Customer Reviews

Strike the Baby and Kill the Blonde: An Insider's Guide to Film Slang

5 star:		(3)
4 star:		(2)
3 star:		(0)
2 star:		(1)
1 star:		(0)

 

 

The film industry, especially being on the set, is near and dear to my heart. Being with the crew (the people who make the movie possible) was always one of my favorite things in life, which is what drew me to this cool book.

The industry has a language all of its own. Due to saving time, especially during long shoots, the lingo actually saves time (and money) to get things done properly, without a long explanation. Thus this book is awesome to learn the lingo shortcuts when you're on the set.

Any actor, producer, writer, film student, new Inde production company should have this in their library, both for reference, and to know what the crew are actually talking about while on the set. It saves time, and if you're in the industry, you really need to know what the terms mean.

A good analogy would be a medical student in training to be a surgeon would need to know the lingo in an operating room. It's that important.

I loved reading this awesome and incredibly accurate book. It made me feel super nostalgic wanting to be on the set again. Being on the set is either in your blood or not. If you love the industry, you'll definitely LOVE this book!

(FYI) "Kill the Blonde" means to turn off the 2,000 watt spotlight. That's why I titled this review: "Light the Blonde on This Really Cool Book!" It's awesome!

Barbara Rose, Ph.D. author of Stop Being the String Along, Know Yourself, and If God Hears Me, I Want an Answer!

I just love the title. It takes some guts to buy this in a bookstore as the checkout person might think you're a bit wierd. I recommend that if you are sensitive to this sort of thing then buy the book on the Internet.

The book is a clever, wonderful listing of terms in alphabetical order and each term is defined by the author in a style that is slightly flippant, which I find sometimes annoying, but also seems to bring some real life experience to the definitions that an academic would never impart. The book lacks pictures of the items being defined but that inclusion would increase the book size and cost. This book sells for a very reasonable cost. Who is this book for? Any film student or PA that wishes to break into the film industry should memorize almost all these terms. Above and below the line people, now in the industry, might find quite a few terms that they did not yet hear or understand. For some film professionals, some of the terms may be part of their passive vocabulary and now one can now discover how close or distant their prior understanding was to the book's more "exact" meaning. This book should be a second text for some film classes. Instructors in those classes should require definitions be understood as part of the course in filmmaking. For the non-professional film buff that wants to dabble in understanding this field, this book should be within easy reach of the porcelain throne for brief reads. I think the level that this book is written is at high school level. I strongly recommend that high school or even middle school students consider this book to impress their peer group. For everyone else, the book is a treat.

A very well written glossary of movie industry terminology, if you like your doses of information concise and loaded with humor! I liked it well enough that over the past few years I've bought 11 copies as gifts for friends.

great, it came in a timely manner and was in great condition, packaging was appropriate. overall good performance. thanks

Anyone who works in the industry knows that they and their co-workers live in their own little world. Film is filled with things specific to the industry... The average person probably thinks that N.Y.P.D. Blue is just a TV show, has no idea what a stinger is, thinks a lollipop is just a piece of candy on a stick, and "C47" most likely means nothing to them.

I found this to be one of the most valuable books I've ever purchased. It's a handy reference manual that I keep in my tool box at all times - Proving itself to be a priceless addition.

A lot of people will find it cheesy - And to a degree, some of the things covered are, but it's 10% cheese and 90% awesomeness.

A well done book along these lines is sorely needed for students of film. Unfortunately "Strike the Baby and Kill the Blonde" does not deliver. Knox seems to think he's clever and humorous, starting with his catchy title, but his efforts to be those things get irritating quickly. If this book was at least well researched and accurate, one could overlook this shortcoming. Reads like he sat down and wrote it over a few weekends. Not recommended.