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The Subtle Knife offers everything we could have wished for, and more. For a start, there's a young hero--from our world--who is a match for Lyra Silvertongue and whose destiny is every bit as shattering. Like Lyra, Will Parry has spent his childhood playing games. Unlike hers, though, his have been deadly serious. This 12-year-old long ago learned the art of invisibility: if he could erase himself, no one would discover his mother's increasing instability and separate them.
As the novel opens, Will's enemies will do anything for information about his missing father, a soldier and Arctic explorer who has been very much airbrushed from the official picture. Now Will must get his mother into safe seclusion and make his way toward Oxford, which may hold the key to John Parry's disappearance. But en route and on the lam from both the police and his family's tormentors, he comes upon a cat with more than a mouse on her mind: "She reached out a paw to pat something in the air in front of her, something quite invisible to Will." What seems to him a patch of everyday Oxford conceals far more: "The cat stepped forward and vanished." Will, too, scrambles through and into another oddly deserted landscape--one in which children rule and adults (and felines) are very much at risk. Here in this deathly silent city by the sea, he will soon have a dustup with a fierce, flinty little girl: "Her expression was a mixture of the very young--when she first tasted the cola--and a kind of deep, sad wariness." Soon Will and Lyra (and, of course, her dæmon, Pantalaimon) uneasily embark on a great adventure and head into greater tragedy.
As Pullman moves between his young warriors and the witch Serafina Pekkala, the magnetic, ever-manipulative Mrs. Coulter, and Lee Scoresby and his hare dæmon, Hester, there are clear signs of approaching war and earthly chaos. There are new faces as well. The author introduces Oxford dark-matter researcher Mary Malone; the Latvian witch queen Ruta Skadi, who "had trafficked with spirits, and it showed"; Stanislaus Grumman, a shaman in search of a weapon crucial to the cause of Lord Asriel, Lyra's father; and a serpentine old man whom Lyra and Pan can't quite place. Also on hand are the Specters, beings that make cliff-ghasts look like rank amateurs.
Throughout, Pullman is in absolute control of his several worlds, his plot and pace equal to his inspiration. Any number of astonishing scenes--small- and large-scale--will have readers on edge, and many are cause for tears. "You think things have to be possible," Will demands. "Things have to be true!" It is Philip Pullman's gift to turn what quotidian minds would term the impossible into a reality that is both heartbreaking and beautiful. --Kerry Fried --This text refers to an out of print or unavailable edition of this title.
Not as strong as book one. This one starts off strong then ends in a lackluster manner.Published 11 hours ago by Sydex
This book was hard to put down because there is so much happening. It's one thing after another, and if something isn't happening, then you are learning about something that's... Read morePublished 6 days ago by Chrisa
We have here a horrible book-one that is full of deux ex machina escapes for no reason, cruel things done by the main characters (the good guys) for strange reasons, a heavy handed... Read morePublished 1 month ago by Ceris Beech-Ultima X9J788
The Subtle Knife picks up pretty much where The Golden Compass left off. At the end of the previous book, Lord Asriel had created an opening between worlds. Read morePublished 1 month ago by Jamie W.
The ending is very exciting. I don't understand why the book has so much murder in it. It is very sad as well as adventurous. Read morePublished 2 months ago by millie tomppert
In this book, you get to see the whole "stranger in a strange land" thing--Lyra has to travel to "our world" and meets the other main character, Will. Read morePublished 2 months ago by Swank Ivy