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With The Golden Compass Philip Pullman garnered every accolade under the sun. Critics lobbed around such superlatives as "elegant," "awe-inspiring," "grand," and "glittering," and used "magnificent" with gay abandon. Each reader had a favorite chapter--or, more likely, several--from the opening tour de force to Lyra's close call at Bolvangar to the great armored-bear battle. And Pullman was no less profligate when it came to intellectual firepower or singular characters. The dæmons alone grant him a place in world literature. Could the second installment of his trilogy keep up this pitch, or had his heroine and her too, too sullied parents consumed him? And what of the belief system that pervaded his alternate universe, not to mention the mystery of Dust? More revelations and an equal number of wonders and new players were definitely in order.
The Subtle Knife offers everything we could have wished for, and more. For a start, there's a young hero--from our world--who is a match for Lyra Silvertongue and whose destiny is every bit as shattering. Like Lyra, Will Parry has spent his childhood playing games. Unlike hers, though, his have been deadly serious. This 12-year-old long ago learned the art of invisibility: if he could erase himself, no one would discover his mother's increasing instability and separate them.
As the novel opens, Will's enemies will do anything for information about his missing father, a soldier and Arctic explorer who has been very much airbrushed from the official picture. Now Will must get his mother into safe seclusion and make his way toward Oxford, which may hold the key to John Parry's disappearance. But en route and on the lam from both the police and his family's tormentors, he comes upon a cat with more than a mouse on her mind: "She reached out a paw to pat something in the air in front of her, something quite invisible to Will." What seems to him a patch of everyday Oxford conceals far more: "The cat stepped forward and vanished." Will, too, scrambles through and into another oddly deserted landscape--one in which children rule and adults (and felines) are very much at risk. Here in this deathly silent city by the sea, he will soon have a dustup with a fierce, flinty little girl: "Her expression was a mixture of the very young--when she first tasted the cola--and a kind of deep, sad wariness." Soon Will and Lyra (and, of course, her dæmon, Pantalaimon) uneasily embark on a great adventure and head into greater tragedy.
As Pullman moves between his young warriors and the witch Serafina Pekkala, the magnetic, ever-manipulative Mrs. Coulter, and Lee Scoresby and his hare dæmon, Hester, there are clear signs of approaching war and earthly chaos. There are new faces as well. The author introduces Oxford dark-matter researcher Mary Malone; the Latvian witch queen Ruta Skadi, who "had trafficked with spirits, and it showed"; Stanislaus Grumman, a shaman in search of a weapon crucial to the cause of Lord Asriel, Lyra's father; and a serpentine old man whom Lyra and Pan can't quite place. Also on hand are the Specters, beings that make cliff-ghasts look like rank amateurs.
Throughout, Pullman is in absolute control of his several worlds, his plot and pace equal to his inspiration. Any number of astonishing scenes--small- and large-scale--will have readers on edge, and many are cause for tears. "You think things have to be possible," Will demands. "Things have to be true!" It is Philip Pullman's gift to turn what quotidian minds would term the impossible into a reality that is both heartbreaking and beautiful. --Kerry Fried --This text refers to an out of print or unavailable edition of this title.
Philip Pullman's His Dark Materials trilogy now appears in sophisticated trade paperback editions, each title embossed within a runic emblem of antiqued gold. The backdrop of The Golden Compass: His Dark Materials, Book I sports a midnight blue map of the cosmos with the zodiacal ram at its center. The Subtle Knife and The Amber Spyglass carry similarly intriguing cover art, and all three titles offer details not seen in the originals: in Compass and Knife, for example, Pullman's stamp-size b&w art introduces each chapter; Spyglass chapters open with literary quotes from Blake, the Bible, Dickinson and more.
Copyright 2002 Reed Business Information, Inc.
Amazing! A beautiful and magical continuation of the story which started with the equally wonderful 'Northern Lights'Published 13 days ago by Tim
As I said in my review of The Golden Compass the best book(s) since Tolkien's trilogy. I'm fourteen chapters into the third one of the trilogy and can't wait to finish it. Read morePublished 14 days ago by David Dunn
This is a part of the series of books on the summer reading list for my son.Published 1 month ago by Selkie
I was very disappointed where the story was leading. I didn't finish the book after confirming in the Cliff notes how it would continue.Published 2 months ago by Ute C Munro
This is the second of a trilogy by Pullman - all three need to be read. I believe Pullman is one of the most important British writers, especially in this genrePublished 2 months ago by Macadam
I'm an adult and these are for a younger crowd. With that being said this series has been entertaining. Read morePublished 3 months ago by Amazon Customer
It didn't disappoint me one bit. This is just as good and as intriguing as the first book. There are new characters that are very essential and I felt drawn to too. Read morePublished 3 months ago by Martin Nelson