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Most Helpful Customer Reviews
28 of 29 people found the following review helpful:
5.0 out of 5 stars
Light now cast on Strauss' glorious "Shadow",
By
This review is from: Strauss: Die Frau ohne Schatten (Audio CD)
Critical opinion has been consistently divided over this work, which first premiered in October 1919. As a Chicagoan, I waited until 1984 to see the premiere at Lyric Opera of Chicago, and it was worth the wait.This glorious performance under Solti's direction has firmly cemented my opinion that this is one of the greatest operas ever penned and should be standard repertoire by now. To have Placido Domingo branch out and sing the role of the Emperor in this recording is another benefit of the performance. I also appreciated very much that most of the music that had customarily been cut from performances [a practice apparently initiated by Karl Boehm] have been restored. This is a work that succeeds musically even though the plot is at times encumbered by esoteric symbolism. However, it is the best performance I have ever heard and I highly recommend it.
18 of 19 people found the following review helpful:
5.0 out of 5 stars
A magical performance of an under-appreciated opera,
By A Customer
This review is from: Strauss: Die Frau ohne Schatten (Audio CD)
When I bought this opera, I didn't know what to expect. Frau is largely ignored in the American repetoire, which is a tragedy now that I know how marvellous this work is. True, the story is lofty with a lucid message that is unpopular in today's culture. More importantly though, the music is thrilling from start to finish. The music keeps one's attention throughout, unlike Rosenkavalier and many of Strauss' later works. Solti's orchestra has some unforgetable moments -- the descent of the Princess into the human world in Act I,for example. All the singers are incredible, even if they have no stage experience in these roles. (Where would they get the opportunity in America, anyway?) Of note is the always fascinating Hildegard Behrens. Her transition from the surly and selfish woman who sells her shadow to gain "manly" powers to a loving wife could be pulled off convincingly by few others. The finale unleashes all the soloists, orchestra, and chorus in a Straussian climax equalled only by Salome's final scence and the Rosenkavalier trio.
14 of 14 people found the following review helpful:
5.0 out of 5 stars
Magnetic,
By A Customer
This review is from: Strauss: Die Frau ohne Schatten (Audio CD)
In a magnetic reading from the first note to the last note, Solti gives a ravishingly beautiful yet dramatic fulfilment of this most diverse and fascinating of Strauss' operas. And the sound is extraordinarily fantastic - full and sumptuous with breathtaking playing by the Vienna Philharmonic Orchestra. All the 5 principal singers are in superlative form. This is an instant classic if there was ever one.
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