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The Study of Ethnomusicology: Twenty-nine Issues and Concepts [Hardcover]

Bruno Nettl (Author)
4.2 out of 5 stars  See all reviews (4 customer reviews)


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Product Details

  • Hardcover: 424 pages
  • Publisher: University of Illinois Press (March 1, 1983)
  • Language: English
  • ISBN-10: 025200986X
  • ISBN-13: 978-0252009860
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (4 customer reviews)
  • Amazon Best Sellers Rank: #6,784,104 in Books (See Top 100 in Books)

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Customer Reviews

4 Reviews
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4 star:
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Average Customer Review
4.2 out of 5 stars (4 customer reviews)
 
 
 
 
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5 of 5 people found the following review helpful:
5.0 out of 5 stars Very well done!, May 15, 2003
This book is an overview and introduction to the field of ethnomusicology. In the introduction, Nettl mentions that the book could be used as an introduction to ethnomusicology for graduate students. However, the text is quite accessible and the terminology and concepts are easily comprehensible to the general reader. The book consists of essays by Nettl on numerous topics that cover the field of ethnomusicology. Many of the essays have catchy titles that address commonly-held beliefs about ethnomusicology directly, such as "The Non-Universal Language", or "Music Hath Charms". The book is very well referenced, and it provides a succinct introduction to the ethnomusicology literature. If you want to know what ethnomusicologists do (or think about), this book will be quite useful.

As a linguist, I was struck when reading this book by how relevant much of linguistic theory and research could be for the field of ethnomusicology. The methods of historical linguistics could be quite useful for researchers studying the spread of instruments or musical forms. Formal theories of syntax and phonology could also be applied to intervals in scales and rhythms. Nettl considers many of these possibilities, and reviews published research in these areas. One important area that could receive even more focus is the association of form and meaning, a concept that is at the foundation of linguistic research, but doesn't seem to be a central issue for ethnomusicologists, at least as discussed in these essays.

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3.0 out of 5 stars Fundamental, June 1, 2011
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This a basic book in the field of ethnomusicology. It summarizes the transition between one type of ethnomusicology and other. For me, Bruno Netl is the ethnomusicology itself. With all its prejudices, brilliant phrases, regrets, changes and USA-centred approach. It is an important book to see the "evolution"·of the discipline.
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0 of 2 people found the following review helpful:
5.0 out of 5 stars great work, March 25, 2006
This is one of the most important works of Nettle. He discuss the interesting issues which sculpture the ethnomusicology in his time.
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Inside This Book (learn more)
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First Sentence:
In American academic society few people can define music, and they differ greatly in what they think is significant about music. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
musical conceptualization, ethnomusicological literature, aural transcription, athletic view, internal interrelationships, folk music research, most ethnomusicologists, musical behavior, ethnomusicological analysis, total repertory, tune family, culture area concept, musical artifact, musical universals, ethnomusicological research, comparative musicology, historical musicology, musical areas, musical system, musical change, tune families, defining music, musical repertory, tar player, automatic transcription
Key Phrases - Capitalized Phrases (CAPs): (learn more)
American Indian, United States, Plains Indians, Middle East, Charles Seeger, Curt Sachs, George Herzog, Blackfoot Indians, Frances Densmore, Mantle Hood, Alan Lomax, South Indian, New World, West African, Eastern European, Flathead Indians, Middle Ages, North Indian, World War, Alan Merriam, Arapaho Indian, Ghost Dance, Historians of Western, International Folk Music Council, John Blacking
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