Strauss: Symphonic Music From Operas / Berlin Philharmonic / Mehta (Sony)

Richard Strauss (Composer), Zubin Mehta (Conductor), Berlin Philharmonic Orchestra (Orchestra) | Format: Audio CD

Product Details

• Orchestra: Berlin Philharmonic Orchestra
• Conductor: Zubin Mehta
• Composer: Richard Strauss
• Audio CD (March 23, 1993)
• Number of Discs: 1
• Label: Sony
• ASIN: B0000027IX
• Average Customer Review: 3.6 out of 5 stars  See all reviews (5 customer reviews)
• Amazon Best Sellers Rank: #215,281 in Music (See Top 100 in Music)

Track Listings

1. Der Rosenkavalier, waltz sequence for orchestra No. 1, o.Op. 139 (from Acts 1 & 2 of opera) (TrV 227c, AV 139)

2. Die Liebe der Danae, symphonic fragment (arr by Clemens Krauss): Molto vivace

3. Die Liebe der Danae, symphonic fragment (arr by Clemens Krauss): Più tranquillo

4. Symphonic Intermezzi (4) for orchestra (from the opera 'Intermezzo') (TrV 246a): 1. Reisefieber und Walzerszene

5. Symphonic Intermezzi (4) for orchestra (from the opera 'Intermezzo') (TrV 246a): 2. Trämerei am Kamin

6. Symphonic Intermezzi (4) for orchestra (from the opera 'Intermezzo') (TrV 246a): 3. Am Spieltisch

7. Symphonic Intermezzi (4) for orchestra (from the opera 'Intermezzo') (TrV 246a): 4. Fröhlicher Beschluß

8. Die Frau ohne Schatten (The Woman Without a Shadow), symphonic fantasy from the opera, o.Op. 146 (TrV 234a, AV 146)

Customer Reviews

Most Helpful Customer Reviews

3 of 3 people found the following review helpful:

3.0 out of 5 stars Mehta visits Berlin for out of the way Strauss, April 12, 2010

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dv_forever (Michigan, USA) - See all my reviews

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This review is from: Strauss: Symphonic Music From Operas / Berlin Philharmonic / Mehta (Sony) (Audio CD)

Always great to hear the BPO in the music of Richard Strauss. This time we get seldom heard material. Mehta's take on the Symphonic Fantasy from "Die Frau" isn't as convincing as Thielemann's version with the Vienna Philharmonic on DG. Mehta runs through some of the most lush and dreamy passages and his general direction is lacking distinction. The enjoyment one gets from this CD is definitely from the presence of a great orchestra since the conductor isn't exactly working at his peak here.

The Der Rosenkavalier waltzes have been done much better by Rudolf Kempe. The other two selections show Mehta in a a better light since these pieces lack great competition from other maestros. I was particularly delighted by the symphonic interludes from the opera "Intermezzo". I compared this recording to Jarvi's account of the same pieces and found that Mehta's sure hand lets the music flow more naturally than Jarvi who pushes and pulls a little more than needed. Also the BPO is far more virtuosic than Jarvi's ensemble.

The sound quality is decent digital but nothing spectacular. Sony's sound is neither sumptuous enough, nor clear enough to carry absolute impact but I've heard so much disastrous digital from all record labels that I can't criticize this CD too much. It sounds good enough, the music is good enough and the performances are in the same class. This is an out of the way cheap and enjoyable CD you can find on the used market aimed at the Strauss fan or completist.

1 of 1 people found the following review helpful:

4.0 out of 5 stars Mehta comes off better the less you know, October 6, 2005

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Santa Fe Listener (Santa Fe, NM USA) - See all my reviews
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This review is from: Strauss: Symphonic Music From Operas / Berlin Philharmonic / Mehta (Sony) (Audio CD)

These are lush excerpts from Strauss operas played to the hilt by the Berlin Phil. In the music that everybody knows, the Rosenkavalier waltzes, Mehta is not competitive--his readings are big, generalized, without wit or special interest. But who really knows the music from Der Liebe der Danae or Intermezzo? It's garrulous and unispired compared to Strauss's best, but a nice plunge if you like warm chocolate. The recording isnt the best. Horns are far away, strings very up close, winds buried in a bit of a haze. I think I like Mehta in this musci mostly because I've never heard anybody better--and don't need to.

4 of 6 people found the following review helpful:

3.0 out of 5 stars One of Mehta's better enterprises from his New York years, August 24, 2005

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Larry VanDeSande - See all my reviews
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This review is from: Strauss: Symphonic Music From Operas / Berlin Philharmonic / Mehta (Sony) (Audio CD)

Zubin Mehta the conductor has always reminded me of pro athletes that perform at their greatest when young, hungry and not making much money. Then, when they get that first big contract, they are suddenly mediocre, their drive reduced by instant wealth.

This is the metaphor I have for Mehta, whose outstanding youthful recordings of Mahler's "Resurrection" Symphony, Strauss's "Also Sprach Zarathustra" and "Eine Alpinesymphonie", the Tchaikovsky Symphonies 4 and 5, and Schmidt's Symphony No. 4 were never replicated after he made it to New York and began churning out mediocrity after mediocrity on CD.

While not the final word in Strauss bleeding chunks, this recording is, I believe, one of Mehta's better enterprises from his New York period. The orchestral excerpts from Richard Strauss's operas are all performed with relaxed elan, style and substance and comprise an entertaining hour of music.

No particular work stands out among the entities, which include music from "Rosenkavalier", "The Love of Danae", "Intermezzo" and the symphonic fantasy from "Die Frau ohne Schatten". There are better individual performances of each of these suites but few CDs put them together and perform them as well as here.

The 20-bit technology creates a nice sound circa 1990 that exposes the Berlin Philharmonic's texture. This is not the same orchestra that Karajan had sharpened to a razor's edge when he died a year earlier, but a more generic good that still wears well.

Nothing in this music suggests the profundity of Zarathustra and none of it scales the heights of Alpine. Still, it is enjoyable while reliably played and performed. I enjoy the occasional spin of this disc when I look for less than revelatory or profound Strauss, and I think you will too.