As someone who teaches, edits and reads for a living, I'm always looking for the scene, the character, the story I haven't read a thousand times over and over. Something with the spark of originality and the courage to be different. When I see that something new, it's always a joy. And, thanks to Caleb Ross and his Stranger Will, I had those moments of joy repeatedly throughout the book. This is an original--unlike anything you've ever read before.
--Rob Roberge, author of More than they Could Chew and Working Backwards from the Worst Moment of my LifeStranger Will is a nightmare landscape littered with the carcasses of fatherhood and various social mores. This is one paranoid, challenging, beautiful, and pitch-dark book. I'm a little afraid of this Ross guy now; but I'll also read anything he writes.
--Paul Tremblay, author of The Little Sleep and In the MeantimeJust like a Palahniuk novel, Stranger Will reads volatile: it could go any way. Caleb J. Ross leads you with a wry smile into dark places, but by the time you realize it's too late. You will follow him anywhere.
--Alan Emmins, author of Mop Men: Inside the World of Crime Scene Cleaners
In his first full length novel, Kansas City native Caleb J. Ross waxes prosaic the age old case of jitters that comes with impending fatherhood…As the novel continues, the plot gets increasingly dark and starkly less comedy and Ross’s writing all the more pointed. It reads like a nightmare you wake up from in the middle of the night and spend the next day wondering how much of it was real. The twists are shocking and terrifying, but somehow founded in reason and not entirely unbelievable…Charles Bukowski dedicated the thinly fictionalized account of his young life, Ham on Rye, with the words “for all the fathers” as the simultaneous threat, fear, blame and praise a delinquent child squares on his father. Such a dedication would be fitting for Caleb J. Ross’s Stranger Will. --Stephen Krauska
--This text refers to an out of print or unavailable edition of this title.
From the Inside Flap
William Lowson has two months to start believing in the world again.
William works as a human remains removal specialist, removing stains left by the dead. Whether by a bloody crime scene or a quiet domestic death, William is reminded each day of the frailty of human life. As his fiancée, Julie, nears term with their first child William becomes increasingly desperate for a way to overcome his belief that to birth is to kill.
But Mrs. Rose, an elementary school principal and messenger pigeon hobbyist, nurtures William's depressive outlook and claims to have a way to prove that William's hesitancy toaccept fatherhood is not only natural but necessary.
--This text refers to the