This book considers a recurrent figure in American literature: the solitary white man moving through urban space. The descendent of 19th-century frontier and western heroes, the figure reemerges in 1930s-’50s America as the “tough guy.” The Street Was Mine looks to the tough guy in the works of hardboiled novelists Raymond Chandler (The Big Sleep) and James M. Cain (Double Indemnity) and their popular film noir adaptations. Focusing on the way he negotiates racial and gender “otherness,” this study argues that the tough guy embodies the promise of an impervious white masculinity amidst the turmoil of the Depression through the beginnings of the Cold War. The book concludes with an analysis of Chester Himes, whose Harlem crime novels (For Love of Imabelle) unleash a ferocious revisionary critique of the tough guy tradition.
MEGAN ABBOTT is the Edgar-winning author of the novels Die a Little, The Song Is You, Queenpin and Bury Me Deep, which was nominated for six awards: the Edgar Award, Hammett Prize, the Macavity, Anthony and Barry Awards and the Los Angeles Times Book Prize. Her writing has appeared in Wall Street Noir, Detroit Noir, Best Crime and Mystery Stories of the Year, Phoenix Noir, Storyglossia, the Los Angeles Times Magazine, The Believer, Queens Noir and the LA Noire Anthology.
Her upcoming novel, The End of Everything, comes out in July 2011.
Born in the Detroit area, she graduated from the University of Michigan with a B.A. in English Literature and went on to receive her Ph.D. in English and American literature from New York University. She lives in Queens, New York City.
