From Publishers Weekly
The 25 smoothly translated stories in this collection have the emotional depth of Chekhov and the inspired acuteness of Raymond Carver or John Cheever, making them truly ahead of their time: Bunin, the first Russian to win the Nobel Prize for Literature (in 1933), deserves renewed attention. A few of the book's shorter stories only a few pages each intensely portray moments of anger, love and pain to demonstrate larger truths about human behavior. "First Class" recreates the discomfort a group of upper-class passengers feel when a peasant enters their train compartment, freezing the juxtaposition of the passengers' disdain and the peasant's awkwardness like a snapshot. In the longer stories, small pains accumulate until they explode into tragic ironies. In "Raven," a young man develops an affection for a fetching nanny his father has hired, much to the father's dismay; the older man later marries the nanny. As a storyteller in "Ida" spins a tale of lost opportunity for romance, it becomes clear that the failure was his own. Other stories strip away characters' defenses with elegance and precision: the title story, for instance, describes a lieutenant's short-lived affair with a woman he meets on a cruise. When the affair ends, she ascribes their passion to a momentary sunstroke, leaving him heartbroken and spiritually lost. The plots of Bunin's stories are not necessarily original, but their force and animation never fail to surprise; a brief introduction by the translator serves to put the writer in historical context.
Copyright 2002 Cahners Business Information, Inc.
From Library Journal
Bunin was the 1933 Nobel laureate in literature, the first Russian to achieve this honor. Yet unlike his contemporary Chekhov or his mentor Tolstoy, he has not been remembered; only a few of his short stories, e.g., "The Gentleman from San Francisco," which vividly limns the futility of life lived without soul, are regularly anthologized. This collection should go far to restore his reputation. Having studied art before becoming a writer, Bunin displays a painterly eye for detail. He is a master at capturing the moment, whether in "Summer Day," a short vignette about a peasant trying to train a dog, or in the longer story "In Paris," about the achingly brief romance between two Russian migrs. Often, the stories describe romantic betrayal. In "Styopa," for instance, the narrator callously seduces and abandons an innkeeper's unprotected 14-year-old daughter, while in "Zoyka and Valeriya" it is the shy young guest Levitsky who is used by the capricious Valeriya. With their ability to penetrate the human condition in just a few phrases, Bunin's stories belong in all libraries. Andrea Kempf, Johnson Cty. Community Coll. Lib., Overland Park, KS
Copyright 2002 Cahners Business Information, Inc.