at the 1984 Cannes Film Festival and was soon heralded by many critics as a watershed film in American independent cinema.
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