Stravinsky: The Rite of Spring / The Nightingale

Andrew Greenan (Artist), Olga Trifonova (Artist), Pippa Longworth (Artist), Peter Hall / Robert Tear (Artist), Paul Whelan (Artist), Igor Stravinsky (Composer), Robert Craft (Conductor), London Symphony Orchestra (Orchestra), Philharmonia Orchestra of London (Orchestra), London Voices Choir (Performer) | Format: Audio CD

Product Details

• Performer: London Voices Choir
• Orchestra: London Symphony Orchestra, Philharmonia Orchestra of London
• Conductor: Robert Craft
• Composer: Igor Stravinsky
• Audio CD (September 20, 2005)
• SPARS Code: DDD
• Number of Discs: 1
• Label: Naxos
• ASIN: B000AMMSLM
• In-Print Editions: MP3 Download
• Average Customer Review: 4.5 out of 5 stars  See all reviews (4 customer reviews)
• Amazon Best Sellers Rank: #144,344 in Music (See Top 100 in Music)
  • #84 in Music > Classical > Opera & Vocal > Languages > Russian

Editorial Reviews

The Rite of Spring CD.

Customer Reviews

Most Helpful Customer Reviews

6 of 6 people found the following review helpful:

5.0 out of 5 stars Five stars for a superb Nightingale, with gratitude to Naxos, December 17, 2005

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Santa Fe Listener (Santa Fe, NM USA) - See all my reviews
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This review is from: Stravinsky: The Rite of Spring / The Nightingale (Audio CD)

In their quest to rule the world, Naxos is picking up excellent reissues, including the discontinued Stravinsky cycle from the 1990s conducted by the composer's ever-faithful acolyte, Robert Craft.

This rare full-length "Nightingale" is one of the best things Craft has done. The previous reviewer covers all the particulars. Clearly we have been missing out on a small masterpiece. Because Stravinsky worked on his chamber opera from 1909 to 1914, it both predates the Firebird and postdates the Rite of Spring. Critics have claimed that the work therefore suffers from stylistic schizophrenia. Not true--Stravinsky wasn't necessarily aiming for a consistent idiom. The mixture of Russian folk rhythms, Le sacre-like orchestral writing, and liberal dashes of Orientalism makes The Nightingale unique and hauntingly exotic. It doesn't sound like Mavra, Les Noces, Renard, or Stravinsky's choral works from this period. I would describe the vocal writing as folk bel canto, at least in the florid bird songs done so superbly here by Olga Trifomova. Five stars.

Craft has always been hit-and-miss as a conductor, and with this 1995 'Le scare' he misses, being unable to forcefully guide Stravinsky's huge orchestra. He's fine in the small inner details, but the build-up of tension over a long stretch is beyond him. Three stars, despite excellent plyaing from the LSO.

P.S. -- I went back to the composer's 1960 recording of The Nightingale, and it's altogether delightful. Reri Grist as the Nightingale and donald Gramm as the Emperor are standouts in the cast. It's the preferred version but may be hard to find outside Sony's complete Stravinsky box.

6 of 7 people found the following review helpful:

4.0 out of 5 stars 'O God above, how beautiful it is', November 13, 2005

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J Scott Morrison (Middlebury VT, USA) - See all my reviews
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This review is from: Stravinsky: The Rite of Spring / The Nightingale (Audio CD)

Thus sings the Fisherman (in Russian) about the singing of the nightingale in Stravinsky's 'Chinese opera' 'The Nightingale' ('Solovei' in Russian, often referred to as 'Le chant du rossignol,' its French title). And indeed the comment could apply to this performance of Stravinsky's neglected one-act opera from 1909-1914. This release is part of the ongoing Naxos/Robert Craft/Stravinsky collection that continues to make available marvelous performances previously on other labels. In this case, 'The Nightingale' appeared on the MusicMasters label in the late 1990s. Craft conducts the Philharmonia Orchestra. The Nightingale is sung by Mariinsky soprano, Olga Trifonova, in a clear high soprano. She handles the coloratura effortlessly and reaches her high E without shrieking. Robert Tear, a tenor I've admired for many years, sings the part of the humble Fisherman. Pippa Longworth sings The Cook and is slightly taxed by the part, but not onerously so. Paul Whelan sings a firm-voiced and suitably lordly Emperor. One of the great joys of this work is its inventive and extremely effective orchestration by Stravinsky. Where else have you heard trumpet and mandolin playing in unison? And Stravinsky takes on Messaien in his depiction of bird-sounds -- with tremolos, gruppetti, pizzicato glissandi, string and harp harmonics, trills -- not to mention the lowing of a cow or the croaking of a frog. This score is one of Stravinsky's most masterful inventions. What a shame it is not more often presented. There are other good recordings of the work, but none that I'm aware of that are budget-priced. Complete transliterated Russian libretto with English translation included.

'Rite of Spring,' of course, has been recorded many, many times, and frankly I've never heard a really bad performance of it. Its complexities seem to bring out the best in orchestras and conductors. But there are some sensational recordings of the work and this one, Craft conducting the London Symphony Orchestra and recorded in 1995 (previously released on Koch International) is not one of them. That is not to say that it is bad; indeed, it has some really nice touches (especially in the lyrical passages) here and there. But it misses the crackling energy of recordings by Simon Rattle, Igor Markevitch, Valery Gergiev and Pierre Boulez. This performance strikes me as just a little cautious. But, again, for budget price and especially if one wants 'The Nightingale' as well, this disc is a winner.

Scott Morrison

3 of 4 people found the following review helpful:

4.0 out of 5 stars A Nightingale Worthy of Recognition, March 5, 2006

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Eric S. Kim (Southern California) - See all my reviews

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This review is from: Stravinsky: The Rite of Spring / The Nightingale (Audio CD)

Stravinsky's "The Nightingale" is like a musical addiction: it is very powerful to listen to. This Chinese opera should be a special possession for all Neo-Classical fans. The soloists (especially Trofonova and Tear) give out their all with flair and flamboyance, the orchestra is in top form, the conductor handles the musicality very well, and the sound quality on this Naxos CD is just breathtakingly wonderful. What actually works for this 20th Century piece is its imagery and its Oriental stylishness for atonal melody. Stravinsky didn't just write this piece to be about death and redemption. He also wrote this in order to make us feel what old China was like. For this, I give an A+.

Craft's own rendition of "The Rite of Spring" is bit of a disappointment. Indeed, you still get some correctly intense moments when they are needed: The Augurs of Spring and Ritual of the Abductors are truly stunning. However, much of the slow movements are sped up. I think this robs them of their mystical beauty, though Dance of the Young Girls does sound more freakish and the Introduction to Part Two (The Sacrifice) lives up to other conductors' expectations (such as Gergiev and Salonen). The Sacrifical Dance, the final sequence in the ballet, should sound very monstrous and terrifying; Craft fails to bring it all here. The brass and percussion don't seem to have enough energy for this four-minute pandemonium. The entire performance as a whole is vrey good, but you can find better recordings elsewhere.

All in all, I can still recommend Craft's Rite of Spring, get this CD especially for the Nightingale.