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Sublime Desire: History and Post-1960s Fiction (Parallax: Re-visions of Culture and Society)
 
 
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Sublime Desire: History and Post-1960s Fiction (Parallax: Re-visions of Culture and Society) [Hardcover]

Amy J. Elias (Author)
5.0 out of 5 stars  See all reviews (3 customer reviews)

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Book Description

October 19, 2001 Parallax: Re-visions of Culture and Society

Has twentieth-century political violence destroyed faith in historical knowledge? What happens to historical fiction when history is seen as either a form of Western imperialism or a form of postmodern simulation?

In Sublime Desire, Amy Elias examines our changing relationship to history and how fiction since 1960 reflects that change. She contends that postmodernism is a post-traumatic imagination that is pulled between two desires: the political desire to acknowledge the physical violence of twentieth-century history, and the yearning for an escape from that history into a ravishing realm of historical certainty. Torn between these desires, both historical fiction and historiography after 1960 redefine history as the "sublime," a territory beyond lived experience that is both unknowable and seductive. In the face of a failure of Enlightenment ideals about knowledge and the West's own history of violence, post-World War II history becomes a desire for the "secular sacred" sublime—for awe, certainty, and belief.

Sublime Desire is an eloquent melding of theory and practice. Mixing the canonical with the unexpected, Elias analyzes developments in the historical romance genre from Walter Scott's novels to novels written today. She correlates developments in the historical romance to similar changes in historiography and philosophy. Sublime Desire draws engagingly on more than thirty relevant texts, from Tolstoy's War and Peace to Jeanette Winterson's Sexing the Cherry, Charles Johnson's Dreamer, and Charles Frazier's Cold Mountain. But the book also examines theories of postmodern space and time and defines the difference between postmodern and postcolonial historical perspectives. The final chapter draws from trauma theory in Holocaust studies to define how fiction can pose an ethical alternative to aestheticized history while remaining open to pluralism and democratic values. In its range and sophistication, Sublime Desire is a valuable addition to postmodernist studies as well as to studies of the historical romance novel.


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Editorial Reviews

Review

Sublime Desire constitutes a major contribution to the growing body of work on contemporary historical fiction... a must for those who wonder about the pervasivenessof history in comtemporary literature.

(Luc Herman Review of Contemporary Fiction 2004)

Elias sets out to deepen our understanding of the ethical and political power of the historical romance, then and now... By the end of the book, however, she gives us much more than a thorough literary history. She gives us an increasingly intense investigation of how we might engage an ethics that resists the modern and the nostalgic.

(Nancy Jesser Southern Humanities Review 2002)

Fresh perspectives on the relationship between literature and traumatic historical experiences, historical truth and literary imagination, memory and narrative.

(Laura Savu Symploke 2004)

These arguments are well stated and clear, and Elias's book is worth consulting.

(Jeremy Tambling Yearbook of English Studies )

Elias not only offers a compelling analysis of postwar fiction but also reconciles much existing postmodern theory... Lucidly written, richly textured, and commandingly researched throughout.

(Timothy Melley Pynchon Notes )

As someone who has written on the topics of history, postmodernism, and fiction, it is with great pleasure that I can honestly say that this book has made me seriously rethink my most cherished conceptions about this broad field of theoretical endeavor.

(Linda Hutcheon, University of Toronto, President of the Modern Language Association of America (2000) )

Elias manages to catch the postmodern intellectual zeitgest.

(Christoph Henke Anglia )

From the Publisher

"As someone who has written on the topics of history, postmodernism, and fiction, it is with great pleasure that I can honestly say that this book has made me seriously rethink my most cherished conceptions about this broad field of theoretical endeavor."—Linda Hutcheon, University of Toronto, President of the Modern Language Association of America (2000)

Product Details

  • Hardcover: 352 pages
  • Publisher: The Johns Hopkins University Press (October 19, 2001)
  • Language: English
  • ISBN-10: 0801867339
  • ISBN-13: 978-0801867330
  • Product Dimensions: 8.7 x 5.6 x 1 inches
  • Shipping Weight: 1.1 pounds (View shipping rates and policies)
  • Average Customer Review: 5.0 out of 5 stars  See all reviews (3 customer reviews)
  • Amazon Best Sellers Rank: #1,526,825 in Books (See Top 100 in Books)

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5 of 7 people found the following review helpful:
5.0 out of 5 stars FYI, August 11, 2003
By A Customer
Amazon Verified Purchase(What's this?)
This review is from: Sublime Desire: History and Post-1960s Fiction (Parallax: Re-visions of Culture and Society) (Hardcover)
This book won the 2002 Barbara and George Perkins Award from the Society for the Study of Narrative Literature. You can read a review online at EBR: Electronic Book Review.
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5.0 out of 5 stars A major contribution, January 22, 2010
Amazon Verified Purchase(What's this?)
This review is from: Sublime Desire: History and Post-1960s Fiction (Parallax: Re-visions of Culture and Society) (Hardcover)
This book is a major contribution to postmodernist theory and a much-needed response to cliché-ridden
dismissals of postmodernists' alleged disinterest in and "flight" from history. Elias shows mastery of the works of the principal representatives of postmodernist writing, the philosophical treatment of poststructuralism, and the serious literary criticism of modernism. She amply demonstrates that, far from being a "flight" from history, most postmodernist novels are in fact historical novels, though of a kind quite different from their nineteenth-century prototypes. Dogmatists, of course, will not be moved, but anyone with an open mind can gain a new and original perspective on the relation between history and literature, fact and fiction, perception and writing, and the conflict between literary realism, on the one hand, and its modernist counterpart, on the other.
Hayden White
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5.0 out of 5 stars A great read; not another PM rehash, November 23, 2005
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This review is from: Sublime Desire: History and Post-1960s Fiction (Parallax: Re-visions of Culture and Society) (Hardcover)
Elias offers a lucid account of postmodernism's relationship to history. Sublime Desire is something of a rare bird, in that it is theoretically rigorous without neglecting fiction, or merely paying it lip-service. Novelists such as Pynchon, Barth, Silko, and Scott are not just trotted out to fill out chapters; rather, one gets the sense that Elias actually developed her theoretical approach out of a close reading of the texts she discusses.

Some familiarity with the fist half of Foucault's 'Archaeology of Knowledge' and Jameson's 'Postmodernism, or the Cultural Logic of Late Capitalism' will be helpful.

One point: the publisher's list price of $47.00 is absurd.
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Inside This Book (learn more)
First Sentence:
In contrast to the ahistorical postmodernism of the streets-"reality" TV, Disneyland, and the tribalist, consumerist, presentist mall culture of global capitalism-postmodernism in the arts is a cultural mindset characterized by an obsession with history and desperate desire for the comforting self-awareness that is supposed to come from historical knowledge. Read the first page
Key Phrases - Statistically Improbable Phrases (SIPs): (learn more)
metahistorical imagination, historical sublime, deferred border, metahistorical novels, postmodernist historical fiction, uncanny border, modernist spatial form, epistemological postmodernism, classic historical romance, postmodern fabulation, narrativist mode, historical novel tradition, spatialize history, history that hurts, heroic science, poststructuralist historiography, simultaneous history, disciplined history, historical romance genre, historical novel form, situational consciousness, historical novel genre, postmodern event, historiographical assumptions, historical emplotment
Key Phrases - Capitalized Phrases (CAPs): (learn more)
First World, United States, Gravity's Rainbow, The Sot-Weed Factor, Hayden White, Sacred Hunger, Walter Scott, Fredric Jameson, French Revolution, Thomas Pynchon, Sexing the Cherry, The Rifles, World War, Dog Woman, Ishmael Reed, Age of Reason, Dos Passos, Van Alphen, World's End, Jeanette Winterson, Linda Hutcheon, Native American, Satanic Verses, African American, Charles Johnson
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