3 of 3 people found the following review helpful:
5.0 out of 5 stars
Personalities and human frailities, January 15, 2007
This is a wonderful book of characters with a true flavor of France; it has a kalidescope of characters and human frailities. To read this book is a magical journey in time to the occupation of France during World Ward II and the very special journey through a good book.
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3 of 3 people found the following review helpful:
4.0 out of 5 stars
For those interested in WWII, January 4, 2007
The author brings home to those of us who have never experienced war, what it was like when the Nazis invaded Paris and the French countryside. A fictionalized account of the events that challenged both the French and the Germans.
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2 of 2 people found the following review helpful:
5.0 out of 5 stars
Les Deux Novellas, October 15, 2006
The fact that this masterpiece was not finished does not take away its beauty, or the skill that went into bringing it to fruition. Suite Francaise ranks up there on par (or above) with those forever timeless classics. I felt like a bee in a sea of nectar when I was reading "Dolce" in particular. Nemirovsky captures the human spirit - it's flaws, tragedies, conflicts, and passions. The narrative is clear and lucid, but far from simplified. It reads with a mischievous (but clean) sensuality that is generous, but never gives away too much.
The book is multi-layered. It deals with war and class, the formation of allegiancies and the breaking of ties. It tackles individual strife versus collective strife. It demonstrates the conundrum of the occupied - forced to cohabitate with the conqueror. In the midst of the German invasion of France, classes meet and clash, but a very fine line divides them - something reminiscent of 9/11 and to a great extent, the more recent Katrina. Civil servants, bankers, artists, dancers, and writers collide in a mass exodus from Paris. Nemirovsky portrays the upper-class in a bitingly acerbic way, but does so skillfully and very subtly. She herself was from a wealthy banking family, and she knew the manners of the bourgeois only too well. The middle classes and the working classes are also cleverly portrayed, without the hint of pity that you might come to expect from the author.
Perhaps even more interesting is Nemirovsky's personal life, and the circumstances that surrounded her at the time this book was written. She had no illusions about the hand of fate, as revealed in a letter to her editor. She was deported to Auschwitz two days later. Her husband protested frequently to the authorities, and kept her place at dinner unoccupied, thinking she would return. He, too, was driven strait to the gas chambers shortly afterward. The manuscript of Suite Francaise was discovered by her daughter years later and published in French, and then translated.
The book is timeless, and one almost wishes for a biography of the author. If a translation is this good, I am tempted to wonder how it reads in the original French, and am left flabbergasted that this work is not more popular than it is today.
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