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Sula Paperback – June 8, 2004

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Editorial Reviews Review

In Sula, Toni Morrison, winner of the 1993 Nobel Prize for literature, tells the story of two women--friends since childhood, separated in young adulthood, and reunited as grown women. Nel Wright grows up to become a wife and mother, happy to remain in her hometown of Medallion, Ohio. Sula Peace leaves Medallion to experience college, men, and life in the big city, an exceptional choice for a black woman to make in the late 1920s.

As girls, Nel and Sula are the best of friends, only children who find in each other a kindred spirit to share in each girl's loneliness and imagination. When they meet again as adults, it's clear that Nel has chosen a life of acceptance and accommodation, while Sula must fight to defend her seemingly unconventional choices and beliefs. But regardless of the physical and emotional distance that threatens this extraordinary friendship, the bond between the women remains unbreakable: "Her old friend had come home.... Sula, whose past she had lived through and with whom the present was a constant sharing of perceptions. Talking to Sula had always been a conversation with herself."

Lyrical and gripping, Sula is an honest look at the power of friendship amid a backdrop of family, love, race, and the human condition. --Gisele Toueg --This text refers to an out of print or unavailable edition of this title.

From Library Journal

Hearing an author read her own work creates a special ambiance. To hear Morrison read a short, unabridged novel published 24 years ago, to hear in her voice how much she still values the writing, well, who could ask for more? The only drawback is that Morrison, while very much in tune with her characters, often lets her voice drop to a whisper, making these tapes difficult to listen to while driving and almost impossible on a highway with the window open. On the page, Sula is one of her more clearly defined novels?the friendship and later hatred that envelopes the lives of two black women from "the bottom"?but the imagistic nature of the writing means listeners may have to replay passages if they want to follow the action. A small price to pay for a masterpiece.?Rochelle Ratner, formerly with "Soho Weekly News," New York
Copyright 1997 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Product Details

  • Paperback: 192 pages
  • Publisher: Vintage; Reprint edition (June 8, 2004)
  • Language: English
  • ISBN-10: 1400033438
  • ISBN-13: 978-1400033430
  • Product Dimensions: 5.1 x 0.6 x 7.9 inches
  • Shipping Weight: 7.8 ounces (View shipping rates and policies)
  • Average Customer Review: 3.9 out of 5 stars  See all reviews (399 customer reviews)
  • Amazon Best Sellers Rank: #24,192 in Books (See Top 100 in Books)

More About the Author

Toni Morrison was awarded the Nobel Prize for Literature in 1993. She is the author of several novels, including The Bluest Eye, Beloved (made into a major film), and Love. She has received the National Book Critics Circle Award and a Pulitzer Prize. She is the Robert F. Goheen Professor at Princeton University.

Customer Reviews

Most Helpful Customer Reviews

73 of 79 people found the following review helpful By A Customer on April 5, 2002
Format: Paperback
I think Toni Morrison is America's greatest living author. Perhaps she is the greatest living woman author. Surely she is in the top three. Although "Sula" isn't my favorite Morrison work, I think it is one of Morrison's most complicated and one of her richest. Those who read Morrison must remember she is a classicist and approach her as such. Not to do so only creates needless problems for the reader and Morrison can be difficult to read, though always enjoyable and always superb.
On it's surface, "Sula" is the story of two black women who remain lifelong friends despite their obvious differences and the different way in which each pursues her life. Set in an Ohio community called, The Bottom, "Sula" follows these two women, Sula Peace and Nel Wright, from childhood to marriage to old age to death.
Nel is the conformist in this oddly matched pair. She marries and raises a family in the place of her birth. Outwardly, at least, she seems to need no more than husband and children and community to make her happy. She adapts. Sula, on the other hand, is a far different story.
Sula is a woman who feels the need to escape, to break free of whatever binds her. And, if her breaking free involves pain...for herself or for others, then so be it. She moves from The Bottom, goes to college and becomes the epitome of everything that Nel is short, Sula becomes a waton seductress. For Sula, hell is stability; for Nel, hell is change.
Is either woman happy with her choices in life? No, not entirely, and we do find echoes of Nel in Sula and echoes of Sula in Nel. Though it's not obvious at first glance, the women are really two sides of the same coin. One came up "heads," the other, "tails.
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45 of 48 people found the following review helpful By D. Cloyce Smith on October 17, 2005
Format: Paperback
"Sula" is a peculiar and haunting novel exploring the lives of several women who live in the Bottom, a black neighborhood on top of a hill in Ohio. Spanning the years 1919 to 1965, Morrison's book stitches together snippets of episodes and pieces of relationships. Because of its focus on character and community, the book's plot is difficult to summarize without oversimplification and, despite its brevity, the novel weaves many themes into its patchwork: motherhood, the tyranny of traditionalism, racism, the paradox of gentrification, and more.

The most obvious of Morrison's subjects, however, is her examination of the lives of black women in a society controlled by whites and by men. "Sula" is, above all, a study of contrasts, exploring the lives of three disparate women. The Old Testament version is represented by Eva Peace, an iron-willed woman who goes to biblical extremes to protect and control her children; she is so defined by her household that she never even leaves it. Not content with the company of her immediate family, she adopts stray children and takes in boarders to fill the rooms of her constantly expanding residence.

Set below Eva's expansive and commanding view of matriarchy is Nel, who embodies more traditional ideals about marriage and maternity, faith and subservience; she is the daughter, wife, mother who willingly capitulates to the demands of social convention. Nel's life will be much like the life of her mother: defined by husband and children. One of the more touching and oddly resonant moments occurs during Nel's wedding in her mother's home. The guests are spilling their drinks on the carpet and "the children are wrapping themselves into the curtains.
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24 of 26 people found the following review helpful By Voracious Reader on January 25, 2005
Format: Paperback
Sula isn't the most famous of Toni Morrison's books, but it may be the best. It reveals humanity at its most raw and vulnerable. The only other Morrison book with this kind of power is Beloved, and the less publicized Sula moves with all the passion and compassion of the acknowledged work of genius. Sula and Beloved both belong on any list of greatest books ever written.
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18 of 19 people found the following review helpful By A Customer on June 12, 2001
Format: Paperback
In this novel, Toni Morrison's deals in part with the concept of community in a town called the Bottom. Using the Bottom as a microcosm, Morrison introduces us to a series of characters, which although Black, can very well make up any other community regardless of their ethnicity or background. Morrison's ironic style reminds us the Latin American Magic Realism writers from the 1960s, that populated our imaginations with unforgettable towns with fictitious characters very much grounded in reality in order to give us a glimpse at issues of social and economic injustice. The name of the town itself - the Bottom - is an irony: The Bottom is situated at the top of a mountain. It was given to its black founder by his slave-owner master claiming that it was the best piece of land around because it was at the Bottom of Heaven. The white slave owner is the representation of what white colonialism has done for centuries, especially in the American Continent: trading useless trinkets for good land or gold. While Blacks were pushed up to the dry, arid barren lands of the Bottom, the whites settled in the good fertile lands of the valley in the town called Medallion. Morrison shows the segregation of whites and blacks which has been a perpetual issue in the history of the United States. The Bottom could have been a new Liberia. Morrison could have chosen to create a utopia for those who because of racial segregation would bind together and carry out a social experiment. Yet, she chooses to turn it into a microcosms of individuals who, as a community, live their lives on the margins of mainstream white society - outside the mainstream of Medalllion. Like Marquez's Macondo or Rulfo's Comala, the Bottom has its share of self-righteous individuals like Helene Wright and her churchgoing neighbors.Read more ›
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