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Superheavy

SuperHeavyAudio CD
3.5 out of 5 stars  See all reviews (36 customer reviews)

Price: $9.11 & FREE Shipping on orders over $35. Details
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Product Details

  • Audio CD (September 20, 2011)
  • Original Release Date: 2011
  • Number of Discs: 1
  • Label: Universal Republic
  • ASIN: B005AWTBO4
  • Average Customer Review: 3.5 out of 5 stars  See all reviews (36 customer reviews)
  • Amazon Best Sellers Rank: #74,921 in Music (See Top 100 in Music)

1. Superheavy
2. Unbelievable
3. Miracle Worker [Damian "Jr Gong" Marley Main Mix - Radio Edit]
4. Energy
5. Satyameva Jayathe
6. One Day One Night
7. Never Gonna Change
8. Beautiful People
9. Rock Me Gently
10. I Can't Take It No More
11. I Don't Mind
12. World Keeps Turning

Editorial Reviews

About the Artist

Mick Jagger has teamed up with Eurythmics founder Dave Stewart, soul singer Joss Stone, Slumdog Millionaire soundtrack composer A.R.Rahman and reggae star Damian Marley to form a band cooperative project called SuperHeavy. This diverse and eclectic line up who share eleven Grammy Awards between them, have been recording together in various studios around the world, with the majority of the tracks on the project laid down over three weeks in Los Angeles earlier this year. The album will be unveiled in September and tracks include the first single `Miracle Worker', plus `One Day One Night', `Energy', `Unbelievable,' `SuperHeavy,' I Can't Take It No More,' `You're Never Gonna Change' and `I Don't Mind.'

A promo video for `Miracle Worker' will be shot later this month and will feature Jagger, Stewart, Marley, Stone and Rahman.

It's little wonder that Stewart refers to SuperHeavy as, "A mad alchemist type experiment". Fusing the talents of one of the greatest front-men of all time, a two time Academy award winning Indian composer, a soul vocal prodigy, a three time Grammy winning reggae star, and one of the most sought after producers in the world, you would expect the explosive results to defy categorisation.

SuperHeavy came together after Jagger and Stewart considered what a band comprising of musicians from different genres would sound like. Jagger explains, "Dave really wanted to make a record with a different group of musicians, in other words, with different backgrounds of music. Instead of everyone being a rock musician, or basically a blues musician, or some other genre, he wanted to get as many genres together that would fit. I said it sounds like a good idea, I never thought it would actually happen."

Yet soon enough Jagger found himself back in the studio with Stewart and Joss Stone, having previously worked together on the 2004 Alfie movie soundtrack. Stewart says Stone was, "an obvious choice for us. She's such an incredible singer and spirit." Stewart and Jagger's dream team took further shape when they were inspired to bring Damian Marley into the mix, says Stewart, "We'd always wanted a Jamaican musician because Mick and I are crazy about Jamaica and Jamaican music. Stewart has worked with legend Jimmy Cliff while Mick has duetted with Peter Tosh from the Wailers on the Tempatations tune "Don't Look Back" in 1978.

We were listening to loads of stuff and suddenly a light bulb went off and we thought about Damian Marley." Jagger had long been a fan of Marley's, fresh from another cross-genre collaboration with American rapper Nas, citing his strength as a lyricist and toaster along with his penchant for experimentation and collaborative spirit. Marley brought on board his rhythm section, bassist and composer Shiah Coore and drummer Courtney Diedrick, while Stewart introduced the band to his long-term collaborator Ann Marie Calhoun, a rock violinist who had previously worked with the Foo Fighters.

Recording in LA meant the band's path crossed with legendary Indian composer A.R. Rahman, in the City of Angels fresh from his Slumdog Millionaire Oscar glory. Jagger explains, "We didn't know what kind of music we'd make, we didn't know if it would be any good, but we hoped we'd have fun." They were thrilled to have Rahman on board, Stewart says, "He brings so much musical knowledge, amazing musicianship, melody and singing power from a different culture."

Despite their disparate backgrounds, they instantly connected and hit the ground running, writing twenty-two songs in the first six days. Stone was thrilled with the results, "That's what you need, all these opinionated people who have been brilliant in their own field, shove them together and see what comes out. It's really unexpected, it's mind blowing" she enthuses. Similarly enthused was Rahman, "The first day I was in a daze thinking, `What am I doing? What's my role?' and then slowly we started writing with each other, and it was great. It took me way back to my high school days when I was playing in a rock band, but this one was a real one!" Jagger says of the writing process, "We ran the gamut of all our different styles mixed up, so we got Joss singing, Damian doing toasting, and me singing different styles."

However, despite the free flow of creative juices and the easy rapport they established, getting the band together in one place became very difficult, as Stewart explains, "It's the most complicated record ever made. Imagine, some of it's recorded in LA, some of it's recorded in the South of France, some of it's recorded off the coast of Cyprus, some of it's recorded in Turkey, some of it's recorded in Miami, some of it's recorded in the Caribbean, and some of it's recorded in Chennai, in India."

The project needed a name. Marley had been riffing the term "SuperHeavy", inspired by Muhammad Ali being the super heavy weight champion of the world and the phrase became the band's catchphrase, "It was Mick who said, `Why don't we call it SuperHeavy?", recalls Stewart, "We all thought about it for ages and then it sort of stuck."

SuperHeavy is a new and spontaneous way of working for all the collaborators as Jagger explains, "I said to Dave, normally [with the Stones] we'd always have written songs before we go into the studio, but the jam sessions resulted in some great work believes Stone, "It felt better when we were just jamming, that way we made it up as we went along and it was easy."

The band found a harmonious way of working together, "With five of you everyone has to give and take quite a lot. We tried to understand everyone wouldn't be too egotistical, start throwing things around the studio, we wouldn't have fights!" says Jagger. However they weren't averse to telling each other to be better either, Jagger continues, "We were writing a lot of stuff and throwing it away. I would say, `That's rubbish, another cliché Joss', and she'd say, `Well you come up with something then!'" The experience was refreshing and exciting for the band, "We're four vocalists, we've never worked like that before. It's great because the whole burdens not on you, and that made it fun." Jagger enthuses.

Back to that alchemical experiment, Jagger, Stewart, Marley, Rahman and Stone appear to have created a new genre. It's a new kind of music, it's a new genre, one that cannot be placed" says Stone. Yet, Jagger is keen to point out the music is accessible, "It's very approachable. If you're a Rolling Stones fan there's definitely stuff you can relate to. Other stuff that you can't relate to so much, maybe if you listen you'll enjoy it."

A first for Mick Jagger is singing in Urdu, on a song composed by Rahman, entitled "Satyameva Jayate", meaning, "the truth alone triumphs", Rahman wrote the song after some gentle teasing from the others. Rahman explains, "In the daytime I was playing with them, in the night time and evenings I was gigging" "Then", says Jagger, "He didn't come into the studio one day, so I said, `Where's A.R?' and he came in really late at night, really pleased saying, `I've got my song!' I manage one line in Urdu, only one!"

Marley's way of working was different to the rest of the band. Stone reveals, "Damian is kind of quiet but he has some brilliant ideas. He works on stuff at night. Sometimes he'll just go away and sit with the lyrics and bring something to it. His rhythm section brings so much. He has his own thing going in the next room so I pop in and out." Marley would work on toasting over the record by himself and re-join the band when he was happy with it.

As far as the future of SuperHeavy goes, "We haven't planned to do a tour or anything, but if people really like it maybe we will. We'd love to get out and play some of it live," says Jagger humbly. "As soon as we started playing together in the studio it gelled, and all these different styles didn't seem to be a problem to make them fit together... I hope people will like it...."

Main Credits on the `SuperHeavy' album are - Mick Jagger (vocals, guitar and harmonica), Dave Stewart (guitar), Joss Stone (vocals), Damian Marley (vocals) and A. R. Rahman (vocals plus a variety of keyboards).

The SuperHeavy album is co-produced by Jagger & Stewart.

Universal Music will release the album worldwide on their A& M label imprint.

Product Description

Highly anticipated 2011 album from this supergroup featuring Mick Jagger, Dave Stewart, Joss Stone, Damian Marley and Slumdog Millionaire soundtrack composer A. R. Rahman. This diverse and eclectic line up who share 11 Grammy Awards between them, have been recording together in various studios around the world, with the majority of the tracks on the project laid down over three weeks in Los Angeles earlier this year. Tracks include the first single `Miracle Worker', plus `One Day One Night', `Energy', `Unbelievable,' `SuperHeavy,' I Can't Take It No More,' `You're Never Gonna Change' and `I Don't Mind.'

Customer Reviews

Most Helpful Customer Reviews
24 of 30 people found the following review helpful
4.0 out of 5 stars Rock meets Soul meets Reggae meets Bollywood September 21, 2011
Format:Audio CD
Confused? I don't blame you. This is an eclectic, high-energy fusion of voices and instruments by the Rolling Stones' Mick Jagger, neo-soul singer Joss Stone, reggae toaster Damian Marley (son of Bob Marley), "Slumdog Millionaire" composer A. R. Rahman, and Eurythmics cofounder Dave Stewart, who also acts as producer. With three British performers and two from the former colonies of Jamaica and India, it's very much a Commonwealth supergroup.

They come together to create a hard-driving, deep-grooving sonic experiment, one I find both intriguing and rewarding. But the album doesn't alternate between genres; every song is a mélange of rock guitars and drums, soul and reggae vocals and bass, and Bollywood production, with each singer taking turns. Instruments as diverse as violin, piano, harmonica, organ, synthesizer, and tabla join in to create a broad palette of sound. There's even a song in Hindi.

Jagger's vocals dominate the proceedings. He often sings lead, while Stone duets with him and Marley, who contributes regular reggae interludes. The thick, complex orchestrations by Rahman and Stewart change tone with every track. If there's any complaint to be made, it's that there's too much in the mix. Each song is a five-course meal.

If you come to this project with expectations raised by any one of the prominent names attached to it, you're bound to be disappointed. This ain't the Stones, though particular songs may remind you of them, nor is it a rock or reggae or soul album. My advice: trust the professionals. Let them take control and you'll find yourself drawn further and further into the music.

There are two versions of the CD. The deluxe edition with a black-and-white cover features four additional tracks -- over 15 extra minutes of music including another Hindi song -- all of which make worthy additions and more than justify a slightly higher price.
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12 of 15 people found the following review helpful
2.0 out of 5 stars Superbad November 3, 2011
Format:Audio CD
Wow...was really looking forward to this release and was really disappointed. Love the individual artists, but together, it is an abomination. Damian Marley is kind of the element that doesn't quite fit in. Giving every song a reggae vibe just because of Marley's involvement is an odd choice.

This sounds like a lame "We are the World"/Band Aid kind of creation. Artists with styles that don't mesh trying hard to create something together. I don't like it and I don't recommend. I think people who seem to like this mess are trying too hard to like it because they like the individuals.
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28 of 38 people found the following review helpful
4.0 out of 5 stars Superheavy is super good! September 20, 2011
Format:Audio CD
Excellent eclectic mix of music with the ryhthm section playing a roots reggae base, with creative lyrics and vocals. No category for the music, much like 'Distant Relatives' by Damian Marley and Nas, it is a new sound that features the best of each artist. Great record for people tired of the same old sounds and looking for something new and refreshing. I liked it on the very first listen, which is rare these days!!!
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2 of 2 people found the following review helpful
2.0 out of 5 stars "SUPERHEAVY?" Yeah.......Like A Lead Weight!! June 22, 2012
Format:Audio CD|Verified Purchase
Some times a "super group" looks better on paper than it ends up being in the studio. Such is the case with Superheavy, a new group featuring Mick Jagger, Dave Stewart, Joss Stone, Damian Marley and A.R. Rahman, that actually ends up being rather light weight and run of the mill.
Where do I begin? With the now-almost-embarrassing quality of Jagger's voice? Maybe the total and utter waste of Stone?? Or how about the boarder-line karaoke/cartoonish feel of Marley's "rasta" vibe???
We could also talk about the routine arrangements, the lackluster instrumentation or the rather spotty (and, in some cases, downright creepy!) lyrics. All in all, it's pretty safe to say that most of this disc just doesn't work.
SUPERHEAVY opens with....."Superheavy." The song has a nice enough groove, with a slightly Third World vibe to it. However, the track is marred by a group of vocals that are all over the map, ranging from Marley's slurred, incoherent words to Jagger's flat ones, while Stone comes across shrill and grating. NOT an auspicious start!
"Unbelievable" is an even bigger mess. This track is proof positive of why the Stones haven't made a new album in ages....Jagger's voice is shot, a shadow of it's former self, while Stone is nothing more than window dressing. Add in Marley's sophomoric vocal, a lackluster arrangement and silly lyrics and you have the first of many missteps.
"Miracle Worker" works when Stone and Marley are front and center, but things get a little creepy and leering when Jagger takes center stage ("There's nothing wrong with you that I can't fix/I come a runnin' with my little bag of tricks"....REALLY???). The arrangement is easy-going and relaxed, and Stone just shines, so I guess we'll call this one a draw.
"Energy" is just that...
Read more ›
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2 of 2 people found the following review helpful
3.0 out of 5 stars Good Songs, Bad Production October 5, 2011
Format:Vinyl
Cool group and catchy songs. But vinyl sounds dead. Maybe it was a bad digital recording or maybe it should have been a double album to avoid dynamic compression. Better albums that sound more life-like are Hot Rocks and Emotional Rescue.
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8 of 11 people found the following review helpful
By must
Format:Audio CD
The sad fact about supergroups is that they are rarely the result of any musical imperative.
This is painfully confirmed on the debut offering from the alliance of Mick Jagger, Dave Stewart, Joss Stone, Damian Marley and A R Rahman, on which the assembled talents cast around for a style of their own without ever unearthing the natural chemistry on which great bands rely.
There are shades of prancing electro-reggae pop, a smidgeon of country-ballad blues, an unconvincing angry rocker, and several pan-cultural stews, such as "Unbelievable" and "Satyameva Jayathe", in which the contrasting flavours don't gel in tasty fashion.
The impression is that all participants are having to work at less than full power in order to accommodate the others; and, as chemistry goes, the hoped-for "crazy energy" between Jagger and Stone just doesn't heat up at all. A. Gill

Best tracks: "Never Gonna Change"; "I Don't Mind"
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Most Recent Customer Reviews
2.0 out of 5 stars Not as Good
or fresh or whatever. Thank god I got it as a present for someone that likeditalot. Did not record even one song for me. Too bad...
Published 24 days ago by Gerardo Martinez Casas
4.0 out of 5 stars Great new vinyl
Great band, great songs, good vinyl. The sound is a little compressed. I would rather pay for 2 LPs than have the signal compressed. Still well worth the money!
Published 14 months ago by Greg Flannery
3.0 out of 5 stars cd mixed
I didn't really like the songs as much as I thought I would. I saw this on CBS sunday morning and they had good recommendation for it but just wasn't my thing.
Published 16 months ago by Linda Sessions
5.0 out of 5 stars Excellent and very eclectic
After the two songs - Miracle Worker and I Can't Take It No More - which grabbed me right away, it took a while to get into the rest of the collection. Read more
Published 17 months ago by Philip C. Church
3.0 out of 5 stars Not as good as the sum of it's parts
I wanted to like this album, but it just did not work as a whole for me. After listening to the album I was left wondering what the heck where they trying to do. Read more
Published 17 months ago by Johnnie Howe Jr.
4.0 out of 5 stars Commendable Effort
I don't think there is too much in the mix. The musicians are usually able to blend everything together very well for every song. Read more
Published 21 months ago by Dalchini Raichand
3.0 out of 5 stars Pretty good--neither Super nor Heavy
I've listened through it three times now. I like the title track--it's catchy. As far as the other tracks, I have to say that they just don't stick in my mind. Read more
Published on February 23, 2012 by Catherine B Tencza
5.0 out of 5 stars Exciting and Beautiful Collaboration
There is nothing confusing about this album. Each artist adds a special flare and the different genres blend with perfect ease. I hope they tour!
Published on February 16, 2012 by Charelle
5.0 out of 5 stars Bafflingly Great
The first time I heard this, I couldn't help but think I wasted my money. The first song seemed especially weak. Read more
Published on December 19, 2011 by Ponderosa
2.0 out of 5 stars no
At some point, it becomes silly for an artist to follow trends. Remember when Pat Boone made a heavy metal record? Ugh. And Pat was only 63 when that crap was released. Read more
Published on November 29, 2011 by .
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