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In the Studios of Paris: William Bouguereau and His American Students
 
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In the Studios of Paris: William Bouguereau and His American Students [Hardcover]

James F. Peck (Editor)
4.7 out of 5 stars  See all reviews (3 customer reviews)


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Book Description

0300114133 978-0300114133 October 25, 2006
William Bouguereau (1825–1905) was an influential French academic painter, who taught a long succession of gifted students, primarily at the private Académie Julian in Paris. Among them, Bouguereau instructed more than two hundred young American artists. In the Studios of Paris provides a unique look at the history of Parisian art education during the last quarter of the 19th century and its profound influence on American art.

This landmark publication—the first to focus exclusively on Bouguereau and his American pupils—presents sixty-five paintings, drawings, and prints by the master and eleven of his most prominent students, including Eanger Irving Couse, Elizabeth Gardner Bouguereau, and Robert Henri. A series of carefully researched essays place the artists’ work in historical context and discuss various American responses to Bouguereau’s painting and pedagogical techniques, along with the subsequent reception and collecting of their work in the United States.


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About the Author

James F. Peck is Ruth G. Hardman Curator of European and American Art, The Philbrook Museum of Art, Tulsa, Oklahoma. Damien Bartoli is a renowned Bouguereau expert and author of an extensive Bouguereau biography and catalogue raisonné (forthcoming). Charles Pearo is an authority on Elizabeth Gardner Bouguereau. Sylvia Svec is adjunct professor of Humanities and Art History at San Antonio College and Northwest Vista College, Texas.


Product Details

  • Hardcover: 211 pages
  • Publisher: The Philbrook Museum of Art (October 25, 2006)
  • Language: English
  • ISBN-10: 0300114133
  • ISBN-13: 978-0300114133
  • Product Dimensions: 12.1 x 9.3 x 0.9 inches
  • Shipping Weight: 3.3 pounds
  • Average Customer Review: 4.7 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #1,970,252 in Books (See Top 100 in Books)

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4.7 out of 5 stars (3 customer reviews)
 
 
 
 
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43 of 44 people found the following review helpful:
4.0 out of 5 stars Catalogue Review, November 28, 2006
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This review is from: In the Studios of Paris: William Bouguereau and His American Students (Hardcover)
The catalogue contains fine reproductions and interesting commentary. Of particular interest is Eric M. Zafran's essay William Bouguereau in America , wherein Zafran follows the rise and fall of Bouguereau among American collectors and critics. He includes many direct quotes from contemporary writers which piece together the "roller-coaster" of public opinion about Bouguereau's paintings. After reading the essay, one can understand how Bouguereau fell into disfavor in the 20th century among the cognoscenti, but has never really fallen out of favor with the masses. It would seem that Bouguereau's skill and finesse were such that he became a watershed in the late 19th century, resulting in the reemergence of the tired argument about the vacuity of academic art. Also of interest and delving into more detailed matters about training is Damien Bartoli's essay, "William Bouguereau the Teacher." Bartoli weaves together Bouguereau's warm and generous nature with his goals and ideas about the training of artists. If there is a lacuna in the catalogue, it is that there is little about Bouguereau's actual working method, or those of his students. As is often the case among writers on art, the bulk of information is biographical, which tells an incomplete story. There are also some careless uses of terminology, such as the definition of academies given on page 13, where such works are characterized as sketches. These drawings, as one can see in the four examples included in the exhibition, were careful and meticulous studies. Another term used in the catalogue is style, often in discussions about what Bouguereau's students may have derived from him. Given the mastery of craft demonstrated by Bouguereau, as well as the breadth and number of his works, style seems like a trivial term to characterize what made Bouguereau unique. The exhibition successfully accomplished the goal of showing the wide-reaching influence of Bouguereau in the works of American artists, which are diverse and often non-academic. Though Bouguereau had much less influence on American art than Gérôme, the featured works demonstrate that he trained painters in such a way that, with the exception of Gardner , they pursued their unique artistic visions. One is left, however, with the lingering sense of awe at the master's command and production, which greatly overshadows that of his students.
Congratulations are due both Mr. Peck and The Philbrook Museum of Art for understanding the relevance of this master today and for a superior job in the presentation of the subject. This book will no doubt be a common feature on the shelves of artists, art historians, and collectors.

Steve Armes
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3 of 10 people found the following review helpful:
5.0 out of 5 stars excellent, January 5, 2007
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G. Parrish (Massachusettes) - See all my reviews
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This review is from: In the Studios of Paris: William Bouguereau and His American Students (Hardcover)
Damien Bartoli is an insightful scholar. The essays on Couse and Gardner add a lot to the discourse on nineteenth century painting.
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2 of 12 people found the following review helpful:
5.0 out of 5 stars In the Studios of Paris: William Bouguereau and His American Students, January 11, 2007
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Mario Roma (Napoli, Italy) - See all my reviews
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This review is from: In the Studios of Paris: William Bouguereau and His American Students (Hardcover)
I would recommend that book to William Bouguereau estimators
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