Strawberry Jam

Animal Collective | Format: MP3 Download

Product Details

• Original Release Date: September 11, 2007
• Release Date: September 11, 2007
• Label: Domino Recording Co.
• Copyright: 2007 Domino Recording Co. Ltd.
• Total Length: 43:47
• Genres:
• ASIN: B00122WZ3K
• Average Customer Review: 4.0 out of 5 stars  See all reviews (37 customer reviews)
• Amazon Best Sellers Rank: #6,253 Paid in MP3 Albums (See Top 100 Paid in MP3 Albums)

Customer Reviews

Most Helpful Customer Reviews

9 of 10 people found the following review helpful:

5.0 out of 5 stars Another Masterpiece!, September 11, 2007

By 

Jeremy Less "Jeremy - Fan of music." (Milwaukee, WI United States) - See all my reviews
(REAL NAME)   

This review is from: Strawberry Jam (Audio CD)

Animal Collective are my favorite band, so my opinion was a bit skewed from the start, but hearing these songs evolve from their original live versions has been a real treat. Immediatly after hearing "Fireworks," I knew it was my new favorite song of theirs and the Studio version on "Strawberry Jam" is almost as good. This album is filled with such beautiful melodies, creative sounds and recording techniques and vocal delivery. "Reverend Green" is amazingly catchy and driving. "Winter WonderLand" is pop perfection if I've ever heard it. Put this album on headphones or see them live. These guys have a perfect mix of natural, child-like bliss and scary, unpredicatbleness to their sound that transports you to a different planet. You don't find music this good on Earth very often. If you listen with an open mind, it's hard not to fall in love with it.

15 of 20 people found the following review helpful:

4.0 out of 5 stars Strawberry Jam, September 13, 2007

By 

Mike Newmark (Tarzana, CA United States) - See all my reviews
(VINE VOICE)   

This review is from: Strawberry Jam (Audio CD)

For all of Animal Collective's stylistic leapfrogging over the course of six albums, one could reductively say that their career has been a steady trajectory toward accessibility. "Accessibility" is, of course, a relative term, and it depends on who you ask; there are some for whom the Collective's shrieking vocals, unconventional riffing and fried electronics will never feel welcoming. But many of the band's latest songs are accessible in that they utilize elements typically found in a pop song, such as beats, choruses, and decipherable lyrics. To hear their newest music in the context of their alternately formless and vitrified early work is basically to witness two entirely different bands.

Feels (2005) was much more rockish than anything Animal Collective previously allowed themselves to do, though they still traded off between tribal, ADD pop and soupy ambient pieces. (I was slow on the uptake with these at first, but they offer great rewards down the line.) The band must have realized that their pop songs best held listeners' interest, because Strawberry Jam is almost entirely comprised of them. Interestingly, though, the nature of the pop is different. Instead of the shimmering, rounded tones that caress you as they pull you toward some sort of fauna heaven, Strawberry Jam prefers to jab, not lifting you up so much as stunning you where you sit and lurching you backward. The comparison to Mercury Rev's aberrant pop works well here; for an even better one, imagine some of the nightmarish fairy tale music on Animal Collective's own Spirit They're Gone, Spirit They've Vanished (2000) reformatted for a more mainstream setting.

Take "Peacebone," for example. It's an audacious way to begin an album--a demented and seriously creepy romp in which Avey Tare mentions broccoli, monsters, mildew, and other things you wouldn't want to encounter in the bathtub, in a voice more direct and understandable than makes us feel comfortable. Speaking of which, one of the most glaring changes from Feels to Jam is the decipherability of the vocals. Those who appreciate easy-to-understand lyrics may approve, but for me, the pleasure of this band didn't come from what was sung, but how it was sung: in shrieks, warbles, hisses and coos, befitting their bestial moniker. It cuts out a major portion of their mystery, but then, mystery isn't where Strawberry Jam sets its crosshairs. It's a record that's meant to be stared at in awe, not a place to explore.

To that end, Strawberry Jam has some choice moments. "Fireworks" is the one song here that's incredible the whole way through--a sweetly lovelorn track whose emphatic vocals help it reach near-"Purple Bottle" levels of exultation. "Derek" has the feel of a typical Animal Collective B-side before its amazing second half, where Panda Bear chants scales over a stomping beat that he had to have pilfered from a hockey game. The skittish "Winter Wonderland" and the vaguely calypso "Chores" are both fresh and reminiscent of what the group did so well on their last two records. The more ambient, piano-led "Cuckoo Cuckoo" actually sounds like a blatant holdover from a time when the band was fine with seeing how long they could stretch a drone. To read the blogs and message boards, it's everyone's least favorite track, but for my money it's insanely gorgeous, and I'm not ready to let Animal Collective give up the liquefied side of their personality so easily.

And then there is, of course, the question of where this sonically itinerant band will go next. I wondered the same thing after hearing Feels, believing that they'd reached both their high water mark and a dead end. Strawberry Jam seems like the only logical place they could have ended up: It's a spinier version of Feels' most ebullient moments, abundant in hooks and freakouts but lacking in depth. Even this late in the band's career, though, they remain unbelievable songwriters, still turning riffs upside down and finding ways to subvert our expectations of how rock music should sound. So, my worry that Animal Collective has nowhere else to go is somewhat allayed by their creative brilliance and tireless work ethic. Besides, if Panda Bear can write Brazilified Beach Boys songs and Avey Tare can release an entire album played backwards, we'd be idiots to think that the sky wasn't the limit.

7 of 9 people found the following review helpful:

4.0 out of 5 stars There is Magic in Music!, September 13, 2007

By 

Cale E. Reneau "audiooverflow.com" (Conroe, Texas United States) - See all my reviews
(VINE VOICE)    (REAL NAME)   

This review is from: Strawberry Jam (Audio CD)

I can remember when Animal Collective's 2005 album, "Feels," came out. I remember reading Rolling Stone calling them an "Artist to watch" or something similar to that, no doubt about 2 pages away from them ranting about the genius of Christina Aguilera or Pink. I recall being entirely confused by this article, mostly because this was Animal Collective, a band that has traditionally taken the non-Rolling Stone route of creating music. To see the one magazine that represents everything that is wrong with the music industry even acknowledging the band's existence was surprising to say the least. As it turns out though, my initial fear that Animal Collective had put aside their experimental rock sound in favor of a more Rolling Stone-friendly style was premature. "Feels" was a great album that showed a clear progression from "Sung Tongs," and I generally enjoyed what I heard.

"Strawberry Jam" also shows the band growing and expanding on their sound. The most notable change is that the album is strangely devoid of any significant downtime. Whereas their past two albums (the only two that I am familiar with) had upbeat, fast songs like "Who Could Win a Rabbit" grouped with dreamy, slow songs like "Bees," "Strawberry Jam" is exciting and upbeat for the majority of it's 43 minutes. In addition, the album also utilizes electronic instrumentation and effects more than their other works. It helps give "Strawberry Jam" a fresher sound and separates it from their previous records.

"Peacebone" gets thing started on a good note, as it's one of my favorite Animal Collective songs ever, blending electronic flutters with sing-along vocals and syncopated guitars. It sounds great! Of course, like most Animal Collective songs, it really needs to be heard in order to be understood. The album continues to spiral in and out of control, each song taking seemingly incompatible sounds and mashing them together to form something that is entirely unique. "For Reverend Green" is another brilliant song, and hearing Avey Tare (I think) scream out the song's title repeatedly at the end is a small joy that everyone should experience. That song fades into "Fireworks," a 7-minute song that utilizes every second to the fullest; never wasting a single moment with trivial instrumentation or lyrics.

"Strawberry Jam" isn't about the songs, though. It's about the album as a whole. Sure, you could pick out your favorites, put them on your iPod, and call it a day, but you'd be missing out on a truly memorable experience. I must admit that on their previous albums, I did just that. But "Strawberry Jam" is definitely something that needs to be listened to in its entirety. It's definitely not going to be for everyone, but that's to be expected. Animal Collective's music may be cursed to being viewed as either complete amateurism or complete genius, but absolutely no one could say that it's ordinary. Not even Rolling Stone. Of course, my biggest complaint with the album is the same as my complaints with their past works. "Strawberry Jam" is definitely a great record, but it's not something I can listen to with consistency week after week. However, I look forward to spending time with the album here and there, knowing that when I do, I'll be treated to something new and exciting every time!

Key Tracks:
1. "Peacebone"
2. "For Reverend Green"
3. "Fireworks"
4. "Winter Wonder Land"
5. "Derek"

7 out of 10 Stars