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The Street Lawyer, Limited Edition [Hardcover]

John Grisham (Author)
3.2 out of 5 stars  See all reviews (1,079 customer reviews)


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Book Description

March 16, 1998
Michael was in a hurry. He was scrambling up the ladder at Drake & Sweeney, a giant D.C. law firm with eight hundred lawyers. The money was good and getting better; a partnership was three years away. He was a rising star with no time to waste, no time to stop, no time to toss a few coins into the cups of panhandlers. No time for a conscience.



But a violent encounter with a homeless man stopped him cold. Michael survived; his assailant did not. Who was this man? Michael did some digging, and learned that he was a mentally ill veteran who'd been in and out of shelters for many years. Then Michael dug a little deeper, and found a dirty secret, and the secret involved Drake & Sweeney.



The fast track derailed; the ladder collapsed. Michael bolted the firm and took a top-secret file with him. He landed in the streets, an advocate for the homeless, a street lawyer.



And a thief.

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Editorial Reviews

Amazon.com Review

John Grisham is back with his latest courtroom conundrum, The Street Lawyer. This time the lord of legal thrillers dives deep into the world of the homeless, particularly their barely audible legal voice in a world dominated by large, all-powerful law firms. Our hero, Michael Brock, is on the fast track to partnership at D.C.'s premier law firm, Sweeny & Drake. His dream of someday raking in a million-plus a year is finally within reach. Nothing can stop him, not even 90-hour workweeks and a failing marriage--until he meets DeVon Hardy, a.k.a. "Mister," a Vietnam vet with a grudge against his landlord--and a few lawyers to fry. Hardy, with no clear motive, takes Brock and eight of his colleagues hostage in a boardroom, demanding their tax returns and interrogating them with a conviction that would have put perpetrators of the Spanish Inquisition to shame. Hardy, a man of few words and a lot of ammunition, mumbles cryptically, "Who are the evictors?" as he points a .44 automatic within inches of Brock's face. The violent outcome of the hostage situation triggers an abrupt soul-searching for the young lawyer, and Hardy's mysterious question continues to haunt him. Brock learns that Hardy had been in and out of homeless shelters most of his life, but he had recently begun paying rent in a rundown building; that means he has legal recourse when a big money-making outfit such as Sweeny & Drake boots him with no warning. When Brock realizes that his profession caters to the morally challenged, he sets out on an aimless search through the dicier side of D.C., ending up at the 14th Street Legal Clinic. The clinic's director, a gargantuan man named Mordecai Green, woos Brock to the clinic with a $90,000 cut in pay and the chance to redeem his soul. Brock takes it--and some of the story's credibility along with it; it's hard to believe that a Yale graduate who sacrificed everything--including his marriage--to succeed in the legal profession would quickly jump at the opportunity for low-paying, charitable work. However, Brock's search for corruption in the swanky upper echelons of Sweeny & Drake (via the toughest streets of D.C.) is filled with colorful characters and realistic, gritty descriptions. In the The Street Lawyer, Grisham once again defends the voiceless and powerless. In the words of Mordecai Green, "That's justice, Michael. That's what street law is all about. Dignity." --This text refers to an alternate Hardcover edition.

From Publishers Weekly

America's most popular author is arguably its most popular crusader as well, tilting his pen against myriad targets, including big law (The Firm, etc.), big tobacco (The Runaway Jury), big insurance (The Rainmaker) and now, in perhaps his sweetest, shortest novel, against anyone, big or little, who treats the homeless as less than human. The expected powerhouse opening involves the hostage-taking?by an armed, homeless man who calls himself Mister?of nine attorneys of a huge law firm headquartered in D.C. Among the nine is narrator Michael Brock, an antitrust lawyer who receives a faceful of blood when a police sniper blows away Mister's head. "I'm alive! I'm alive," Michael cries like Ebenezer Scrooge, but, like Scrooge, this greedy hotshot is ripe for a moral awakening. The next day, Michael visits the shabby offices of Mister's attorney, Mordecai Green, who explains that Mister and others had been illegally evicted from makeshift housing on orders from a real-estate development company represented by Michael's firm. Inspired by Green and shaken by his firm's complicity, Michael volunteers at a homeless shelter. When a family he meets there dies on the street, and turns out to have been among the evictees, Michael quits his job, goes to work for Green and, using as evidence a file he steals from the firm, aims to sue his former employer on behalf of the evictees. In turn, the firm places Michael in its crosshairs, pressuring him to give up the file through legal maneuvers, having him arrested and hints of darker means. The cat-and-mouse between Michael and the firm is vintage Grisham, intricately plotted, but the emphasis in this smoothly told, baldly manipulative tale is less on action and suspense, which are moderate, than on Michael's change of heart and moving exploration of the world of the homeless. Dickens would be well pleased, and so will Grisham's fans. 2.8 million first printing.
Copyright 1998 Reed Business Information, Inc. --This text refers to an alternate Hardcover edition.

Product Details

  • Hardcover: 348 pages
  • Publisher: Doubleday; Limited edition (March 16, 1998)
  • Language: English
  • ISBN-10: 0385491018
  • ISBN-13: 978-0385491013
  • Product Dimensions: 9.1 x 6.2 x 1.3 inches
  • Shipping Weight: 1.2 pounds
  • Average Customer Review: 3.2 out of 5 stars  See all reviews (1,079 customer reviews)
  • Amazon Best Sellers Rank: #9,895,176 in Books (See Top 100 in Books)

More About the Author

Long before his name became synonymous with the modern legal thriller, John Grisham was working 60-70 hours a week at a small Southaven, Mississippi law practice, squeezing in time before going to the office and during courtroom recesses to work on his hobby--writing his first novel. Born on February 8, 1955 in Jonesboro, Arkansas, to a construction worker and a homemaker, John Grisham as a child dreamed of being a professional baseball player. Realizing he didn't have the right stuff for a pro career, he shifted gears and majored in accounting at Mississippi State University. After graduating from law school at Ole Miss in 1981, he went on to practice law for nearly a decade in Southaven, specializing in criminal defense and personal injury litigation. One day at the DeSoto County courthouse, Grisham overheard the harrowing testimony of a twelve-year-old rape victim and was inspired to start a novel exploring what would have happened if the girl's father had murdered her assailants. Getting up at 5 a.m. every day to get in several hours of writing time before heading off to work, Grisham spent three years on A Time to Kill and finished it in 1987. Initially rejected by many publishers, it was eventually bought by Wynwood Press, who gave it a modest 5,000 copy printing and published it in June 1988.That might have put an end to Grishams hobby. However, he had already begun his next book, and it would quickly turn that hobby into a new full-time career. When he sold the film rights to The Firm to Paramount Pictures for $600,000, Grisham suddenly became a hot property among publishers, and book rights were bought by Doubleday. Spending 47 weeks on The New York Times bestseller list, The Firm became the bestselling novel of 1991.The successes of The Pelican Brief, which hit number one on the New York Times bestseller list, and The Client, which debuted at number one, confirmed Grisham's reputation as the master of the legal thriller. Grisham's success even renewed interest in A Time to Kill, which was republished in hardcover by Doubleday and then in paperback by Dell. This time around, it was a bestseller. Since first publishing A Time to Kill in 1988, Grisham has written one novel a year (his other books are The Firm, The Pelican Brief, The Client, The Chamber, The Rainmaker, The Runaway Jury, The Partner, The Street Lawyer, The Testament, The Brethren, A Painted House, Skipping Christmas, The Summons, The King of Torts, Bleachers, The Last Juror, The Broker, Playing for Pizza, and The Appeal) and all of them have become international bestsellers. There are currently over 225 million John Grisham books in print worldwide, which have been translated into 29 languages. Nine of his novels have been turned into films (The Firm, The Pelican Brief, The Client, A Time to Kill, The Rainmaker, The Chamber, A Painted House, The Runaway Jury, and Skipping Christmas), as was an original screenplay, The Gingerbread Man.

Photo credit Maki Galimberti

 

Customer Reviews

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Average Customer Review
3.2 out of 5 stars (1,079 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

23 of 23 people found the following review helpful:
3.0 out of 5 stars I expected better, August 4, 2005
By 
Luke Waygood (Jamestown, NY United States) - See all my reviews
(VINE VOICE)   
My first Grisham novel was The Testament, so I walked into this novel, expecting more of the same. Unfortunately that expectation was mis-placed.

The concept was good, and the topic was riveting. The problem, however, lay in the narrative. The character of Michael Brock was almost wishy-washy. I couldn't identify with him - in fact I related and liked far better the character of Mordecai Green, Director of the 14th Street Legal Clinic which Brock starts working for.

The novel is billed, essentially, as a thriller. However it didn't have the feel of a thriller. Sure, I was intrigued by the developments, however I wasn't feverishly turning the pages at 3am to finish it.

In a way, I'm disappointed. The topic is hot, and one deserving of much attention in this, the richest nation of the world. I often wonder how many millions are given to foreign nations, while thousands of its citizens sleep on our streets, including children? A disturbing thought.

I'm glad that Grisham brought it to our attention, but felt that he could have done so much more with the material. It's an enjoyable read, don't get me wrong, but not Grisham at his best.
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26 of 27 people found the following review helpful:
4.0 out of 5 stars Grisham Heads For Burbank (Again), December 7, 2002
Was this written in a mansion?

Another enjoyable quick read by Grisham. The scenario is predictable and the general themes are known to the reader by page 30. And with Grish that's OK. Michael Brock is a young lawyer living in Georgetown and working for the prestigious law firm of Drake & Sweeney: the ambitious climb up the corporate law firm ladder, a high income, a wife he never sees in an unhappy dysfunctional marriage and 80 hour work-weeks, are broken up by martini lunches billed to clients. Grisham again presents the "lawyerly atmosphere," with layman descriptions of legalese and strategies, in an interesting and intriguing way as the story unfolds. The descriptions of the District of Columbia are true-to-the-heart, and bring you to its Victorian townhouses, bad parts of town, popular night-spots, "lettered" streets, and DC's restaurants and cafes.

Even though he's a lawyer who lives in D.C., Brock goes through a personal, professional, and spritual metamorphosis after a traumatic incident--but all in 32 days? Now, Acknowledging a boring existence in life, through introspection, he has a series of conscious-raising revelations as the result of event.

He then ventures out to fight for the needy. Those who don't have a voice. Those who have multiple self-induced problems, make mistakes in life, and screw-up on a regular basis. Illegitimate children, dependence on drugs and the habitual inability to keep a job: these are the people who are the victims. And, these are victims who need justice. These people need a voice in society for theirs' is muted in the mahogany and oak halls of justice. And, Brock will be the man: risking his freedom, life, high income, career, and a certain future as a million-dollar-partner in his law firm that he leaves.

He chucks it.

For spiritual enlightenment perhaps. White guilt. Lawyer guilt. He gets a divorce. He marches with the homeless of D.C. He moves into a furniture-less loft in Adams-Morgan, buys a clunker of a car, and eats out in cheap restaurants he describes as "run by Pakistanis". And, all this, at the bewilderment and dismay of his white-collar judgemental yuppie family.

Although I'm no cynic, as I read this story, and am inundated by its general stereotypes we see in our media everyday, I picture this: Tom Cruise on a crusade....growing a 3-day stubble, wearing a loose tie, blue-jeans and sneakers, while he helps the "disadvantaged" as a street lawyer on a crusade for justice against the bad guy dapper-dons adorned in Hermes suits. Larry King prime-time is next for Michael Brock.

This has "movie screenplay" written all over it. Thematic expressions of good guy under-dog David the protaganist, versus the Goliath nemesis of Drake and Sweeney, the antagonist. The fight for justice. To right a wrong. David vs. Goliath--and David triumphing. Perhaps some suburban cul-de-sac liberals will feel they aren't donating enough of their years-old canned food from their suburban gated community cupboards. (Volunteering is out of the question--they don't have time.) The sensitive may shed a tear. First year law students who are clueless will trick themselves into believing they'll be a pro bono lawyer after law school for a couple of months after they read this book, before they completely forget about it. Hollywood will be shooting this one down the road. Once again, film-makers who live in Malibu will feel good about themselves after they call this one a "wrap."

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7 of 7 people found the following review helpful:
4.0 out of 5 stars One of Grisham's Best, May 13, 2000
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John Grisham takes the lawyer who is hungry to remember his conscience on a ride worth experiencing in Street Lawyer. Although the author consistently denies writing his legal thrillers with a social motive in mind, me thinks he doth protest a bit too much. You cannot read this book and remain comfortably barricaded on the upper floors of some skyscraper, awaiting the next billable hour report. Grisham's characters clearly show that The Law Hurts, and does so deliberately blind to the consequences of actions taken by those who are "just doing their jobs." As the novel unfolds, the reader cannot help but question whether professional set apart for special recognition and privilege in our society ought ever be able to say, "I was just doing my job." The people for whom the law exists are out there on the street, waiting for you to remember why you went to law school in the first place. The pace and action are more plausible than most outside the bar will think - and hopefully Grisham's treatment of homelessness and social justice will impel more than a few within the bar to do more than think. The book is a must read for the lawyer who still can recall his or her calling, and an excellent adventure for everyone else.
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THE MAN with the rubber boots stepped into the elevator behind me, but I didn't see him at first. Read the first page
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Braden Chance, Hector Palma, Lontae Burton, Mordecai Green, New York, Tillman Gantry, Arthur Jacobs, Street Legal Clinic, Miss Dolly, Michael Brock, Barry Nuzzo, Capitol Hill, Kelvin Lam, Madam Devier, Postal Service, Kito Spires, Social Security, House of Mary, Lieutenant Gasko, Marquis Deese, Rhode Island, District Building, Dupont Circle, Florida Avenue, Logan Circle
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