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Strangeways, Here We Come
 
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Strangeways, Here We Come [Import]

The SmithsAudio CD
4.4 out of 5 stars  See all reviews (77 customer reviews)


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Biography

Biography by Stephen Thomas Erlewine

The Smiths were the definitive British indie rock band of the '80s, marking the end of synth-driven new wave and the beginning of the guitar rock that dominated English rock into the '90s. Sonically, the group was indebted to the British Invasion, crafting ringing, melodic three-minute pop singles, even for their album tracks. But their scope was far broader… Read more in Amazon's The Smiths Store

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Product Details

  • Audio CD (January 13, 2008)
  • Number of Discs: 1
  • Format: Import
  • Label: Warner Bros UK
  • ASIN: B000024971
  • Also Available in: Audio CD  |  Audio Cassette  |  Vinyl  |  MP3 Download
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (77 customer reviews)
  • Amazon Best Sellers Rank: #362,425 in Music (See Top 100 in Music)

Editorial Reviews

Exclusive Japanese limited edition reissue of this 1987 release, their final studio album, packaged in a miniature LP sleeve. 10 tracks featuring 'Girlfriend In A Coma', 'Stop Me If You Think You've Heard This One Before', 'Death Of A Disco Dancer' and more. Warner. 2006. --This text refers to an alternate Audio CD edition.

 

Customer Reviews

77 Reviews
5 star:
 (44)
4 star:
 (23)
3 star:
 (8)
2 star:
 (2)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.4 out of 5 stars (77 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

24 of 26 people found the following review helpful:
4.0 out of 5 stars The Smiths Say "Sayonara.", October 5, 2002
By 
"Strangeways, Here We Come" is the unexpected swan song of the Smiths, who disbanded in the months following the completion of this album. While it doesn't quite reach the heights of "The Queen is Dead" or their debut, there's enough to remind us why we fell in love with this Manchester group in the first place. Singer Morrissey gives us his twisted sense of humor in the single "Girlfriend in a Coma," makes a nail-on-the-head commentary on the recording industry's greed in "Paint a Vulgar Picture," and delivers a fine closer, the haunting "I Won't Share You." But "Strangeways"'s peak is the potent "Last Night I Dreamt That Somebody Loved Me." After a piano solo that seems to go on forever, the song blasts into a dramatic rocker in which Morrissey moans: "Last night I felt/ real arms around me/ No hope, no harm/ Just another false alarm." With four studio albums within 4 years, The Smiths have secured a place in pop as one of the most beloved and influential groups of all time. "Strangeways" only confirms that belief.
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11 of 11 people found the following review helpful:
5.0 out of 5 stars One of the Smiths' absolute best!, March 3, 2000
By 
"Paint a Vulgar Picture" is as powerful a piece of art about the shallowness of the recording industry as you will EVER hear. It is poignant and serious, depicting the vulgar greed of record company executives as they eagerly plot to exploit the death of one of their stars. Sick and funny at the same time, as are most of the Smiths' songs. It even makes a topical reference to "You Just Haven't Earned It Yet, Baby." A masterpiece!

Then just to show how you just CAN'T take them too seriously, listen to "Girlfriend in a Coma" and just SEE if you can keep a straight face. The peppy, upbeat music belies the morbid seriousness of a girlfriend placed in a coma by an obviously violent man who is secretly hoping she will die. Black humor at its best.

And "Unhappy Birthday" is a classic! "I've come to wish you an unhappy birthday/because you're evil and you lie/and if you should die/I may feel slightly sad/but I won't cry." Beautiful!

A MUST HAVE for a Smiths Fan who GETS IT!

Sean.

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5 of 5 people found the following review helpful:
5.0 out of 5 stars My favorite album of theirs, and one of my favorite albums, period., October 3, 2005
By 
Mike Smith (Albuquerque, NM) - See all my reviews
(VINE VOICE)   
I can't say that this is The Smiths' best album--I can't, because, they have a lot of GREAT albums--but I can say it's my favorite.
"The Queen is Dead" is terrific, but this feels more anthemic, more forceful, alive, and vital.
"Louder than Bombs" is amazing--though many don't even consider it an album, just a compilation--but this feels more focused, directed, and much tighter.
"The Smiths," their first album is experimental and fun and jubilant and dark, but this is the work of a mature band that's seen too much and that, although they're bummed out about things, can't take it all too seriously anymore.
"Strangeways, Here We Come" is an amazing collection of songs. From lyrics like, "And the pain was enough to make a shy, bald, buddhist reflect and plan a mass murder," to a conflicted love song to a girlfriend in a coma, to an amazing, self-referential song about the record industry, lyrically Morrissey had never been better.
And musically, the songs are driving, haunting, deep...and even catchy. It's almost wrong to call this "Eighties music," because it has almost nothing in common with the Thomas Dolbys and the Duran Durans that once cluttered up the airwaves. This was music written ahead of its time, and music that's good anytime: depressing, enlivening, uplifting, thought provoking.
These songs got me through adolescense, and then they just stuck around. I don't think they'll ever leave me, and at this point, I don't want them to.
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Strangeways, Here We Come is The Smiths' fourth studio release.
Morrissey, Johnny Marr, Andy Rourke, Mike Joyce, Craig Gannon and one other artist have been a member of The Smiths.

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