Street of Lost Brothers

Gary Lucas | Format: Audio CD

Product Details

• Audio CD (October 24, 2000)
• Original Release Date: October 24, 2000
• Number of Discs: 1
• Label: Tzadik
• ASIN: B00004YKZY
• In-Print Editions: MP3 Download
• Average Customer Review: 4.0 out of 5 stars  See all reviews (1 customer review)
• Amazon Best Sellers Rank: #538,786 in Music (See Top 100 in Music)

Customer Reviews

Most Helpful Customer Reviews

7 of 7 people found the following review helpful:

4.0 out of 5 stars Giving voice to the multitudes, November 20, 2000

By 

BB "Bill Bamberger" (Whitmore Lake, MI USA) - See all my reviews

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This review is from: Street of Lost Brothers (Audio CD)

Walt Whitman wrote, "I contain multitudes." As do we all. But few of us can give rational voice to all the facets flashing inside us. Gary Lucas can---here he does it for those inside himself, and for the larger body of his Jewish ancestry. As with most of his work, this CD combines thumb-and-finger flurries with introspection, Jewish root-rock with universal human drives, and the friendly howling demons of musical feedback. Several tracks here are solo performances (a spiky, haunting version of "Ride of the Valkyries" is a standout---"To defeat the enemy, learn to sing his song," Lucas notes), others are performed by various groups of friends/musicians. Two of these feature his long-time cronies "Kenny and Larry." These guys prove that Louie Prima didn't die---he just underwent total mitosis and remerged as these two aces of front-stoop wild-yawp swing. Like the great BUSY BEING BORN, his previous album for Tzadik, STREET OF LOST BROTHERS encompasses a wide range of Jewish music. There is "Mahzel Means Good Luck," a novelty hoot at the cliche of Jewish fatalism. And there is more music from the Marx Brothers films, as well. In his liner notes, Lucas reminds us of Delmore Schwartz's warning: "In dreams begin responsibilities." But in their acting out begins material magic---the guitar work on Lucas' cover of the Velvet Underground's "European Son" being a good example: it crawls up and down riffs as spooky and slanted as Lou Reed's jawline, then ends with a sound like the flatiron building being wrapped in chains and dragged along the pavement. Another standout is a wonderful, long dialogue of electronic voices between Lucas and his "original Jewish soul brother" Walter Horn (synthesiser, sampler) on "Sh'ma." This shining, wordless dramatic narrative makes a perfect soundtrack to the painting of a red-lit, red-soaked street on the CD's cover. There are drops of both desperation and defiance in even the quietest moments here. For all his declared affection for "blasphemous noise," Lucas' deepest, most sincere facets front his multitudes on STREET OF LOST BROTHERS.