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Suicide Club (Suicide Circle)


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Product Details

  • Actors:  Masatoshi Nagase, Mai Hosho Ryo Ishibashi
  • Directors: Sion Sono
  • Format: Multiple Formats, Color, NTSC, Subtitled, Widescreen
  • Language: Japanese
  • Subtitles: English
  • Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  • Number of discs: 1
  • Rated: Unrated
  • Studio: TLA Releasing
  • DVD Release Date: April 6, 2002
  • Run Time: 99 minutes
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (129 customer reviews)
  • ASIN: B0000CC885
  • Amazon Best Sellers Rank: #40,265 in Movies & TV (See Top 100 in Movies & TV)
  • Learn more about "Suicide Club (Suicide Circle)" on IMDb

Special Features

None.

Editorial Reviews

Product Description

A wave of unexplainable suicides sweeps across Tokyo after 54 smiling high school girls join hands and throw themselves from a subway platform into an oncoming train. Detective Kuroda (Audition's Ryo Ishibashi) and the rest of the police force are baffled as the bloodbath triggers a wave of suicides across the city. When a cryptic phone call tips off police to a strange website that appears to be tracking the suicides before they happen, the question becomes, are they really suicides at all? This outrageously bizarre, wicked social critique in the form of a creepy and enigmatic detective mystery examines the despair of the disaffected Japanese youth and the influence of pop culture on their lives. From international film festival favorite to cult sensation, Suicide Club is a study of contemporary morality that is gruesome, darkly comic and vividly original.

Special Features:

  • Image Gallery
  • TLA Releasing Trailers

Review

Jury Winner of Most Ground-Breaking Film Award --2003 Fantasia Film Festival

Exceptionally unique! --Rue Morgue

A fun and wild ride..has moments of extremely dark comedic undertones as well as sheer horror and terror. --Monsters at Play

Exceptionally unique! --Rue Morgue

A fun and wild ride..has moments of extremely dark comedic undertones as well as sheer horror and terror. --Monsters at Play

Customer Reviews

While they seem connected to the suicides, it becomes clear that this is, in no way, their intention.
R. Grubb
Maybe its just me, but that makes a whole hell of a lot more sense then what actually happened in the movie.
Alexia Komaux
I am also not a regular horror film viewer, but merely shocking gore does not a creepy dark film make.
Maiko Covington

Most Helpful Customer Reviews

105 of 109 people found the following review helpful By Jeffrey Leach HALL OF FAME on December 30, 2004
Format: DVD
What do bags containing wheels of human skin, a computer hacker referred to as "The Bat," a serial killer named Genesis with a penchant for breaking into song, a girl band named Dessert, a hit song called "Mail Me," baby chicks, and a kid who clears his throat constantly during cryptic phone calls all have in common? Why, they all appear in Shion Sono's incredibly disturbing and impenetrable film "Suicide Club." I'm not the only person who adores these offbeat Japanese horror films: Hollywood loves them so much that studios are scrambling over themselves in a mad dash to buy up remake rights. I'm not so sure, however, that anyone in Tinseltown will knock themselves out trying to bring a new version of Sono's film to American screens. A scary ghost story about a haunted videotape has an appeal to audiences on these shores; a tale about kids taking their own lives in heinous ways as a result of the evils of mass consumerism doesn't. Can you imagine a corporation trying to figure out a way to place their products in a film showing children jumping off the roof of their school? I sure can't. I think it is safe to say that "Suicide Club" will remain a singular effort for some time.

Sono's film begins with what is probably one of the most memorable opening sequences in a modern horror film. A group of fifty-four Japanese schoolgirls--wearing those instantly recognizable uniforms--queue up at the edge of a subway track, join hands, and dive in front of a moving train. Oh man, what a mess that makes! The cops, led by Detective Kuroda (Ryo Ishibashi) launch an immediate investigation. Their query takes on decidedly ominous overtones when a white bag left at the scene is found to contain a wheel of stitched together human flesh. Good grief, Charlie Brown!
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51 of 54 people found the following review helpful By Daniel J. Hamlow HALL OF FAME on October 9, 2005
Format: DVD
In the brash and ghastly opening scene of Jisatsu Curabu (Suicide Club), fifty-four students from eighteen different high schools join hands, step up to the edge of the platform at Shinjuku Station, and jump in front of an oncoming train. The splatter of blood against the train windows and spray of blood on screaming and horrified onlookers, and blood pouring onto the platform, as well as the chaos at the station sets the stage for this drama on how living in an industrial metropolis like Tokyo robs people of their connection to themselves.

Officer Kuroda, a fifty-ish family man with two children, Sakura and Toru, is in charge of the case. At first, the majority of his fellow officers, like the bald Murata think it's too much TV. A cult perhaps? However, a call from a woman calling herself Koumori (the Bat) reveals something odd and sinister. Koumori refers Shibu to a website that shows a row of red dots (representing women) and white dots (men), and that 54 red dots appeared on the site, and also before the suicides were reported! To add to the sordidness, a roll of ten centimeter strips of skin stitched together is found in a white sports bag at the train platform. Some belong to the dead students, many whose remains body parts are a horrid bloody collage of legs, and uniforms on the autopsy table. Things are complicated further when another caller says assuredly, that there is no suicide club!

Murata's point that it's too much TV points to how impressionable teens are and how fads come and go quickly. Two days after the suicides, a group of high schoolers join hands and jump off the roof. Once someone says "Let's all kill ourselves," and everyone goes "Yeah!" it's sad how jaded they seem to be, little realizing that they'll never see each other again.
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31 of 33 people found the following review helpful By R. Grubb on December 10, 2004
Format: DVD
Suicide Club opens with 54 Japanese school girls jumping off a subway platform in front of an oncoming train and just gets better from there. As a horror fan, I loved this movie for it's disturbing violence and genuine creepiness, but the social commentary and philosophy behind it is equally effective.

The opening scene was mindblowing for obvious reasons. But what made the movie even better after that was seeing how this effected the rest of society. If this actually happened, it would probably have an intense effect on everyone in the culture, in ways such as what we see here: it begins a wave of suicides across Tokyo.

At the heart of the story is a group of very young children, who make mysterious phone calls to the police, and ask questions with philosophical ramifications which would seem far beyond the comprehension of their tender years. While this seems ridiculous, I believe this group is shown as children because they represent truth and purity. If they had been adults, they would immediately appear to be sinister, and I don't feel that they were. While they seem connected to the suicides, it becomes clear that this is, in no way, their intention. The theme they present is that of being "connected to yourself" and "connected to everyone else." It is difficult for some people to maintain one connection without severing the other. How do I assert my individuality without alienating myself from my family, and from society? How do I take care of everyone around me without conforming to the will of the group? These are some of the issues the characters in this film are struggling with.

There is a scene later on that asks the age old parent-to-teenager question, "If all your friends jumped off a building, would you do it, too?
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