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Sudden Fiction Latino: Short-Short Stories from the United States and Latin America
 
 
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Sudden Fiction Latino: Short-Short Stories from the United States and Latin America [Paperback]

Robert Shapard (Editor), James Thomas (Editor), Ray Gonzales (Editor), Luisa Valenzuela (Introduction)
3.5 out of 5 stars  See all reviews (2 customer reviews)

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Book Description

March 1, 2010

For readers who love great short-short stories, this bountiful anthology is the best of Latin American and U.S. Latino writers.

Following on the success of the Flash Fiction and Sudden Fiction series, Robert Shapard and James Thomas join with Ray Gonzalez in selecting works that each present a complete story in less than 1,500 words. Luisa Valenzuela, one of Latin America’s most lauded writers, provides the introduction. Readers will delight in finding stars such as Junot Díaz, Sandra Cisneros, and Roberto Bolaño alongside recognized masters like Gabriel García Márquez, Isabel Allende, and Jorge Luis Borges. They will discover work from Andrea Saenz, Daniel Alarcón, and Alicita Rodriguez, as well as other writers on the rise.

In Julio Ortega’s “Migrations,” a Peruvian writer explores how immigrant speech and ethnic origins are a force of meaning that evolves beyond language. In “Hair,” by Hilma Contreras, a Caribbean pharmacist is driven mad by a young woman’s luxuriant tresses. These stories stretch from gritty reality to the fantastical in a mix that is moving, challenging, humorous, artful, sometimes political, and altogether spectacular.

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Editorial Reviews

From Publishers Weekly

Starred Review. After the Sudden Fiction and Flash Fiction anthologies, editors Shapard and Thomas teamed with Gonzalez to create this stunning compilation of short shorts (under 1,500 words) by venerated and emerging Latino writers. In Andrea Saenz's Everyone's Abuelo Can't Have Ridden with Pancho Villa, the narrator's Grandma Jefa discredits the family legends while holding fast to her own: a prescient dream about the assassination of Bobby Kennedy. Luna Calderon writes about Dia de Los Muertos or, as the social studies teacher in her story calls it, Day Ah Dallas Mare Toes. In Imagining Bisbee, Alicita Rodriguez recounts the making of a ghost town: Bisbee's inhabitants want to disappear. They use P.O. boxes and first names. They hide under straw mats and melt into the horizon. In Miss Clairol, Helena María Viramontes describes the transformative makeup ritual of a mother: The only way Champ knows her mother's true hair color is by her roots, which, like death, inevitably rise to the truth. The spirited mix of writers also includes Junot Díaz, Sandra Cisneros, Gabriel García Márquez, and Jorge Luis Borges. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author

Robert Shapard teaches literature and creative writing at the University of Hawaii, and co-edited Flash Fiction Forward.

James Thomas teaches literature and creative writing in Yellow Springs, Ohio, and co-edited Flash Fiction Forward.

Ray Gonzalez is one of America’s foremost authors, scholars, and editors in Latino literature.

Luisa Valenzuela was born in Buenos Aires, Argentina in 1938. In 1958, she moved to France and wrote her first novel while living in Paris. In 1979, she moved to the United States and lived in New York for ten years, working as a writer in residence at the Center for Inter-American Relations at NYU and Columbia. She was awarded a Guggenheim Fellowship in 1983.

Product Details

  • Paperback: 336 pages
  • Publisher: W. W. Norton & Company; 1 edition (March 1, 2010)
  • Language: English
  • ISBN-10: 039333645X
  • ISBN-13: 978-0393336450
  • Product Dimensions: 8.2 x 5.6 x 0.8 inches
  • Shipping Weight: 8 ounces (View shipping rates and policies)
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (2 customer reviews)
  • Amazon Best Sellers Rank: #569,736 in Books (See Top 100 in Books)

 

Customer Reviews

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2 of 2 people found the following review helpful:
3.0 out of 5 stars Incomplete representation of US Latinos, March 25, 2010
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This review is from: Sudden Fiction Latino: Short-Short Stories from the United States and Latin America (Paperback)
I am putting together a syllabus for a summer course in contemporary Latino literature and was highly disappointed to find that this book did not provide diversity in writing - eg the only Puerto Rican included was Coefer - whose piece entitled "volar" was beautiful but a wopping 2 pages short. Most pieces in this collection are riddled with cursing, sex, negative imagery - the same old same old internalized crap .... and I need to offer my students much more than that!
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1 of 1 people found the following review helpful:
4.0 out of 5 stars Multipurpose Anthology, March 17, 2010
This review is from: Sudden Fiction Latino: Short-Short Stories from the United States and Latin America (Paperback)
I received this book through the LibraryThing Early Reviewers group and was impressed by the interesting form and the variety of authors. It's a collection of 'sudden' or short-short fiction (with pieces ranging from a couple of hundred words to a few pages; this is a subgenre the editors refer to as 'flash' fiction in their similarly brief introduction) and I can imagine the book lending itself to various uses... 1) It could be a fun addition to a college literature course, as it offers brief morsels by well-known and also newer writers. It might also be useful to teachers since each selection is short enough to be read, silently or aloud, during even the shortest class session, still leaving ample time for lecture, discussion, or other activities. 2) The book might also work nicely (as another LibraryThing reviewer noted) for commuters. A person might as well enjoy a quick bit of brain candy while sitting on or waiting for that subway car, bus or train. To make work readable in such a setting, and given that this is already such a short form to boot, the authors need to create a rich and intriguing microcosm by a very careful use of words, and many of these do. Finally, 3) if one is a fan of certain contributors and their longer writing, this collection might make a good gift for friend who hasn't yet had an introduction to those authors or their longer works. The super-short form works well for little glimpses of anything from 'magical realism' to postmodernism, and a collection like this one might hook a reader's imagination enough to make them hungry for a full-sized meal.

Borges' "The Book of Sand," Rudolfo Anaya's "The Native Lawyer," Roberto Bolano's "The Phone Call" and Ana Castillo's "The Foreign Market" were memorable for me; Antonio Farias' " Red Serpent Ceviche" made me excited to pick up his first novel, and Ana Maria Shua's "3 Microstories" made me want to track down the rest of her work, including a film adaptation.

In short, this seems a satisfying collection overall, and particularly well-suited for students, commuters, and the curious.
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