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A Summer of Hummingbirds: Love, Art, and Scandal in the Intersecting Worlds of Emily Dickinson, Mark Twain, Harriet Beecher Stowe, and Martin Johnson Heade
 
 
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A Summer of Hummingbirds: Love, Art, and Scandal in the Intersecting Worlds of Emily Dickinson, Mark Twain, Harriet Beecher Stowe, and Martin Johnson Heade [Hardcover]

Christopher Benfey (Author)
4.2 out of 5 stars  See all reviews (6 customer reviews)

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Book Description

April 17, 2008
A surprising and scandalous story of how the interaction within a group of exceptional and uniquely talented characters shaped and changed American thought

At the close of the Civil War, the United States took a deep breath to lick wounds and consider the damage done. A Summer of Hummingbirds reveals how, at that tender moment, the lives of some of our most noted writers, poets, and artists-including Emily Dickinson, Mark Twain, Harriet Beecher Stowe, and Martin Johnson Heade-intersected to make sense of it all. Renowned critic Christopher Benfey maps the intricate web of friendship, family, and romance that connects these larger than life personalities to one another, and in doing so discovers a unique moment in the development of American character.

In this meticulously researched and creatively imagined work, Benfey takes the seemingly arbitrary image of the hummingbird and traces its "route of evanescence" as it travels in circles to and from the creative wellsprings of the age: from the naturalist writings of abolitionist Thomas Wentworth Higginson to the poems of his wayward pupil Emily Dickinson; into the mind of Henry Ward Beecher and within the writings and paintings of his famous sister, Harriet Beecher Stowe. A Summer of Hummingbirds unveils how, through the art of these great thinkers, the hummingbird became the symbol of an era, an image through which they could explore their controversial (and often contradictory) ideas of nature, religion, sexuality, family, time, exoticism, and beauty.

Benfey's complex tale of interconnection comes to an apex in Amherst, Massachusetts, during the summer of 1882, a time when loyalties were betrayed and thoughts exchanged with the speed of a hummingbird's wings. Here in the wake of the very public Henry Ward Beecher and Elizabeth Tilton sex scandal, Mabel Loomis Todd-the young and beautiful protŽgŽe to the hummingbird painter Martin Johnson Heade-begins an affair with Austin Dickinson and leaves her mentor heartbroken; Emily Dickinson is found in the arms of her father's friend Judge Otis Lord, and that's not all.

As infidelity and lust run rampant, the incendiary ghost of Lord Byron is evoked, and the characters of A Summer of Hummingbirds find themselves caught in the crossfire between the Calvinist world of decorum, restraint, and judgment and a romantic, unconventional world in which nature prevails and freedom is all.

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A Summer of Hummingbirds: Love, Art, and Scandal in the Intersecting Worlds of Emily Dickinson, Mark Twain, Harriet Beecher Stowe, and Martin Johnson Heade + White Heat: The Friendship of Emily Dickinson and Thomas Wentworth Higginson + Lives Like Loaded Guns: Emily Dickinson and Her Family's Feuds
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Editorial Reviews

From Publishers Weekly

SignatureReviewed by Debby ApplegateIn his last two books, Christopher Benfey, a prolific critic, poet and professor of literature at Mount Holyoke, cultivated an unorthodox style of historical storytelling that spurns the traditional mechanics of cause and effect. To steal a phrase from poetry, we might say that he writes history in the lyric rather than the epic mode. The goal is to evoke the thoughts and feelings created by a particular time and place. He has previously applied this technique to Victorian America's discovery of Japan and Edgar Degas's year in New Orleans.Now Benfey turns to the more familiar territory of the 19th-century literary renaissance in New England. He focuses on some of the era's most famous writers, as well as lesser-known figures—as the subtitle indicates: Love, Art, and Scandal in the Intersecting Worlds of Emily Dickinson, Mark Twain, Harriet Beecher Stowe and Martin Johnson Heade—all of whom found inspiration and self-expression in flowers and birds, the hummingbird above all. This is the book's MacGuffin: why did hummingbirds in particular elicit such a powerful attraction, rising at times to an obsession? Benfey's answer is that after the Civil War Americans gradually left behind a static view of existence, a trust in fixed arrangements and hierarchies, and came to embrace a new dynamism that found perfect expression in the hummingbird. By tracing their allusions to hummingbirds in poems, pictures, sermons and anecdotes, he shows how these sensitive souls registered the shock of war by seeking symbols of the evanescence of life. The elegiac mood gives way near the end, when sex wrestles the spotlight from death. Stowe's brother, a celebrated preacher, ensnares himself in a sex scandal, Heade begins a flirtation with the magnetic Mabel Loomis Todd, who throws him over for Dickinson's married brother, and the reclusive poetess embarks on her own late-life love affair. Whether Benfey's book succeeds depends on the expectations of the reader. This is not a conventional cultural history, nor is it a linear history of literary influences. Instead, to borrow from a description of Dickinson's hummingbird poems, it presents a fusion of realistic detail and vaporous suggestion. Those who aren't already familiar with the period—and even many who are —might drift as the author flits, birdlike, from one poignant tableau to another, beckoned by the wafting scent of yet another reference to birds or flowers. (He suffers some minor errors of fact and interpretation, due to an excessive dependence on secondary sources, but they don't alter the overall effect.) This book fares best when seen not as an argument but as a meditation on a moment in history, in which the reading experience itself recreates those feelings of evanescence. Debby Applegate won the 2007 Pulitzer Prize for the biography The Most Famous Man in America (Doubleday).
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine

Reviewers found much to praise in A Summer of Hummingbirdsâ€"from the many anecdotes Benfey has uncovered to his critical insights into art and literature. However, they disagreed over whether his book has uncovered an underlying theme that helps explain the thought of an entire period (as Louis Menand did in The Metaphysical Club, for example), or whether he has simply pointed readers’ attention to a series of interesting but unconnected coincidences. Even if his argument crumbles under scrutiny, critics still found it “very pleasant to float alongside so curious and playful a writer as he drifts from one anecdote or observation to the next” (New York Times Book Review). Since cultural changes like the one Benfey seeks to describe are notoriously difficult to pin down, readers may have to judge the book for themselves.
Copyright © 2004 Phillips & Nelson Media, Inc.

Product Details

  • Hardcover: 304 pages
  • Publisher: Penguin Press HC, The (April 17, 2008)
  • Language: English
  • ISBN-10: 1594201609
  • ISBN-13: 978-1594201608
  • Product Dimensions: 9.4 x 6.3 x 1.2 inches
  • Shipping Weight: 1.2 pounds (View shipping rates and policies)
  • Average Customer Review: 4.2 out of 5 stars  See all reviews (6 customer reviews)
  • Amazon Best Sellers Rank: #868,551 in Books (See Top 100 in Books)

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Customer Reviews

6 Reviews
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Average Customer Review
4.2 out of 5 stars (6 customer reviews)
 
 
 
 
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18 of 21 people found the following review helpful:
5.0 out of 5 stars a summer reading jewel, June 12, 2008
This review is from: A Summer of Hummingbirds: Love, Art, and Scandal in the Intersecting Worlds of Emily Dickinson, Mark Twain, Harriet Beecher Stowe, and Martin Johnson Heade (Hardcover)
Hummingbirds! I would have never thought of them as some kind of ambiguous stand-in for a number of concerns of the period (marital infidelity or bliss, abolitionist arguments of freedom, a hint of tea totaling or the pleasures of a sumptuous life) but I'm sure I'll see them everywhere now.

Benfey provides you with a paragraph or so of Twain, a few stanzas of Dickinson, a painting of Heade and then composes fascinating readings, sensitive of them by combining close analysis and historical detail. His pleasure and enjoyment of these authors and artists is palpable and contagious.

I really appreciate the way this book resists the common urge to treat Dickinson's biography as freakish (the white dresses, the recklessness, etc.). Benfey calls her a "stay-at-home visionary" and points out that "by April 1882, Dickinson could have published a volume of her poems had she wished to do so."

One of my favorite aspects of this book is the way it makes moments of the nineteenth century seem so close to our own experience. Benfey ends a description of the "hotel-world" that Henry Flagler creates: "Guests arrived at the resort in luxury railroad cars designed by Flagler, bearing the same yellow trim--`Flagler Yellow'--as the arches and windows of the hotel. The transition between railroad and hotel was seamless..." Doesn't that just sound like the branded, constructed trip one would get from, say Disney?
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11 of 13 people found the following review helpful:
4.0 out of 5 stars Smoldering intellects catching fire, January 15, 2009
It is a little difficult to pin down what "A Summer of Hummingbirds" is. Like the little bird that serves as the central metaphor, the narrative flits about, darting among its "flowers," the artistic and cultural lights of 19th century America, creating a kaleidoscope of their intersecting relationships, influences, work and zeitgeist. The experience of reading it is very much like viewing a large collage comprised of many recognizable individual images and materials, that taken in its entirety is at once abstract yet pleasingly aesthetic.

There are no surprises among the cast of characters Benfey traces through their swirling circles, except the 20th century artist Joseph Cornell who serves as a coda absorbing and releasing the energy of the muses before him. Artist Martin Johnson Heade seems to touch all of the 19th century line-up, including Thomas Higginson, Harriet Beecher Stowe, Henry Ward Beecher, Emily Dickinson, Austin Dickinson, Mabel Loomis Todd and Mark Twain. Early in their lives, Lord Byron, slavery and the Civil War inspire meditations on freedom, and Darwin alternately stirs up curiosity about natural phenomenon and challenges to religious belief in the creation story. Hummingbirds turn up everywhere, as images of freedom, images of restless lives, images caught in poetry and on canvas, and as pets and taxidermy specimens. Benfey's subjects are intellects on fire. It is only time before their passions boil over to more physical alliances that seem to coalesce around the summer of 1882, also the year of the transit of the planet Venus. The hermetic Emily Dickinson is engaged, her married brother becomes involved with the also married Mabel Loomis Todd, charismatic preacher Henry Ward Beecher is undone by an extramarrital affair, and the aging Heade who also lusts after Todd finally takes a wife. Meanwhile, America is gradually transformed from a place of ruins and frontier to a developing world stitched together by trains and sporting new luxuries like resorts in Florida.

Benfey stakes a lot on the leitmotif of the hummingbird to impose a narrative structure on what are essentially many concurrent lives on a continuum. For much of the book I was thinking, now which summer is the summer of the title? Much of the action takes place before or overshoots 1882, and it seems that at that point, the arbutus or mayflower has become the symbol of a re-ordering sensuality among this group. Mark Twain is more of a tangential figure, more influenced by the group than a player, and little is made of friendship with Harriet Beecher Stowe in their Hartford days. All that said, it is a pleasant trip following the author around trying to catch his human hummingbirds in a world of slipping paradigms.
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26 of 34 people found the following review helpful:
3.0 out of 5 stars Pedestrian, May 31, 2008
This review is from: A Summer of Hummingbirds: Love, Art, and Scandal in the Intersecting Worlds of Emily Dickinson, Mark Twain, Harriet Beecher Stowe, and Martin Johnson Heade (Hardcover)
The overall symbol of the hummingbird to describe how America was changing from a staid worldview to a more transient, evanescent one in the Civil and post Civil War period is probably insightful. The author also gives us some biographical details not well known about well known luminaries (and people who would become luminaries) of that period. HOWEVER, his writing is pedestrian and I found the book quite a slog. I'm a huge fan of Emily Dickinson(who knew?) and an admirer of Mark Twain, et al. So, I persevered; but I kept thinking about how dull this English professor's classes must be, despite the interesting subject matter.

I don't think this book would capture/retain the interest of the general reader.
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Inside This Book (learn more)
First Sentence:
IT WAS THE silence that most unnerved Colonel Thomas Wentworth Higginson as the fleet of three vessels under his command steamed up the St. Johns River on the sun-drenched morning of March 10, 1863, toward the Rebel stronghold of Jacksonville. Read the first page
Key Phrases - Capitalized Phrases (CAPs): (learn more)
Emily Dickinson, New York, New England, Harriet Beecher Stowe, Mark Twain, Lady Byron, Martin Johnson Heade, Civil War, Henry Ward Beecher, Lord Byron, Plymouth Church, Amherst College, Mabel Todd, Elizabeth Tilton, United States, David Todd, Eben Loomis, Dom Pedro, Susan Dickinson, Transit of Venus, Route of Evanescence, Thomas Wentworth Higginson, George Sand, Judge Lord, Mabel Loomis Todd
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Front Cover | Table of Contents | First Pages | Index | Back Cover | Surprise Me!
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