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Most Helpful Customer Reviews
27 of 32 people found the following review helpful:
5.0 out of 5 stars
An Eclectic Collection of Horror and Sci-Fi,
By Edward Garea "Edward Garea" (Branchville, New Jersey United States) - See all my reviews (VINE VOICE) (REAL NAME)
Amazon Verified Purchase(What's this?)
This review is from: Monsters and Madmen (The Haunted Strangler / Corridors of Blood / The Atomic Submarine / First Man into Space) (The Criterion Collection) (DVD)
This is an excellent collection of four films, once late night staples, which have fallen into obscurity in recent times. There are two excellent sci-fi flicks and two wonderful Karloff films. As with most Criterion releases, a bit pricey, but collectors and fans alike will find the collection worth while.
ATOMIC SUBMARINE (1959) - Arthur Franz, Dick Foran, Tim Conway and Joi Lansing are a part of a crew of an atomic submarine that is tracking an underwater UFO, which is responsible for the sinking of several ships. They track the saucer to the North Pole, where it is using the magnetic field to replenish itself. They board the saucer and meet its occupant, a hairy octopus-like creature with one huge eye. CORRIDORS OF BLOOD (1958) - Karloff is in fine form as Dr. Bolton, a physician experimenting with anesthesia in the 1840s. Basing his mixture on opium, he becomes addicted in the process, which leads to his dismissal from the hospital. Needing money to purchase the supplies necessary to continue his research, he falls in with two grave robbers (Francis DeWolfe and Christopher Lee), signing false death certificates in order to get the money. FIRST MAN INTO SPACE (1959) - A space rocket recently launched into space crashes to earth, but there is no sign of its pilot. Strange things begin to happen: first cattle are killed for their blood, and later, humans. Investigators discover that the killer is none other than the astronaut himself, deformed by a coating of space dust, except for one eye. His brother, the project's commander (Marshall Thompson), realizes that he is heading back to the base and to the high-altitude chamber that he needs to breathe. THE HAUNTED STRANGLER (1958) - Another excellent Karloff film with Boris as a writer investigating the execution of a serial killer known as "The Haymarket Strangler" 20 years previously. He begins to suspect that the wrong man might have been hanged. However, when he picks up a scalpel used by the murderer, he becomes possessed and begins committing similar murders. The key to the mystery turns out to rest with Karloff himself.
10 of 11 people found the following review helpful:
5.0 out of 5 stars
man, tough crowd,
By
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This review is from: Monsters and Madmen (The Haunted Strangler / Corridors of Blood / The Atomic Submarine / First Man into Space) (The Criterion Collection) (DVD)
wow, people are not giving this set enough credit. These films, while not the best Karloff films, or the best examples of the genere, are all entertaining. The karloff films are much better than people are making them out to be. the atomic submarine and first man into space are also very fun films. all of the films look great.
But, the extras, including commentaries ON ALL FOUR FILMS is what makes this set. The commentaries are nformative, interesting, a great listen. if you like classic horror/sci-fi and enjoy good commentary tracks, buy this set. The criterion edition of fiend w/o a face is also highly reccomended.
30 of 38 people found the following review helpful:
4.0 out of 5 stars
A Criterion collection for the rest of us,
By A. Gammill (West Point, MS United States) - See all my reviews (VINE VOICE) (TOP 1000 REVIEWER) (REAL NAME)
This review is from: Monsters and Madmen (The Haunted Strangler / Corridors of Blood / The Atomic Submarine / First Man into Space) (The Criterion Collection) (DVD)
You know, the Criterion Collection has long been a leader in providing classic films in the best possible condition, first on laserdisc and later on DVD. And when it comes to film restoration, they're certainly among the best companies out there.
And yet, it is my feeling that the company is largely unknown outside a relatively small but dedicated group of film enthusiasts, whose passion for the art of cinema equals that of Criterion. Well, that, plus the fact that the company has largely focused their attention on foreign films that the mainstream moviegoing public has never heard of. Sure, there have been exceptions, such as their first-class Hitchock releases (Notorious, Spellbound, Rebecca and a few others); bona-fide classics like Spartacus, the Stones' Gimme Shelter; and a few oddball modern choices: The Royal Tennenbaums, Armageddon (?), The Rock (??). Which is why I was so happy to find a couple of cult sci-fi films in their catalog a few years back. Both the original version of The Blob (1958), and the sorely underrated Fiend Without a Face filled me with hope that maybe, just maybe, these folks were capable of something more. In fact, the trailers for all four of the films in this collection were included as bonus materials on Fiend. Now, the films themselves: The Haunted Strangler and Corridors of Blood are were vehicles for Boris Karloff, who was in his sixties when they were made. As he had done many times before (and would continue to do), Karloff plays a mad doctor-type. Corridors is the better of the two, with a young Christopher Lee in a supporting role as a ruthless killer. Neither film could really be called "classic," but both are solid, low-budget chillers that fans of Karloff and/or Lee will enjoy. The Atomic Submarine is more straight sci-fi adventure story, with the title vehicle facing off against an underwater UFO. Again, this is a "B" picture all the way, but it retains some charm in spite of an overuse of newsreel footage. First Man Into Space treads more familiar territory, as an organism from space inhabits the body of an astronaut. The thing craves blood, so you can guess what happens next. Not a bad little film, but probably the least of the bunch. I have to applaud Criterion for making these films available in pristine condition. I'm sure there is an audience for more of the same type of films. The only downfall to this collection is--as with all Criterion discs--the price.
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