Rising young stars Jonah Hill (Knocked Up) and Michael Cera (Arrested Development) have one last shot at popularity in the very funny coming-of-age comedy "Superbad". Seth (Hill) and Evan (Cera) are lifelong best friends who really want to lose their virginity before heading to college. When they are invited to the year's biggest party, the boys use their friend Fogell's (Christopher Mintz-Plasse) new fake I.D. to score some alcohol for the party but their plan soon turns to a madcap night of unpredictable and outrageous situations. "Superbad" is an uproariously funny teen comedy from the creators of "The 40-Year-Old Virgin" and "Knocked Up". The raunchy teen comedy delivers a well paced storyline, some side-splitting moments and memorable comic performances. Seth Rogen (Knocked Up) and Bill Hader (SNL) are hilarious as two incompetent police officers. "Superbad" received overwhelming positive reviews from US critics and became one of the year's highest grossing comedies with over $130 million nationwide.

If you've enjoyed "Superbad" in theaters, then I strongly recommend checking out "Superbad" Unrated Edition. The raunchy teen comedy is presented in 1.85:1 anamorphic widescreen format with more unrated footage that wasn't included in its theatrical release. The picture quality is surprisingly good with no obvious flaws. The 5.1 Dolby Digital sound is clear and well balanced. Among supplemental material, the DVD includes 8 minutes of deleted scenes, trailers, a short gag reel, "Cop Car Confessions" and "The Making of Superbad" featurettes, an exclusive sneak peek of the upcoming comedy "Pineapple Express" and an audio commentary with director Greg Mottola, production crew and cast members. Overall, "Superbad" Unrated Edition scores a "B+".

Filmmakers Judd Apatow, Seth Rogen and Evan Goldberg make lowbrow comedies for highbrow audiences. With films like "The 40-Year Old Virgin," "Knocked Up," and their current gem, "Superbad" (directed by Greg Mottola), they have begun, in their own quiet way, to re-write the rules of the modern sex comedy, making films that, despite their R-rated blueness, are just a tad more insightful, a little more nuanced, and a trifle more literate than most films in that genre.

The characters in their movies may seem at first blush to be mere photocopies of the nerds and losers familiar to us from all those post-"Animal House," pandering-to-youth comedy hits of the late 1970's and 1980's. Yet, there is something rather different about these individuals, a difference that it is not always all that easy to put one`s finger on. They seem somehow more reflective and self-aware than their earlier counterparts, more able to step out of their skins and see themselves for who and what they are. It's almost as if these characters have had the added advantage of seeing themselves reflected in all those earlier movies (one imagines they've spent a great deal of their childhood reveling in "Revenge of the Nerds") and of extracting important lessons from those films to help them chart their course through life.

The storyline, in and of itself, is hardly original. The screenplay by Rogen and Goldberg chronicles the misadventures of three teenage super geeks determined to go to any lengths or suffer any humiliation to be part of the "in" crowd at school. With only a few days left before graduation, Seth, Evan, and super-nerd Fogell - an outcast even the outcasts can feel comfortable ostracizing - decide that the time has come to take some drastic action if they hope to have any chance of losing their virginity before high school ends. Thus, Seth cooks up a scheme to smuggle booze into a graduation party being thrown by one of the hottest girls on campus. It is the expected setbacks they encounter as they go about the business of achieving "coolness" that provide the comic energy for the tale.

As they did in "Knocked Up," the writers capture the way people in the real world actually speak. The dialogue may be crude and vulgar, but it is also sharply observant and wickedly funny as the characters lament the unfairness of life and reveal deep-seated concerns and feelings about themselves and each other. What's nice is that the characters in this film not only sound like people we might encounter in everyday life but LOOK like them as well. Even the "beautiful" people in this film aren't drop-dead gorgeous, just believably well put-together and attractive.

Jonah Hill, Michael Cera and Christopher Mintz-Plasse are so authentic and convincing in the roles of Seth, Eric and Fogell, respectively, that they have us securely in their corner from the very first moment they appear on screen. Rogen and Bill Hader ("SNL") also have a good time playing goofy cops, although their characters aren't as finely drawn or interesting as the three main characters, and the scenes with them do tend to drag a bit.

It is crucial to point out that, amidst all the blush-inducing, foul-mouthed hilarity, there's an incredible underlying sweetness to "Superbad," particularly in the final two scenes of the movie.

Together, this team of talented filmmakers is making it fun to go to the movies again.

I thought I'd read the 1 star reviews before writing mine. I'm guessing there are a lot of people who would be offended by this movie: some who are offended by silly sophomoric humor, some who are prudish and others for whom it hits too close to home. The rest are looking for a cinematic masterpiece and are sorely disappointed.

This is a somewhat over-the-top portrayal of typical pubescent male behavior. This is the movie's genius, because you know that much of what happens in this movie has happened in some fashion somewhere in America. Male teen behavior is inherently funny (unless you're a parent of one) and this movie takes full advantage of that fact. Everyone who has ever been a teenager has known someone who could have been a character in this movie.

Suggestion: Watch this movie with an open mind and no preconceptions. It is not like most American comedies. Do not look for a point or moral to the story, just sit back, relax and have a giggle.