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The eponymous Steve (who claims his name is not Steve) is a mild-mannered 37-year old ad man who pens slogans celebrating the "ongoing orgasm of the information lifestyle." Unfortunately, he's dying, but "he's dying of something nobody has ever died of before: he's actually going to die of boredom." The scientists (who may not be scientists although they do wear white coats) "calculate that there can be no calculations" about how long he has left to live. Faced with this eventuality he embarks on a particularly wayward sexual, narcotic, and religious odyssey. Lipsyte fills Steve's journey with so many oddball doctors, multimedia weirdoes, dysfunctional gurus, and bizarre sexual encounters that it's actually rather difficult to imagine anyone dying of boredom. Exhaustion, perhaps. Ludicrous and occasionally even a little bit sick, Lipsyte's surreal, intelligent black comedy proves that death really can be a laughing matter. --Travis Elborough, Amazon.co.uk --This text refers to an out of print or unavailable edition of this title.
Copyright 2001 Cahners Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
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Most Helpful Customer Reviews
8 of 9 people found the following review helpful:
5.0 out of 5 stars
An Astoria Statement from Seattle,
By A Customer
This review is from: The Subject Steve (Hardcover)
Well, the other reviews here wrote there great synopses, but here's my two cents. David Foster Wallace has this essay about the difficulty today's novelists have competing with mediated reality. Roth wrote this essay first, and Franzen's written it since (and has now written a novel following Wallace's advice) But despite W's literary catholicism, his fictions wallows in exactly the same stuff he abhors. And, of course, that's what makes it great, and it's what most fortysomething novelists spend a lot of time thinking about. I'd guess that Lipsyte's just get that this is stuff you learned in college--mediated reality is just a given. This book is usually descibed as satire, and I guess that's true because it reminds me of Nathanial West--it manages to be scathing and poignant at the same time, and it's very human. It's also very--and I mean, <i>very</i>funny. It's like some sin not to be a realist today, but it's also not like the book is particularly difficult or anything (it's moving, but that's another story). I mean, it feels silly to recommend this book--you just want to thrust it into people's hands. On the other hand, this just might be a book that should have "this book is not for you" sticker slapped across the shrink wrap. You're always laughing at stuff that is real, which hurts. Which makes it so cool. Which also hurts.
6 of 8 people found the following review helpful:
2.0 out of 5 stars
Weird,
By
This review is from: The Subject Steve (Hardcover)
I was intrigued within the first 50 pages or so because of the direction it seemed to be heading. Then it got bland in the middle . It just seemed to be the same thing spit over and over to the reader. It did have its high moments in the middle. Then at the end of the book it got better, but it was hard to get through the 2nd third of the book, it probably goes deeper than i gave it. I really didn't get into it, so that may be why, also I am still a teenager but I did get most of the satire. My recommendation is that it's one of those books you have to read yourself to judge because you may take it a different way. It just wasn't for me.
7 of 10 people found the following review helpful:
3.0 out of 5 stars
SAFE, by Chuck Palahniuk ...,
By "mrertia" (Portland, OR USA) - See all my reviews
This review is from: The Subject Steve (Hardcover)
... with a little Vonnegut leavening. (SAFE, for those not in the know, is a Todd Haynes movie from the mid-90's about a woman suffering from a mysterious illness.)For those who are Palahniuk fans and have blown through all of his books (not a difficult task), THE SUBJECT STEVE may be a good followup. It veers a couple degrees farther away from reality (and closer to a Vonnegut-esque satirical future), and is potentially even more willfully transgressive than any of Palahniuk's work, without any of the underlying thematic logic that Palahniuk's transgressive bits seem to have. But there's definitely something with potential here, and it's intermittently fulfilled. Perhaps the biggest problem is that it's attempting to be a satire, and the target (or targets) of its satire gets so diffuse by the end of the book that it's obscured entirely. Regardless, a quick read, and there will be those who love it, so definitely check it out if your tastes lean in the directions outlined in this and other reviews.
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