From Publishers Weekly
In 34 brief, dreamy chapters, esteemed American poet and translator Merwin meanders back to the late 1940s and early 1950s summers of his youth and inexperience. At age 16, he was blessedly released from the watchful protection of his stern Presbyterian father in Scranton, Pa., to attend Princeton, when the university was bereft of young men serving in WWII. Through a Princeton acquaintance, Alain Prévost (son of French writer Jean Prévost), the impressionable young Merwin secured the position of tutor to Prévost's friend Alan Stuyvesant's nephew, Peter, and spent an idyllic summer at the eminent family's bucolic home, Deer Park, in Hackettstown, N.J. Over two summers with Alan's aristocratic family, first at Deer Park, then in St. Jean Cap-Ferrat, France, near Nice, the fledgling writer glimpsed for the first time "some ancient, measureless way of living." Upon graduating, he returned to Europe with his wife and two 12-year-olds he would tutor for the summer in the south of France. Merwin (
The Ends of the Earth) is best at succinct, decisive cameos: characters enter his enchanted sphere, then vanish, such as the visiting young Samuel Beckett, memorable for the exquisite fineness of his cucumber slicing. Purposefully incomplete, occasionally frustrating, Merwin's book traces lost worlds.
(Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to the
Hardcover
edition.
Merwin is as refined and entrancing a prose stylist as he is a poet. Earlier works chronicle his experiences in France and Hawaii. In
Summer Doorways, he circles further back in time to tell amusing and piquant stories of his years at Princeton during World War II, and of summers in the country that stoked his sense of wonder and mystery. Chance acquaintances led to Merwin's becoming a tutor to privileged boys in beautiful settings, including Genoa and Portugal. His splendidly detailed and sensuous descriptions (what a memory he has), especially of postwar Europe, are redolent in mood and precious historically. And he takes great pleasure in turning intriguing, exquisitely crafted portraits and anecdotes into lustrous recollections that capture lost time and trace the making of a poet.
Donna SeamanCopyright © American Library Association. All rights reserved
--This text refers to the
Hardcover
edition.