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The Subterraneans (Paperback)

~ (Author) "ONCE I WAS YOUNG and had so much more orientation and could talk with nervous intelligence about everything and with clarity and without as much..." (more)
Key Phrases: Heavenly Lane, San Francisco, New York (more...)
4.2 out of 5 stars  See all reviews (42 customer reviews)

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Editorial Reviews

Product Description

Written over the course of three days and three nights, The Subterraneans was generated out of the same ecstatic flash of inspiration that produced another one of Kerouac's early classic, On The Road. Centering on the tempestous breakup of Leo Percepied and Mardou Fox--two denizens of the 1950s San Francsico underground--The Subterraneans is a tale of dark alleys and dark rooms,of artists, of visionaries,


About the Author

Jack Kerouac wrote a number of highly influential and popular novels - most famously the international best-seller ON THE ROAD - and is remembered as one of the key figures of the legendary Beat generation. As much as anything, he came to represent a philosophy, a way of life. --This text refers to an out of print or unavailable edition of this title.

Product Details

  • Paperback: 111 pages
  • Publisher: Grove Press; Revised edition (January 27, 1994)
  • Language: English
  • ISBN-10: 0802131867
  • ISBN-13: 978-0802131867
  • Product Dimensions: 7.9 x 5.3 x 0.4 inches
  • Shipping Weight: 5.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (42 customer reviews)
  • Amazon.com Sales Rank: #31,807 in Books (See Bestsellers in Books)

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    #8 in  Books > Literature & Fiction > History & Criticism > Movements & Periods > Beat Generation
    #12 in  Books > Literature & Fiction > Authors, A-Z > ( K ) > Kerouac, Jack

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Jack Kerouac
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Inside This Book (learn more)
First Sentence:
ONCE I WAS YOUNG and had so much more orientation and could talk with nervous intelligence about everything and with clarity and without as much literary preambling as this; in other words this is the story of an unself-confident man, at the same time of an egomaniac, naturally, facetious won't do-just to start at the beginning and let the truth seep out, that's what I'll do-. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Heavenly Lane, San Francisco, New York, Jack Steen, Ross Wallenstein, Adam Moorad, Market Street, Roger Beloit, Larry O'Hara, Red Drum, John Golz, Los Altos, Paddy Cordavan, Price Street, Third Street, Arial Lavalina, Buddy Pond, Julien Alexander, North Beach, Telegraph Hill, Mike Murphy
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Customer Reviews

42 Reviews
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Average Customer Review
4.2 out of 5 stars (42 customer reviews)
 
 
 
 
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36 of 38 people found the following review helpful:
4.0 out of 5 stars Kerouac's American Bohemia, January 9, 2002
By Robin Friedman (Washington, D.C. United States) - See all my reviews
(TOP 50 REVIEWER)    (REAL NAME)      
The Subterraneans is an autobigraphical novel based on a summer love affair between Kerouac and a young black woman in New York City in 1953. The setting of the story was moved to San Francisco at the behest of the publisher.

The book tells the story of the love, and its end, between Leo Percepied, the Kerouac character, and Mardou Fox. Mardou is half Cherokee and half black. She has grown up in poverty in Oakland and has suffered serious emotional breakdowns. She has gone from lover to lover among the Bohemia of San Fransisco until she meets up with Leo.

The book shows some of Kerouac's understanding of his own character. He describes himself (page 1) as both an "unself-confident man" and as an "egomaniac". A few pages later (page 3) he confesses that "I am crudely malely sexual and cannot help myself and have lecherous and so on propensities as almost all my male readers no doubt are the same."

The Subterraneans are a group of hipsters, aspiring artists, drop-outs, con men who inhabit that bars and streets of San Fransiscon graphically described in this book. The book is full of mean streets, cold water flats, alleys, run-down stores, cheap bars, late evenings, pushcarts, and sad mornings.

Leo is initally sexually attracted to Mardou. When he learns and listens to her he truly falls in love. She is indeed a lovable character. The picture of the love is convincing. Unfortunately Leo/Kerouac remained throughout his life a mother's boy. Mardou tells him, properly and sensibly "Leo, I don't think it good for you to live with your mother always" (p47) Leo nonetheless can't part from his mother. He also has doubts about his ability to commit to a black woman, particularly given the prejudice of his mother and sister. He dumps Mardou. It is his loss.

The book is written in long stringy sentences to imitate the "bop" improvisatory style of jazz riffs. I was put of by the style when I began the book but came away concluding it fit the subject matter. The apparent spontaneity and the sincerity of the narrative move the story along.

The book describes well the American hipster of the 1950s. It is ultimately a story of the need for love and the difficulty of commitment. It is a sad story and I think in the emphasis on the wildness of Bohemia can easily be misunderstood. Kerouac may have been somewhat wiser as a writer than he was as a man. He was able to take his inability to form a lasting relationship with a woman and describe it. He turned his experiences and personal difficulties into a poignant and lasting novel. Art in Kerouac as in so many writers becomes a way of understanding and transcending one's life.

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20 of 22 people found the following review helpful:
5.0 out of 5 stars Kerouac puts truth, poetry, and a little madness on paper, March 4, 1999
By A Customer
Anyone who has read more than one novel by Jack Kerouac knows that his style varies. In Dharma Bums, Kerouac writes with atypical lucidity. In Big Sur (what I think is his greatest novel), he goes an entire first chapter with the use of one period. Of the five books by Kerouac I have read (the fifth book being On The Road), Subterraneans reads the most like Tristessa. The style of each book is more fractured than in the others, making it sometimes more difficult to follow. But in each book Kerouac finds a stride and rhythm to his work that soon carries the reader away. In Subterraneans, Kerouac tells the story of a relationship with Mardou Fox, a part Native-American, part African-American, mentally barely stable, twenty-one year old woman. Though Kerouac is almost 10 years older, they seem a great match. As usual, Kerouac's tale takes him through bar- and apartment-hopping parties, intellectual upheavals, drunken sprawling adventures, and bitter hangover realizations. The thread of unity throughout is the experience of his evolving relationship with Mardou, his deep self-realizations, his anger, love, and pain. When I finished the book I knew Kerouac had once again found something true amid his temporary madnesses and put it on paper for me to read. I closed the book and felt I had read something beautiful. Kerouac, you did it again.
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10 of 10 people found the following review helpful:
5.0 out of 5 stars Tragic rolling hip love story from the master of free form., February 5, 1997
By A Customer
This is the best book I have ever read. The story, the characters, the mood, the language is all like a gray sunset morning on a dirty street in San Francisco. Kerouac is a poet and a story teller. His words are paranoiac but tender. He tells of his experience with a band of underground hipsters know as 'the subterraneans' in the context of a mad drunken love affair with Mardou Fox, an angst ridden angel of the city
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Most Recent Customer Reviews

1.0 out of 5 stars have not recieved my book yet?
Subterraneans ordered Oct. 21 have not received as of yet ... and since I can't post this unless I rate it and can't rate it unless I receive it ... I gave it a 1
Published 13 days ago by R. A. Mongeau

5.0 out of 5 stars A Great Work by Kerouac
The Subterraneans is a wonderfully written masterpiece. Having finished it, I can hardly bring myself to read any other author because the images are not as fresh. Read more
Published 20 months ago by Winston

5.0 out of 5 stars Just A Good Little Book
Other reviews here for this book are great and very detailed. But I wont waste time with the usual cliches that come along when one describes Kerouac and/or his books. Read more
Published 20 months ago by Stacy Pulliam

2.0 out of 5 stars Incoherent rambling
Loved Dharma Bums, can't forget On the Road, enraptured with Desolation Angels, and bored to death with the Subterraneans. Only read the first 20 pages, though. Read more
Published on December 21, 2006 by Martin D. Hickman

1.0 out of 5 stars Arrogant and overrated.
I wouldn't say that the book is wholly without merit, but it left me with an eerie feeling, and a suspicion that it was an advertisement for a certain lifestyle, a cocktail, or... Read more
Published on April 25, 2006 by Jamie Perin

3.0 out of 5 stars Kerouac
I liked "The Subterraneans" enough, even though it's not nearly on my list of best works by the author. Read more
Published on June 27, 2005 by Ben Dugan

4.0 out of 5 stars Funny Angel
My third exposure to Kerouac, though enjoyable and interesting, only rates four stars from me.

Having read Dharma Bums and On The Road prior, Subterraneans, which has... Read more
Published on March 4, 2005 by B. Morse

5.0 out of 5 stars THE BEBOP OF LOVE AND ALL THAT JAZZ
THE SUBTERRANEANS is a novel remarkable for a number of distinctions, not the least of which is the report that Grand Beat Master Jack Kerouac wrote it in only three days. Read more
Published on November 6, 2004 by Aberjhani

5.0 out of 5 stars Young America - Bohemian Mystery, Existential Void
A very Kerouac novel. The love affair of Leo Percepied and a beautiful Black/Indian girl named Mardou, who the hoodlum looking Leo, separated her from the subterranean pack... Read more
Published on September 14, 2004 by R. Schwartz

5.0 out of 5 stars Amazing masterpiece of american lit
This and Big Sur prove to me that Kerouac was worth all the hype. I as most started with On the Road. but soon graduated on to real literature. Read more
Published on March 14, 2004 by philip hoffman

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