From the visionary directory of The Girl Who Leapt Through Time (2007 Japanese Academy Award winner, Best Animated Feature) comes the story of an ordinary family going to extraordinary lengths to avert the impending cyber apocalypse!
Kenji is your typical teenage misfit. He's good at math, bad with girls, and spends most of his time hanging out in the all-powerful, online community known as OZ. His second life is the only life he has until the girl of his dreams, Natsuki, hijacks him for a starring role as a fake fiance at her family reunion. Things only get stranger from there. A late-night email containing a cryptic mathematic riddle leads to the unleashing of a rogue AI intent on using the virtual word of OZ to destroy the real world, literarily. As Armageddon looms on the horizon, Kenji and his new family set aside their differences and band together to save the worlds they inhabit in this near-perfect blend of social satire and science fiction . (AnimeNewsNetwork.com) First Press includes collectible art cards.
Kenji, the teenage hero of Summer Wars, is an alternate for the Japanese Math Olympics team, but math is the only thing he's good at. He works part-time doing maintenance for the global computer network Oz, so he jumps at the opportunity when his pretty classmate Natsuki offers him a job--until he discovers she wants him to pose as her fiancé at her grandmother's 90th birthday celebration. Kenji has his hands full coping with Natsuki's large, eccentric family, who constantly refer to their samurai ancestors as they squabble with each other. But when a malicious AI program known as The Love Machine attacks Oz, Kenji has to solve a series of complex mathematical puzzles to prevent the cyberterrorist from causing a disaster. Mamoru Hosoda captures the oppressive heat of the Japanese summer in the sequences involving Kenji and Natsuki; Oz is rendered in a brightly colored, hallucinatory style. Hosoda worked with Takashi Murakami on the "Superflat" project, and the avatars that populate Oz reflect its depraved cuteness. Summer Wars was a critical and box-office hit in Japan, and deserves a wide audience in America. Hosoda, who also made The Girl Who Leapt Through Time (2006), is clearly one of the most interesting directors working in Japan. (Suitable for ages 12 and older: brief nudity, cartoon violence) --Charles Solomon
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