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Summer of a Dormouse

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Using this imagined pronouncement from God as an introduction to his third autobiography, author John Mortimer, barrister, playwright, novelist, and creator of the Rumpole series, muses on aging and the fact that time passes far more swiftly in old age than in youth. He expects the rest of his life to pass as quickly as "the summer of a dormouse." More a diary in book form than an autobiography with a series of strong controlling themes, Mortimer comments on recent events in his life, jumping from topic to topic, then backing up and revisiting those topics when events change or he learns something new.

The beginning of the book emphasizes his relationship with Franco Zeffirelli, for whom he wrote the screenplay for "Tea with Mussolini." He was fascinated by the casting and filming of that production, and his comments about Judy Dench, Joan Plowright, and Maggie Smith, all Great Ladies of British theatre, who shared billing in the film with the American Cher, add life and spice to the behind the scenes stories, especially when these actors appear nude at Zeffirelli's pool. He jumps quickly from this to his problems with his own broken leg, followed by leg ulcers that will not heal, and his experiments with a "black box," and electrical treatments which have a healing effect.

Soon he is onto the subject of running a campaign to rebuild the Royal Court Theatre, the problems he has had with government financing, with foundations, and with donors. His liberal political goals and his anti-establishment screeds add contemporary British political information to the autobiographical mix, and his reminiscences about growing up with his father, a blind barrister who was carefully tended to by Mortimer's solicitous mother, put his own pre-occupations with the family house and garden into perspective.

Unfortunately, his discussion about his father's blindness, the surgeries his father underwent, his homage to his patient and long-suffering mother, and his own problems and surgeries for detached retinas (apparently inherited) are virtually (if not, actually) lifted from his previous autobiography, Murderers and Other Friends. His story about visiting Sir John Gielgud with his wife and baby daughter Emily in her "pink carry-cot" is also virtually identical to his previous reminiscence from "Murderers and Other Friends." Though he discussed at length his relationship with playwright Harold Pinter in that book, he sees Pinter in this book and comments as if he's never seen him before! Fascinating for anyone who loves Rumpole and the Mortimer writings, this third "autobiography" is more like a free-floating reminiscence written by Mortimer for himself than it is for a wider audience of Mortimer fans. Mary Whipple

Murderers and Other Friends

Rumpole and the Penge Bungalow Murders

Rumpole Misbehaves: A Novel (Rumpole Novels)