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Jackie Collins started writing as a kid, making up steamy stories her schoolmates paid to devour. Her first book, The World Is Full of Married Men became a sensational bestseller because of its open sexuality and the way it dealt honestly with the double standard. After that came The Stud, Sinners, The Love Killers, The World is Full of Divorced Women, The Bitch, Lovers And Gamblers, Chances, and then the international sensation, Hollywood Wives -- a #1 New York Times bestseller, which was made into one of ABC's highest-rated miniseries starring Anthony Hopkins and Candice Bergen.
The Stud, The World is Full of Married Men, and The Bitch were also filmed -- this time for the big screen. And Jackie wrote an original movie, Yesterday's Hero, starring Ian McShane and Suzanne Somers.
Reader's couldn't wait to race through Lucky, her next book -- a sequel to Chances -- and the story of incredibly beautiful, strong woman, another New York Times number one.
Then came the bad boys of Hollywood in the steamy Hollywood Husbands -- a novel which kept everyone guessing the identities of the true-to-life Hollywood characters.
Jackie then wrote Rock Star -- the story of three rock superstars and their rise to the top, followed by the long-waited sequel to Chances and Lucky -- Lady Boss -- tracking the further adventures of the wild and powerful Lucky Santangelo as she takes control of a Hollywood studio.
Both Lucky and Chances were written and adapted for NBC television by Jackie, who also executive produced the highly successful six-hour miniseries Lucky/Chances, starring Nicollette Sheridan and Sandra Bullock.
In 1992 she produced and wrote the four hour miniseries, Lady Boss, which became another huge ratings success for NBC. Lady Boss starred Kim Delaney. Next came American Star, a love story, which the Los Angeles Times described as "classic Collins."
And then the dangerously close to the truth Hollywood Kids -- a story of power, sex, danger and ambition among the grown offspring of major celebrities.
In 1996 Vendetta -- Lucky's Revenge was published -- and became an immediate New York Times bestseller.
And then in 1998, Thrill!, a psychological thriller for the nineties, in which Jackie created her signature mix of unputdownable characters.
In the summer of 1998, Jackie hosted her own daily television show, "Jackie Collins Hollywood." A combination of fun, style and interviews, Jackie talked to everyone from George Clooney to RuPaul!
After that she wrote L.A. Connections -- a four-part serial novel published one per month -- Power, Obsession, Murder and Revenge.
In 1999 came Dangerous Kiss -- the return of Lucky Santangelo in a bestselling novel about relationships, addiction, fear and lust.
In the year 2000, Lethal Seduction became the first bestseller for Jackie Collins in the new millennium. This tale of erotic suspense and glamorous intrigue featured Madison Castelli, a character first introduced in the L.A. Connections series.
Hollywood Wives -- The New Generation became a blockbuster bestseller in 2001, following in the footsteps of the original Hollywood Wives. Hollywood Wives -- The New Generation featured a brand new cast of characters and a totally fresh perspective on how women pursue power, love, sex and success in Tinseltown today.
In 2002, New York flash, L.A. trash and a Mafia don met head-on in Deadly Embrace, a sexy tale of dangerous passion and suspense featuring heroine Madison Castelli that was both a prequel and a sequel to her adventures in the bestselling Lethal Seduction.
2003 marks the return of Jackie Collins to prime-time television with a brand-new two-hour CBS TV movie Jackie Collins' Hollywood Wives: The New Generation, starring Farrah Fawcett, Melissa Gilbert, Robin Givens and Jack Scalia and produced by Collins. And in December 2003, comes her twenty-third novel, HOLLYWOOD DIVORCES, a sizzling, glam-drenched novel of lust, infidelity and revenge featuring all-new characters navigating Hollywood's treacherous trail of divorce.
Ms. Collins lives in Los Angeles, California. Her hobbies are photography, soul music, and exploring exotic locations so she can write about them later.
There have been many imitators, but only Jackie Collins can tell you what really goes on in the fastest lane of all. From Beverly Hills bedrooms to a raunchy prowl along the streets of Hollywood; from glittering rock parties and concerts to stretch limos and the mansions of the power brokers -- Jackie Collins chronicles the real truth from the inside looking out. --This text refers to an out of print or unavailable edition of this title.
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Most Helpful Customer Reviews
4 of 4 people found the following review helpful:
5.0 out of 5 stars
Experience the sixties w/o being there,
By
This review is from: The Stud (Mass Market Paperback)
Let me preface this by saying I'm not a very big fan of Jackie Collins, but I LOVE this book. As you move through 1969 London through the eyes of professional stud Tony Blake, you'll almost feel like you've taken a trip back in time. The sex scenes are hot w/o being vulgar, and all the characters, even the secondary ones, are very well drawn out. A scintillating and wonderful trip back in time!
1 of 1 people found the following review helpful:
4.0 out of 5 stars
the stud,
By alice (Ireland) - See all my reviews
This review is from: The Stud (Paperback)
I don't usually read romance novels, and if you do, this one may disappoint you. There is no happy ending. There are no perfect or likeable heroes or heroines. Collins critiques power and money. She shows how they can debase human relationships. This book is all about ego, using money and sex as metaphors. It is exciting and it maintains your interest. But there is no fantasy dreamland for you to float off into at the end. You're more likely to be left examining both society around you and your conscience. If you find this more exciting than facile escapism, buy the book!
4.0 out of 5 stars
Intrigue, not romance,
By A Customer
This review is from: The Stud (Mass Market Paperback)
This book is more intrigue than romance, but offers a glimpse into some of London and New York of the early 1960s. The main character, Tony, appears dim and unlikable throughout the book as he makes petty excuses for "infidelities" and seems to idolize displays of wealth and extremes- the seasoned, socialite housewife and eventually, as a reaction to her, the naive, virgin schoolgirl. With no secure financial backers, his good looks get him by, but probably for only as long as looks can. While the main character is unlikable, other characters are even more so. The ending seems to benefit the naive girl in the long-run, as the main character's interest in her appeared to be more of an idolization than love. His interest seems to be based on his realization that he can mold her just as someone has molded him. His professed love for her seems weak when he pursues and undertakes infidelities, for monetary gain and physical pleasure.
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