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Strike Up the Band: A New History of Musical Theatre
 
 
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Strike Up the Band: A New History of Musical Theatre [Paperback]

Scott Miller (Author)
4.4 out of 5 stars  See all reviews (8 customer reviews)

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Book Description

0325006423 978-0325006420 November 9, 2006

The way some histories portray the advent of musicals, you'd think the genre emerged fully formed with Show Boat. Yet in truth, it took root decades earlier. In Strike Up the Band Scott Miller tells the whole story of musicals, pulling back the curtain on the amazing innovation and adventurousness of the art form, revealing its political and social conscience, and chronicling its incredibly rapid evolution over the last century.

Strike Up the Band focuses not only on what happened on stage but also on how it happened and why it matters to us today. It's a different kind of history that explores the famous and, especially, the not-so famous productions to discover the lineage that paved the way to contemporary musicals. Digging into 150 shows, Miller offers a forward-looking perspective on treasures from each era - such as Anything Goes, West Side Story, Hair, and Rent - while also looking at fascinating, genre-busting, and often short-lived productions, including Bat Boy, Rocky Horror Show, Promenade, and The Capeman, to see how even obscure or commercially unsuccessful musicals defined and advanced the form.

Moving decade by decade, Miller offers insight and inside information about the artistic approaches various composers, lyricists, bookwriters, and directors have taken, how those approaches have changed over time, and what social and historical forces continue to shape musical theatre today. He provides a strong sense of what groups have historically controlled the industry and how other groups' hard work and vision continue to change the musical theatre landscape for the better. In fact, Strike Up the Band opens a new and vitally important discussion of the roles played in the musical's history by people of color, by gays and lesbians, by people with disabilities, and by women. It frames musical theatre as an important, irreplaceable piece of American history and demonstrates how it reflects the social and political conditions of its time - and how it changes them.

On Broadway or off, Strike Up the Band is as adventuresome, detailed, and thoughtful in tracing the story behind the musical as it is in celebrating the form's diversity, vigor, innovation, and promise. Join Scott Miller not only in commemorating great moments on stage, but in gaining a powerful understanding of what the musical was, what it is today, and what it is becoming.


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Editorial Reviews

Review

"Obviously well-versed on his subject (he's written about musical theatre before). . . Miller does look decade by decade at the musical with insight and frequently with broad knowledge of the story behind a particular show." --Backstage

"Miller has been writing, performing in, and directing musicals since 1981 - clearly, this is a man who lives, eats and breathes musicals. You can feel his excitement from the first page of the introductory chapter." --TalkinBroadway.com

"Densely packed and immensely well-informed . . . Miller's tone is collegial, his analysis at times deceptively acute, and his material obviously well informed by research and experience. The enthusiasm with which Miller expresses his own love for musical theatre is infectious." -- Ben MacphersonStudies in Musical Theatre

About the Author

Scott Miller is the founder and artistic director of New Line Theatre, an alternative musical theatre company in St. Louis. He holds a degree in music and musical theatre from Harvard University, and he has been writing, performing in, and directing musicals since 1981. He has written six books on musical theatre, including Sex, Drugs, Rock & Roll, and Musicals (2011), Strike Up the Band (2007), Let the Sun Shine In (2003), Rebels with Applause (2001), Deconstructing Harold Hill (2000), and From Assassins to West Side Story (1996).

Product Details

  • Paperback: 272 pages
  • Publisher: Heinemann Drama (November 9, 2006)
  • Language: English
  • ISBN-10: 0325006423
  • ISBN-13: 978-0325006420
  • Product Dimensions: 9.2 x 7.4 x 0.6 inches
  • Shipping Weight: 1 pounds (View shipping rates and policies)
  • Average Customer Review: 4.4 out of 5 stars  See all reviews (8 customer reviews)
  • Amazon Best Sellers Rank: #51,922 in Books (See Top 100 in Books)

More About the Author

Scott Miller is the founder and artistic director of New Line Theatre, an alternative musical theatre company he established in 1991 in St. Louis, at the vanguard of a new wave of nonprofit musical theatre being born across the country during the early 1990s, offering an alternative to the commercial musical theatre of New York and Broadway tours. He has been working in musical theatre since 1978 and has been directing musicals since 1981. He has written the book, music, and lyrics for nine musicals and two plays. His play Head Games has enjoyed runs in St. Louis, Los Angeles, London, and at the Edinburgh Fringe Festival in Scotland; and his last musical, Johnny Appleweed, was nominated for four Kevin Kline Awards. He has written six books about musical theatre, From Assassins to West Side Story; Deconstructing Harold Hill; Rebels with Applause; Let the Sun Shine In: The Genius of HAIR; Strike Up the Band: A New History of Musical Theatre; and Sex, Drugs, Rock & Roll, and Musicals. He has also written chapters for several other collections of musical theatre essays. He has written for several national theatre magazines and websites, and he has composed music for television and radio. He co-hosts, with Deborah Sharn, "Break a Leg - Theatre in St. Louis and Beyond," a weekly theatre talk show on KDHX-FM in St. Louis. Miller holds a degree in music and musical theatre from Harvard University.

 

Customer Reviews

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Average Customer Review
4.4 out of 5 stars (8 customer reviews)
 
 
 
 
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10 of 12 people found the following review helpful:
5.0 out of 5 stars Straightforward, succint, interesting, and relevent, August 12, 2008
This review is from: Strike Up the Band: A New History of Musical Theatre (Paperback)
I'm not going to wax poetic but this is the PERFECT textbook for my high school musical theatre class. It is written at a level that is accessible to students but doesn't pander. It is well researched and informative but still includes occasional editorial comments that remind us that the author is human and really does have a personality. I appreciate the fact that the book is relatively short and will not overwhelm someone who just picks it up and wants to travel chronologically through the history of the American musical. Obviously, Miller's book is not exhaustive and he admits this up front. He doesn't waste time talking about musicals that weren't socially or theatrically important or influential (The Sound of Music) but also touches on a few groundbreaking but relatively underrated shows like Little Johnny Jones. The best thing about this book is that Miller takes a decade like the 1940s (arguably one of the most rich and influential periods in musical theatre) and gives us the basics in fifteen pages. But he hits ALL the high points. That book is such a great jumping off point for so many great discussions because Miller really does a good job showing the *development* of musical theatre and its connectivity to their contemporaneous social and political conditions. Overall, this is just a refreshing and sophisticated rendering of musical theatre that doesn't get bogged down in trivialities or tangents. Miller keeps moving and consequently, keeps us looking forward. THANK YOU!

My ONLY two complaints... Miller considers Porgy and Bess an opera and therefore omits it entirely. Also, I wish there was a hardcover edition.... as a textbook, the paperbacks will not stand up well to the abuse of high school students :)

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11 of 14 people found the following review helpful:
4.0 out of 5 stars Miller Strikes Again, May 16, 2007
By 
M. Sells (Indianapolis, Indiana USA) - See all my reviews
(REAL NAME)   
This review is from: Strike Up the Band: A New History of Musical Theatre (Paperback)
I have read and enjoyed Scott Miller's past books and "Strike Up the Band" is a worthy addition to his output (though I have to admit that I have only read about three-fourths as of this writing). Miller writes interestingly and informatively about composers, works and, especially, helps the reader relate the musical art form to the social and political environment that its history mirrors. I plan to use the book as a text for a class I will be teaching next year.


The above notwithstanding, I did see evidence of sloppy editing, e.g. "Juilliard" not "Julliard"; "Antonio" not "Anthony" Banderas" and vocal "cords" not "chords"), and I regret that my students will not have the benefit of a bibliography with which to expand their scholarly curiosity.
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1 of 1 people found the following review helpful:
4.0 out of 5 stars Great retrospective, December 9, 2010
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This review is from: Strike Up the Band: A New History of Musical Theatre (Paperback)
A fascinating look at the history of musical theater, written in easy prose, and full of insight. I read it cover to cover.
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Inside This Book (learn more)
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
cal theatre, angry inch, bat boy, shinbone alley, cast album, featured actress, concept musical, dream ballet, regional theatres
Key Phrases - Capitalized Phrases (CAPs): (learn more)
New York, Show Boat, Lloyd Webber, Tony Awards, Stephen Sondheim, West Side Story, Los Angeles, Hal Prince, Pal Joey, World War, Richard Rodgers, Rocky Horror, South Pacific, Floyd Collins, Sweeney Todd, Anything Goes, Phantom of the Opera, Cole Porter, The Fantasticks, Viet Rock, Bob Fosse, New Brain, South Africa, Tommy Tune, Frank Rich
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