A Streetcar Named Desire (Un Travia Llamado Deseo) [ NON-USA FORMAT, NTSC, Reg.4 Import - Latin America ]
 
 
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A Streetcar Named Desire (Un Travia Llamado Deseo) [ NON-USA FORMAT, NTSC, Reg.4 Import - Latin America ]

Alec Baldwin , Jessica Lange , Glenn Jordan  |  DVD
4.6 out of 5 stars  See all reviews (18 customer reviews)


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Product Details

  • Actors: Alec Baldwin, Jessica Lange, Diane Lane, John Goodman, Frederick Coffin
  • Directors: Glenn Jordan
  • Format: NTSC, Import, Dolby, Dubbed, Subtitled, Widescreen
  • Subtitles: Spanish, Portuguese, English
  • Region: Region 4 (Read more about DVD formats.)
  • Average Customer Review: 4.6 out of 5 stars  See all reviews (18 customer reviews)
  • ASIN: B002YOYELQ
  • Amazon Best Sellers Rank: #560,676 in Movies & TV (See Top 100 in Movies & TV)

Editorial Reviews

Sinopsis Un tranvia llamado deseo (a streetcar named desire) jessica lange personifica a blanche dubois, una bella sureña empeñada en seguir manteniendo el despreocupado estilo de vida de las grandes plantaciones aunque se ve obligada a vivir en el modesto departamento de su hermana stella. Sus pretenciones molestan al esposo de stella que la hace blanco de burlas que hacen mella en la fragil blanche empujandola mas alla de la cordura. SYNOPSIS: This production presents the complete text of A Streetcar Named Desire, the 1947 Tennessee Williams masterpiece. The story centers on the destruction of a lonely Mississippi widow, Blanche DuBois (Jessica Lange), by her brutally outspoken brother-in-law, Stanley Kowalski (Alec Baldwin). The play begins when Blanche arrives in New Orleans from Laurel, Mississippi, at the squalid apartment of her pregnant sister, Stella, and Stella's husband, Kowalski. After announcing that she is on leave from a teaching position, Blanche discloses that creditors have expropriated the family estate, Belle Reve. Consequently, sister Stella will never receive a penny of her share in the property. Skeptical, Stanley angrily demands documented proof of the property loss. Blanche provides it. The lingering animosity from this incident then builds relentlessly over several months. To protect herself from Stanley and his crude working-class world, Blanche cocoons herself in a delusional world of Old South ideals. She is ever the aristocratic belle. Truculent Stanley, however, seizes every opportunity to bullyrag dainty Blanche. He despises her elegant ways, her put-on airs. In turn, she shudders at his rudeness and vulgarity. But deep in her lonely soul--deep in the instinctual id that drove her to promiscuity in Laurel--she harbors a perverse attraction for Stanley. Her mental state, meanwhile, verges on insanity; one day her prince will

 

Customer Reviews

18 Reviews
5 star:
 (13)
4 star:
 (3)
3 star:
 (1)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
4.6 out of 5 stars (18 customer reviews)
 
 
 
 
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Most Helpful Customer Reviews

25 of 27 people found the following review helpful:
5.0 out of 5 stars Excellent Version of Williams' Masterpiece, December 6, 1998
By A Customer
While it will not replace the classic 1951 Kazan film version, this television production of Tennessee Williams' "Streetcar Named Desire" comes textually closer and remains more faithful to what Williams actually wrote (with the exception of a few minor deletions). The most noticeable restoration is the issue of homosexuality in regard to Blanche's dead husband, which in 1951 had to be sidestepped. The performances are all quite good. Diane Lane as Stella and John Goodman as Mitch are more human and less deliberate than their Kazan counterparts, Kim Hunter and Karl Malden. Alec Baldwin does quite well, especially considering the shadow of Brando which hangs over the role of Stanley Kowalski. Baldwin may lack the complete rawness and animal sexuality, but he improves over Brando in giving Stanley a sympathetic edge; another advantage is that Baldwin does not mumble.

Which brings us to Jessica Lange, whose portrayal of Blanche is both delicately shaded and strongly characterized; she is heart-breaking and luminous. Comparing her to Vivian Leigh, it is impossible to rank one over the other, as both performances seem "definitive" (now if we only had the performances of Jessica Tandy, Uta Hagen, and Tallulah Bankead preserved). The production design for once truly emphasizes the squalor in which Stella and Stanley live and which so shocks Blanche upon her arrival. Worth purchasing, especially for devotees of Williams.

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19 of 24 people found the following review helpful:
5.0 out of 5 stars Refurbished Streetcar rides better than the original, April 16, 2003
I was age two in 1951 when Tennessee Williams's A STREETCAR NAMED DESIRE had its first Silver Screen incarnation. I don't recall seeing this film during the 50s as part of a twenty-five cent, Saturday, kiddy matinee double feature. Well, we would have been bored with such grown-up tempests-in-a-teapot anyway. As an adult, I can now view both the original and this 1995 version, and reap the benefit of improved film-making technology and relaxed censorship, though both versions are substantively identical - no surprise, since they're both working off the same script.

Blanche Dubois arrives in post-WWII New Orleans from Mississippi to visit her younger sister Stella, who's married to Stanley Kowalsky. Both women were the products of a genteel, Southern upbringing, and Blanche is appalled by Stanley's brutishness and the sweltering, seedy, French Quarter apartment in which her sister happily lives. Early in life, Blanche was psychologically devastated her young husband's death. He'd committed suicide after Blanche had discovered his homosexuality and confronted him. Stella having departed the family estate, Belle Reve, for the Big City, the widowed Blanche was left to deal with the deaths of parents and the eventual loss of Belle Reve to creditors. Now, at the edge of sanity, Blanche perceives herself as a classic Southern lady fallen on hard times. But she has another side which Stanley, a male "pig" if there ever was one, immediately perceives. It's their tense interaction over several months that provides the story's conflict and seals Blanche's fate.

How do the players compare?

Alec Baldwin's 1995 Stanley is more than adequate. OK, he doesn't have the animal presence of Marlon Brando's original, but at least the former doesn't talk as if through a mouthful of cotton. And if I hear the 1951 Stanley screech his high-pitched "Stella!" one more time, I'll lose it.

The role of Blanche is better served by Jessica Lange than Vivien Leigh. To me, Leigh's version came off with a touch of spoiled brat, while Lange's embodied more of the vulnerability and residual gentility that comprised the essence of Blanche. In that persona, Leigh's illusions and delusions seemed overacted, while Lange's seemed inherently genuine. (Do I suffer from being too infatuated with Jessica's role in TOOTSIE?)

John Goodman as Mitch, who becomes smitten with Stanley's sister-in-law, is more of a flawed-yet-sympathetic figure than was Karl Malden's original. Perhaps it's because Goodman's more massive physique contrasts better with his (initial) gentleness.

Played by Diane Lane (1995) and Kim Hunter (1951), Stella is a toss-up. I give Ms. Lane the nod simply because she's a superb, contemporary actress that I fondly recall from LONESOME DOVE and UNFAITHFUL.

Purists will rage, but if I had to recommend one version over another, it would be this one. Filmed in color, it provides more atmosphere and depth than the B&W original. And the viewer no longer has to cope with the early-1950s censorship that muddied dialog and scenes having to do with homosexuality, rape and nymphomania. This is a half-century later; let's move on for Chrissakes! After all, the "classic" story is Williams's original play. (Who knows? In 2050, a third screen edition may do it even better. Perhaps it'll be a holographic presentation.)

For me, the best scene in both is at the end when Blanche is gallantly treated like the lady she believes herself to be, and she poignantly remarks, "Whoever you are, I have always depended on the kindness of strangers." To get through life, we all do.

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7 of 8 people found the following review helpful:
5.0 out of 5 stars Jessica' s best performance?, June 26, 1999
By A Customer
I always thought that Vivien Leigh's interpretation of Blanche will be the definitive performance for this role. I am not so sure after I watched Lange's heart-breaking performance in this version. She is truly amazing. ALthough this actress given tons of great performance in her career ('Frances', 'Country', 'Sweet Dream', 'Music Box', 'Blue Sky'), she very likely gives the performance of her career in a made for TV movie.
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