The Sundering (SFBC Omnibus) [Unabridged] [Hardcover]

Jacqueline Carey (Author), Donato Giancola (Illustrator)

Book Description

Publication Date: 2005

This is a two-in-one volume with both of Jacqueline Carey's top sellers Banewreaker and Godslayer. (Inside jacket: with her successful Kushiel series, Jacqueline Carey proved herself a force to be reckoned with in the fantasy field. Now she returns with another extraordinary epic, a shattering tale of gods at ware and the mortals they use in their deadly game.) Once the Seven Shapers dwelled in accord. First-born among them wasHaomane, Lord-of-Thought, and with his six sibling gods, they Shaped the world and its children to their will. But Haomane wasdispleased with Satoris' Shaping, for he thought his younger brother too generous in his gifts to Men, who made war upon Hoamane's Children, the Ellylon. Though the First-Born asked his brother to withdraw his Gift, Satoris refused. So began the Shapers' War, which sundered the world and cast Satoris and his kindred to opposite ends of a vast ocean.

Product Details

• Hardcover: 733 pages
• Publisher: Science Fiction Book Club; SFBC Omnibus edition (2005)
• Language: English
• ISBN-10: 0739456903
• ISBN-13: 978-0739456903
• Product Dimensions: 8.1 x 5.5 x 1.6 inches
• Shipping Weight: 1.6 pounds
• Average Customer Review: 4.5 out of 5 stars  See all reviews (4 customer reviews)
• Amazon Best Sellers Rank: #1,463,283 in Books (See Top 100 in Books)

More About the Author

Jacqueline Carey is the author of the New York Times bestselling Kushiel's Legacy series of historical fantasy novels, The Sundering epic fantasy duology, and postmodern fables "Santa Olivia" and "Saints Astray." Carey lives in west Michigan. Although often asked by inquiring fans, she does not, in fact, have any tattoos.

Customer Reviews

Most Helpful Customer Reviews

9 of 9 people found the following review helpful:

4.0 out of 5 stars A tragedy, May 26, 2006

By 

Douglas De Bono - Author of No Safe Harbor (Minnetonka, mn United States) - See all my reviews

This review is from: The Sundering (SFBC Omnibus) (Hardcover)

This is an interesting book. The world is believable. the different races recognizable. It is told from the perspective of Satoris, the third born shaper of the world. He is supposed to be the bad guy that caused the world to be sundered.

And war is coming. It is led by the children of the first born shaper, Satoris' brother Haomane. They are allegedly the good guys. So now we have a classic battle between good and evil, only good isn't that good, and evil might actually be innocent of the charges against him.

I found myself cheering for Satoris as everything about him fell apart. I really didn't like Haomane at all. There are magical weapons, prophecies, but no one becomes all powerful that none can stand before him.

This is a story filled with rich characters, and they experience the spectrum of love, betrayal, honor and pride. This is good story and fine fantasy.

Recommended.

15 of 17 people found the following review helpful:

5.0 out of 5 stars An extraordinarily complex, moving achievement, July 13, 2007

By 

AspasiaTX "aspasiatx" (Austin) - See all my reviews

This review is from: The Sundering (SFBC Omnibus) (Hardcover)

Yes, I have read and loved all the Kushiel series; they are astonishing, wonderful books. Yet those who pick up the two volumes of the Sundering because they loved Phedre, and come away disappointed and complain the books fail to measure up, are missing the point entirely. These books are a different genre, and a different kind of accomplishment; they are a fantasy epic which is also a philosophical and ethical critique of the epic genre.

Of course, the similarily in narrative structure to the Tolkien epics is conscious and purposeful. Almost every character from the Lord of the Rings is found here: Gandalf-Malthus, Frodo-Dani, Aragorn-Aracus. Previous reviewers may have missed that the arguable "heroes" of this story, Tanaros Cavaros and the "Misbegotten" Ushahin Dreamspinner, are analogous to the leader of the Ringwraiths and Gollum. And Satoris Banewreaker, of course, is the Sauron who the Elves/Ellylon so lyrically claim to be bent on the destruction of all that is good and beautiful, working tirelessly "to cover all the world in a SECOND darkness!!!"

I wonder, how many of us who read and loved the Lord of the Rings ever wondered why Sauron would wish such a thing? Did the explanations of his motivations ever seem thin? Sauron was supposed to have created the Orcs "in savage mockery" of the Elves; a force of pure evil, needing no purpose other than destruction, with no desires, even in creation, except to mock and ruin. What Carey's epic is meant to show, and it succeeds beautifully, is that there are no such villains. There can be no races, such as the Orcs in Tolkien, without redeeming characteristics. To exist at all, especially to exist as a living community of any kind, living creatures must manifest certain virtues. The "Orcs" on the Sundering epic are ugly, certainly, and the "Elves" fear and despise them; yet Carey shows the Ellylon hatred and fear of the trollish Fjel as a product of their own limited aesthetics and the enmity between their races. The Fjel lack the beauties and brains of Elves and Men, yet they are real creatures, and therefore, in order for them to continue as a race at all, they must reproduce and rear their children, they must have some forms of love and loyalty. As this epic unfolds, the awareness grows in the reader that the "orcs" of Tolkien could never have been anything but a savagely distorted picture, a lie wrought by those who hated them from a distance. The power of the Ellylon to tell their stories with beauty, and thus inscribe their point of view as history, is explicitly thematized by Carey's hero Tanaros, who reminds the lovely Ellyl lady that every story has two sides, and that no Elf or Man has ever listened to the stories of the Fjel.

Tanaros himself stands as one of only two counter-examples; he himself is a Man, one who once served the ruling house of the oldest of Men's kingdoms. Once a hero in the best epic style, a loyal general who loved his king and his wife, now he is the most famous villain of his own race of origin. Long ago, he discovered his wife's new child to be, not his own son, but the son of his own best friend and beloved liege. The power of his loves fueled the violent madness of his hatred when those loves were betrayed, and he killed both his wife and her lover. Only in the service of Satoris can he re-discover loyalty and purpose, as only Satoris was willing to allow him the "dignity of his hatred" and allow him the chance to make a new life. The kingdoms of Men call Tanaros "Wifeslayer" the worst of comicbook villains, and see his service to Satoris as simply confirming how evil he is; a man who killed both wife and king could only flee to bad black Satoris in his evil dark fortress. Yet Carey shows us Darkhaven through the eyes of Tanaros as a haven, a place of beauty and dignity, and Satoris as the being who has given Tanaros sanctuary-- as well as a love that has never failed nor been untrue.

The Darkhaven of this epic, this Mordor, was built by Satoris after his first war with his older brother, who, wrathful at his younger brother's refusal to obey, burned the world with the fires of the sun and left Satoris wounded and scorched. Darkhaven is dark not to symbolize evil, but because light hurts as well as illuminates, and because fire is the weapon of the elder Shaper who believes, on thin grounds, that his own will is the entirety of truth and goodness, and that Satoris' refusal to obey him is the essence of wrong and evil. Darkhaven is guarded by Fjeltroll and staffed by madlings, and here is the poignant heart of Carey's vision. For Tanaros is only one of the ambiguous and complex heroes of this story. The other is his counterpart Ushahin, like Tanaros a byword for evil among the Elves and Men of this world, and like him a product of the very world and races who fear and hate him.

Ushahin Dreamspinner, unique in this fantasyworld, is half Ellyl and half mortal Man. The Ellyl, children of Haomane FirstBorn, are a race gifted with mind and heart, rationality and love, but immortal, and without the gift Satoris was asked to give to every other race: Desire. It was Haomane's command that Satoris withdraw Desire from Men which Satoris refused, the refusal for which he is called the Sunderer. Desire is an ambiguous gift, and one both Men and Elves find easy to blame for the crime one Man committed upon a daughter of the Ellylon; the crime of rape. Ushahin Dreamspinner was conceived in that rape, abandoned by the kindred of both parents, and almost killed in childhood by a crowd of other children with rocks. His appearance is all the more monstrous for the remains of remarkable beauty ruined, elegant bones shattered and ill set, wide-set eyes permanently dilated and crazed; he embodies all the horror of human cruelty and callousness, and walks in their dreams to show them the image of a child's fist with a rock breaking another child's face to bits. Called "The Misbegotten" by both the races from which he sprang, Ushahin serves Lord Satoris for the sanctuary Satoris gives to all the mad and broken of the world, those Ushahin calls to Darkhaven where they are safe and loved.

It is Satoris' relationship with Ushahin and his madlings that thematizes the true heart of this amazing critique of epic storytelling, this reply to Tolkien's brutal aesthetic of bright beautiful Elves versus nasty ugly orcs. When the lovely Ellylon lady arrives in Darkhaven and learns that it is a sanctuary for madlings, for all those beings broken and maimed by the cruelty of the world, she is of course appalled. The lovely, the perfect lady, of course she cannot fail to feel pity and mourn for the victims of cruelty and neglect who find safety and love in Darkhaven. Yet she protests they could be fixed, that Satoris ought to heal them and make them pretty again, a response that Tanaros shows in its selfishness with his reply: "To my lord Satoris, she is already beautiful." He loves them as they are, and finds the beauty they have in themselves, not needing to transform them into pretty elf maidens to find them lovely. Similarly, the Ellylon cannot realize the limitations of their own attitudes towards the half-elven Ushahin; they blame Satoris for not "fixing" him, never imagining that it is tghe Dreamspinner himself who refuses to be "healed" to erase the signs of what has made him what he is.

The Elves can only imagine beauty as being like themselves: perfect, tall, glowing with light, and above all, lucky. The scars of the unlucky, of all those who have been hurt, the stories of all those whose lives have been shaped by pain-- they can only see those things as flaws to be erased. What the limited aesthetic of the Ellylon cannot understand as valuable is the same thing that disappears in the caricatures of "orcs"-- the values and features of *life*. Life that struggles through pain and trauma, life that nurtures young, life that makes the best of ambiguity, life that goes on imperfectly.

It is finally an aesthetic of life with which Carey counters the simplistic aesthetic of epic in the Tolkien vein. In place of a god whose mysterious will must be obeyed as the definition of Goodness, we have a god who wishes only to live as he sees best, and survive the despite of his older brother's wrath. Haomane First-Born believes his own vision to be the definition of truth and reality, and his own will as the determiner of goodness. In such a belief-system there can only be one kind of choice: obedience is good, and defiance, evil. Counterpoised to that simplistic lie, Carey gives us a meditation on the nature of choice as life-determining, or choice and responsibility, of truth itself as ambiguity and complexity.

5 of 6 people found the following review helpful:

5.0 out of 5 stars Excellent dark Fantasy-Nordic overtones-yes, a Tragedy as well, April 1, 2008

By 

K. Sozaeva "Obsessive bibliophile" (Athens, GA USA) - See all my reviews
(VINE VOICE)    (TOP 1000 REVIEWER)    (REAL NAME)   

This review is from: The Sundering (SFBC Omnibus) (Hardcover)

I'm honestly surprised by the bad reviews (speaking of those left for the individual paperbacks). I can't understand how this can be compared to the perspective of the Nazgul, or to the LotR at ALL - this is completely different! The Nazgul were intent on world domination and the complete and total subjugation of all people and races underneath them; Satoris only wants to be left alone. I really liked this book - we're given a completely NEW perspective on the "dark God" premise. What if ... what if the so-called "dark God" is NOT in fact the one who is responsible for [name your calamity here]? What if the so-called "light God" is the one who is trying to take over the world and [name your megalomaniacal purpose here] through any means possible - lies, twisted truths - and then basically force everyone to do things his way? What if, in other words, everything you THOUGHT was TRUE, was, in fact, WRONG?

This is the premise of this refreshingly original idea. Satoris Third-Born, formerly known as the Sower, whose Gift was the Quickening of the Flesh (aka - passion, lust), is now called the Sunderer, the Banewreaker and all manner of dire things. Satoris had incurred Haomane's wrath by refusing to take away his Gift from Men - at his sister Arahila's pleading - three times. Haomane wanted this done for a couple reasons - first: he had refused the Gift for his Children, the Ellyl, because he had made them immortal; however, Men became jealous of them and began to war against them in an attempt to gain knowledge about how to become immortal themselves, therefore leading to b) there were just too many Men (in his opinion) and they didn't show proper respect for the Ellyl, who were obviously their betters. As a result of Haomane's various attacks upon Satoris, the Souma (the Eye in the Brow of Uru-Alat - the World's Creating God) ended up split apart, the world Sundered and the sea poured in. Satoris was wounded by a splinter of the Souma, a wound that never heals - however, he did catch hold of this splinter, and maintained possession of it - a dagger he called the Godslayer. Satoris now remains in Urulat with the various Children created by the Shapers, and the other six Shapers stay across the Sea in Torath where they continue to plot. That is the background of the story.

Flash-forward: In the first book - "Banewreaker" - almost everyone in the world believes Satoris alone is responsible for the Sundering and splitting of the Souma. As a result, Satoris is despised universally, despite the fact that all he wishes is to be left alone in the fortress he created in the Gorgantum Defile, in the mountains he has Shaped. He has called to himself Three Men and bound them to his service, stretching the Chains of Being and granting them immortality - Tanaraos, called variously Blacksword, Kingslayer and Betrayer; Vorax, the Glutton; and Ushahin, the Dreamspinner. In "Banewreaker," the signs of war have appeared, and Haomane's Prophecy for the downfall of Satoris is in the process of being fulfilled - a daughter of the Ellyl is to wed a son of the house of Altorus, that which is Unknown is made known, that which was hidden is found, etc. It is up to the Three, with the help of their allies the Fjeltroll, the Were, and the Men of Staccia, to stop those who would fulfill the prophecy and thereby destroy Satoris and bring about the reign of Haomane First-Borne.

In the second book - "Godslayer" - we continue to follow the attempts of Haomane's Allies to fulfill Haomane's Prophecy, and Lord Satoris' Allies attempts to stop them. We spend a good bit of time with the Bearer - Dani of the Yarru Yami - in his travels to get to Darkhaven, as well as with Lilias in her captivity among the Rivenlost. Unfortunately, years of indoctrination leaves the Rivenlost and the races of Men completely unable to believe anything of what they are told of Satoris. Only the Lady Cerelinde - held in the fastness of Darkhaven, begins to question her beliefs. And, of course, by the time she does it really is too late.

I really liked this story - those who compare it to LotR or the Belgariad are - in my opinion - not giving the story the credit it is due. I have read LotR well over a dozen times, and must have read the Belgariad close to that - and I can't see that much of a similarity. I'll grant you that the very basic premise is somewhat the same, but it is a standard convention in this sort of story - however, Ms. Carey takes it into new and unexpected directions and I was happy to see it. I can, with confidence, suggest this to anyone who is willing to read this and take the time to really think about it. That's not to say I got the ending *I* wanted in the book! But the book ended as it should - as the dragons say - "All thingss mussst be as they are."