Strauss: Enoch Arden

Richard [1] Strauss (Composer), Marc-André Hamelin (Performer) | Format: Audio CD

Product Details

• Performer: Marc-André Hamelin
• Composer: Richard [1] Strauss
• Audio CD (November 30, 1999)
• Number of Discs: 2
• Label: Video Artists Int'l
• ASIN: B00000I7H3
• Average Customer Review: 4.0 out of 5 stars  See all reviews (3 customer reviews)
• Amazon Best Sellers Rank: #420,484 in Music (See Top 100 in Music)
  • #83 in Music > Classical > Opera & Vocal > Featured Performers, A-Z > U to Z

Track Listings

Disc: 1

1. Enoch Arden, Op.38: Long Lines Of Cliff Breaking Have Left A Chasm

2. Enoch Arden, Op.38: So These Were Wed, And Merrily Rang The Bells

3. Enoch Arden, Op.38: She, When The Day That Enoch Mention'd Came

4. Enoch Arden, Op.38: It Chanced One Evening Annie's Children Long'd/To Go With Others Nutting...

5. Enoch Arden, Op.38: Untitled

Disc: 2

1. Enoch Arden, Op.38: And Where Was Enoch?

2. Enoch Arden, Op.38: Thus Over Enoch's Early-Silvering Head

3. Enoch Arden, Op.38: He Was Not All Unhappy

4. Enoch Arden, Op.38: Untitled

Customer Reviews

Most Helpful Customer Reviews

4 of 4 people found the following review helpful:

2.0 out of 5 stars Enoch Arden, May 6, 2003

By A Customer

This review is from: Strauss: Enoch Arden (Audio CD)

It goes without saying (so why say it except for emphasis!) that John Vickers was among the greatest opera singers of all time. His bellowing voice proved a tremendous asset in his greatest roles, such as Florestan in Fidelio. But in Enoch Arden, his I-am-the-Voice-of-God approach and histrionic declamation is ill suited to the intimacies of the text and the music; after a short while, even the most discrete asides and eloquent rhetoric begin to sound pompous and bloated. Vickers was a grand singer, but his skills as an actor prove less than compelling here as he sinks into a kind of sing-song pattern throughout, with little if any variance of either mood or the characters portrayed. Though some may find it admirable that he takes no cuts, as the far superior union of Gould/Rains does, his decision to recite the entire 85 plus minutes is tiresome and unnecessary; it also compromises the interaction with the music.The recording quality suffers,too, as it was made in concert. Hamelin's piano playing comes off as glib, probably made all the more so by the watery underwater acoustics which the engineer did nothing to disavow. In fact, both volume and equalization are poorly controlled, and passagework drifts in and out like an unconscious person aroused from a coma. Vickers apology to the audience, following its applause, for having taken up so much of their time is inexplicably left on the CD, and suggests that he doesn't have too much faith either in the performance or in the piece itself. Our advice: Stick to the Gould/Rains disc, which is the classic in this piece. There are two new performances which we've heard great things about, but have not yet heard: one by famed actor Michael York and the other with another formidable but now retired singer, Benjamin Luxon. Stay tuned and we will report on these too.

5.0 out of 5 stars An amazing story and talent, March 20, 2001

By A Customer

This review is from: Strauss: Enoch Arden (Audio CD)

Many of the talents that made Jon Vickers great in Opera continue to serve him (and us) well as a story teller. His wonderful voice, combined with his ability to convey deep emotion, reach out and draw you into the story. You cannot help but experience the love and joy as well as the pain and anguish of each of the characters in the story. Mr. Vickers is a very rare and wonderful combination of so many talents, and yet performs with a humble reverance for whatever art form he applies himself to.

5.0 out of 5 stars An enchanted fan!, March 15, 2000

By A Customer

This review is from: Strauss: Enoch Arden (Audio CD)

What a compelling way to tell a story. Vickers does it again as he adds a grandios appeal to a sweet, yet sad tale of Enoch's journey. Vicker's thundering voice wraps you in his arms and draws you into the story and does not let go. Once again, the legendary opera genius creates a performance that will never be forgotten.