A critical analysis of issues and approaches in a variety of areas, ranging from the political economy of popular music through its history and ethnography to its semiology, aesthetics and ideology. The book focuses on Anglo-American popular music of the last 200 years.
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Inside This Book
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First Sentence:
So riddled with complexities has this question proved to be that one is tempted to follow the example of the legendary definition of folk song - 'all songs are folk songs; I never heard horses sing 'em' - and suggest that all music is popular music: popular with someone. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
syntagmatic continuum, musematic repetition, notational centricity, bourgeois song, popular competence, discursive repetition, folk mode, musical field, stencilled paper, electric media, musical politics, primary signification, notated music, melodic types, music analysis, musical competence, subcultural theory, musical practice, musical types, progressive rock, pitch inflection, popular music Key Phrases - Capitalized Phrases (CAPs): (learn more)
Tin Pan Alley, Elvis Presley, Bob Dylan, Rolling Stones, Billie Holiday, United States, Philip Tagg, Chuck Berry, Hey Bo Did, Middle Ages, Third World, Buddy Holly, Dave Laing, Raymond Williams, Alan Lomax, Charles Keil, Jimi Hendrix, Simon Frith, Alan Durant, Bing Crosby, Bruce Springsteen, Charles Hamm, Frank Zappa, John Lennon, Louis Armstrong New!
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
So riddled with complexities has this question proved to be that one is tempted to follow the example of the legendary definition of folk song - 'all songs are folk songs; I never heard horses sing 'em' - and suggest that all music is popular music: popular with someone. Read the first page Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
syntagmatic continuum, musematic repetition, notational centricity, bourgeois song, popular competence, discursive repetition, folk mode, musical field, stencilled paper, electric media, musical politics, primary signification, notated music, melodic types, music analysis, musical competence, subcultural theory, musical practice, musical types, progressive rock, pitch inflection, popular music Key Phrases - Capitalized Phrases (CAPs): (learn more)
Tin Pan Alley, Elvis Presley, Bob Dylan, Rolling Stones, Billie Holiday, United States, Philip Tagg, Chuck Berry, Hey Bo Did, Middle Ages, Third World, Buddy Holly, Dave Laing, Raymond Williams, Alan Lomax, Charles Keil, Jimi Hendrix, Simon Frith, Alan Durant, Bing Crosby, Bruce Springsteen, Charles Hamm, Frank Zappa, John Lennon, Louis Armstrong New!
Books on Related Topics | Concordance | Text Stats Browse Sample Pages:
Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
Citations (learn more)
This book cites 100
books:
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100
books
cite this book:
See all 100 books citing this book
- Resistance Through Rituals: Youth Subcultures in Post-War Britain by Stuart Hall on 6 pages
- Dictionary Of Music And Musicians (9 Volumes)) (Music Book Index) by Sir George Grove on 4 pages
- Music Hall: Performance and Style (Popular Music in Britain) by Bratton J in Back Matter (1), Back Matter (2), and Back Matter (3)
- The Essential Frankfurt School Reader by Andrew Arato in Back Matter (1), and Back Matter (2)
- Popular Culture and Social Relations by Tony Bennett in Back Matter (1), and Back Matter (2)
See all 100 books this book cites
- Interpreting Popular Music by David Brackett on 11 pages
- In the Houses of the Holy: Led Zeppelin and the Power of Rock Music by Susan Fast on 7 pages
- Key Terms in Popular Music and Culture (Blackwell Guides) by Thom Swiss on 6 pages
- Experiencing Music Video: Aesthetics and Cultural Context by Carol Vernallis on 4 pages
- Expression in Pop-Rock Music: A Collection of Critical and Analytical Essays (Studies in Contemporary Music and Culture) by Walter Everett on 4 pages
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