Product Details

• Actors: Christopher Reeve, Margot Kidder
• Format: AC-3, Closed-captioned, Color, Director's Cut, Dolby, DVD, Subtitled, Widescreen, NTSC
• Language: English (Dolby Digital 5.1)
• Subtitles: English, Spanish, French
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 2.40:1
• Number of discs: 1
• Rated: PG (Parental Guidance Suggested)
• Studio: Warner Home Video
• DVD Release Date: November 28, 2006
• Run Time: 115 minutes
• Average Customer Review: 3.8 out of 5 stars  See all reviews (274 customer reviews)
• ASIN: B000IJ79WU
• Amazon Best Sellers Rank: #21,084 in Movies & TV (See Top 100 in Movies & TV)
• For more information about "Superman II - The Richard Donner Cut" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com essential video

The Richard Donner cut of Superman II is an infamous legend come to life. Director Donner shot most of the sequel at the same time as his first blockbuster film, but somewhere along the line, the producers and studio lost confidence and brought in Richard Lester (The Three Musketeers) to rework the film, and receive sole credit. For years fans speculated on how different the final film was from Donner's original until an underground copy appeared showing a fully formed feature. In an unprecedented move, Warner Brothers officially embraces this alternate version. For those who have not been part of the rumor mill, know that Donner shot all the footage with Lex Luthor (Gene Hackman). You can find blow-by-blow descriptions of what is new/changed elsewhere, but most of the changes deal with Christopher Reeve and Margot Kidder as the comic-book couple. Donner's cut provides alternate scenes for how Lois tests her hunch that Clark is Superman, the moment he reveals his identity, and how Lois unlearns that truth. Thing is, Lester's reshots are stronger, adding weight to the romance between the two, lifting the picture's stature. Lester also added the dandy Eiffel Tower opening. Donner's chief additions are in the Fortress of Solitude, where Marlon Brando returns to teach (Susannah York, as Superman's mom, appears in the Lester cut). The producers cut Brando's footage so they wouldn't have to pay him millions. The Brando/Reeve scenes continue the father/son dynamic of the first film. There is a great lesson in editing--Lester's less is better than Donner's more--when you compare how Kent turns back into Superman after losing his powers. The Donner cut is completely formed but does use some rehearsal footage, new effects, and some pieces shot by Lester. The history of cinema has many of these stories of movies reshot, hijacked, and changed from the original version, but here the underdog wins and Donner gets his chance to change history, even adding a note in the end credits about the use of fur and smoking as regrettable choices of the time.

Director Donner and creative consultant Tom Mankiewicz have a jolly good time revisiting their past on the commentary track. You get a clearer picture of who shot what, but the two have nothing good to say about Lester's edition. Donner doesn't go much into why he was dropped, just a difference of opinion and the need not to pay Brando. He also explains why the déjà vu ending of this edition was used in the first movie and a new ending would have been thought up for part 2. A quick featurette looks at how Michael Thau and a small crew reconstructed the film and compares several scenes from both versions. Also added are additional scenes shot by Donner but not used, most with Hackman. --Doug Thomas

Product Description

Studio: Warner Home Video Release Date: 11/28/2006 Run time: 116 minutes

Customer Reviews

Most Helpful Customer Reviews

62 of 66 people found the following review helpful:

4.0 out of 5 stars Not Perfect, but a Clearer Sequel to Superman..., December 3, 2006

By 

Benjamin J Burgraff (Las Vegas) - See all my reviews
(TOP 1000 REVIEWER)    (VINE VOICE)   

This review is from: Superman II - The Richard Donner Cut (DVD)

Having just watched the Richard Donner version of "Superman II" twice (once with his commentary with 'Creative Consultant' Tom Mankiewicz), I can say that I prefer the Donner version, over Richard Lester's...but with reservations.

Other reviewers point out redundancies, over-long scenes, and character development problems in the Donner version, but these aren't really fair arguments; what you see are the basic scenes, originally shot; Donner, himself, admitted that had he continued on the film, he would have had to do reshoots of several key scenes, and, of course, would have been involved in the editing process (which couldn't be accomplished to the same degree, in the 'restored' edition). The 'turning the world back' resolution was intended for "Superman II"; when the Salkinds chose not to end the first film with a cliffhanger ending, Donner shot the Lois 'death' scene, and Supes turns back time to save her...so repeating the same resolution in "Superman II" was simply a case of using the original film conclusion, which Donner would have changed, had he continued with the film.

There are plotholes, and leaps of logic; as the film stands, Luthor is apparently in the Fortress of Solitude when Superman destroys it(!); Clark's 'revenge' against the diner bully makes no sense, since, after winding back time, the original confrontation never took place; indeed, the Jor-El 'farewell' scene would have been unnecessary, as well, insomuch as Supes rewound time back to before he lost and regained his powers. And what ever became of Miss Teschmacher?

All this having been said, there are moments where I think Richard Lester's lack of understanding of Superman and his Universe makes me stand in Donner's corner; he introduced abilities Supes never had (Saran-wrap symbols...what exactly were they supposed to do?...the 'Kiss of Forgetfulness'...turning Metropolis citizens into comic buffoons, during the climactic brawl...the whole British-accented town sequence, when Zod 'introduces' himself to the world). Other critics have panned Brando's 'Jor-El' in the Donner sequel, praising the Salkinds for dropping him, and increasing Susannah York's involvement, but she seems totally out-of-place as the 'final authority' figure in the Lester version. Maybe he was overpriced, but I think Brando was essential, and the film certainly would have been big enough to offset his paycheck.

I think the Donner version has more 'heart', and reverence to Superman, than Lester's broader, more comic 'take'. Even with the abrupt transitions, logic lapses, rough edges, and redundant resolution, a vision of what "might have been" emerges, and it was a pretty terrific film!

22 of 24 people found the following review helpful:

5.0 out of 5 stars The Superman II that should have been now is here, November 29, 2006

By 

L. Webb (Las Vegas, NV) - See all my reviews
(REAL NAME)   

This review is from: Superman II - The Richard Donner Cut (DVD)

Don't believe the naysayers. 95% of people like myself who saw the first Superman II, loved it, but had problems with some of the stupid humor, will love this version. Obviously, you can't go back and fix everything. For those who complain about the screen test footage, it's been over 25 years people!!! I for one am absolutely stunned by what was saved and the quality of it. And where there is an opportunity to have an alternate take of the same scene, it's in here. I had heard over 50% of the film would be new. Well, with the alternative takes, it seems like more like 80% of the film is new! And I have gone back and looked at Lester's Superman II again, and there is no comparison. Practically every single dumb humor moment that was in Lester's Superman II has been cut and has been replaced with Brando footage as the film was originally intended. It's like cutting out the Jerry Lewis humor and replacing it with Lawrence Olivier. If you liked the opening ten minute credit sequence of Lester's Superman III, then I guess you might like Lester's version better. But I think for 95% of Superman fans it's not even a debatable subject.

POSSIBLE SPOILER ALERT:
I will not mention what new Richard Donner footage there is, (you should enjoy that for the first time yourself) but for those of you who want to know exactly what "dumb humor" or illogical stuff that has been cut from Lester's version that IS NOT in Richard Donner's version, read on below...

Lois' chain-smoking orange juice squeezing scene. - Gone!
Zod raising farmer with silver beam from his finger. - Gone!
Ursa beating farmer at arm wrestling. - Gone!
Almost all jokes relating to Non's dumbness including his inability to use heat vision like the others. - Gone!
Lame wise-cracking bell hop at Niagara Falls "have a happy.... whatever" - Gone!
Superman steps into molecule chamber with Superman suit on, and exits wearing street clothes? - Gone! (Now he enters and exits with street clothes. Some scenes appear to have been reshot with a body double for Reeve.)
During super fight, long extended scene with earthquake going on while Superman and Non fight underground and humans on surface bounce around like bowling pins had been drastically reduced.
During super fight, all jokes relating to villains blowing at humans are gone, (ice cream cone in face, toupee falling off, laughing man falling over in phone booth and continues to talk - all gone. The rollerskating backward guy is seen only briefly if you look for him, but he's not at all obvious like before.
Ursa hits Non accidentally with flag pole and kid on street says, "Wow, home run....." - Gone!
Three villains each using their silver beams against Superman at the Fortress of Solitude. - Gone!
Superman throwing a red "S" at Non at the Fortress of Solitude.. - Gone!
Superman playing stupid Krypton "hide and seek" superpower game at Fortress of Solitude with villains. - Gone!

There are a few jokes that were cut that could have remained, but after looking at Lester's Superman's II again back-to-back with this new version, like I said, there's no comparison. Buy it now.

338 of 439 people found the following review helpful:

3.0 out of 5 stars Not so good, people, don't get your hopes up too high, November 8, 2006

By 

SupermanFan - See all my reviews

This review is from: Superman II - The Richard Donner Cut (DVD)

attended last week's world premiere screening of the much anticipated Superman II: The Richard Donner Cut. Like many Supe fans, I'd been looking forward to this for a LONG time. However, I'm here to tell you to lower your expectations on this one. It's simply not as good as the released version finished by Richard Lester.

After seeing the Donner version, I watched the Lester version again to make sure I could coherently compare the two versions. I concluded there are several very serious problems with the Donner version, and I'll lay these out, alerting you to spoilers.

First, a few comments about the original Superman 1, so you understand where I'm coming from. IMO, the first film had several major tone shifts. The Krypton section was very serious, bordering on pretentious. Brando played Jor-El not like a man, but as a demi-god, cold, aloof and superior. The Smallville section (my favorite portion) evoked Frank Capra-John Ford Americana, human and emotional. And the Metropolis section started as an enjoyable comic book, but then degenerated into goofy camp as Lex Luthor's ridiculous plan unfolded, and Gene Hackman mugged and played Superman's arch-enemy for laughs. For me, the Luthor characterization and earthquake plot ruined what I thought what could have been a fine film. And I totally didn't buy Superman turning back time, which I thought was a complete cop-out. All real Superman fans know that Supes can't do that (and even if he could, he wouldn't)! So that's the "baggage" I bring to this review.

On to Superman II. As most fans of the series know, Brando filmed scenes for the Fortress of Solitude sequences, but they were dropped when he demanded more money, and redone with Susannah York as Lara. Donner's version restores the Brando scenes. I found these restored scenes too long and not very good. The truth is, Brando did these films for the money, and basically walked through his role. I doubt that there is any survey of Brando's work that mentions Jor-El as one of his memorable performances. It seemed that Donner wanted to include every frame of Brando, so there's a lot of repetition. For example, Superman II now opens as Part 1 did, with Jor-El sentencing the 3 villains to the Phantom Zone, reciting the litany of their crimes. When Luthor plays back the recording crystals in the Fortress of Solitude, he gets the exact same explanation by Jor-El, about the villains. Hearing this information twice is boring and unnecessary. Later, Jor-El interacts with his son. But the tonal shifts of the first film come back to undermine the second one. Brando's pompous interpretation of Jor-El simply doesn't mesh well with Reeve's everyman version of Supes. These actors are in two different movies. Lester got around this by using Lara instead, in a performance that we can now see had more humanity than Brando's, but was light enough to maintain the comic book tone. Lara is sympathetic and basically supportive regarding her son's conflict about love vs duty, and this serves the story well, providing the emotion the story needs at this point.

SPOILER. In Donner's version, Jor-El is judgmental and dismissive to his son which, although is true to his characterization, does not make Superman's ultimate decision to give up his powers believable. But Donner's worst choice is in the placement of this scene. In Lester's version, Superman talks to his mom about his conflict, then gives up his powers BEFORE he sleeps with Lois. The implication is that Superman can't have sex with a human unless he surrenders his super powers (no doubt, his super orgasm, going faster than a speeding bullet, would be fatal!). But Donner has the sex scene first, and then has Superman talk to Jor-El and give up his powers.

This begs the question, if Superman can have sex with a human, why give up his powers? It makes no sense! Changing the order of these scenes completely undermines the human story and conflict at the core of the film. Later, when Clark returns to the Arctic in hopes of restoring his powers, there's yet another scene with Jor-El, who says "I knew this was going to happen," followed by some ridiculous mumbo jumbo in which Jor-El somehow transfers his spirit into his son to restore his powers. It's supposed to be moving and emotional, but it's not because there's no human relationship between Jor-El and Kal-El to begin with. Richard Lester simply showed us Clark finding the green power crystal and left the rest to our imagination, keeping the tone of the entire film light, like a comic book. Donner, however, adds in elements of pretension, and even said in the panel discussion afterward that he was trying to make a movie about the father-son relationship. But it doesn't work, and it doesn't belong because Superman II isn't a movie about father and son, it's about a man who has to decide between what he wants for himself and his responsibility to the world.

Almost every scene in Donner's version goes on too long. There's usually an extra unnecessary beat at the end of scenes. There's more Luthor and Otis, more Luthor and Miss Teschmacher, more Luthor with the villains, all which slow down the pace for the sake of marginal gags. If you like Hackman's Luthor, you may enjoy this. But I didn't.

There is a nice alternate version of the scene in which Lois throws herself into the river in an attempt to prove Clark is Superman. Donner's version takes place at the Daily Planet, where Lois jumps out the window - same gimmick, different execution. And the screen tests on the Superman 1 DVD are turned into the revelation scene at Niagara Falls, which works pretty well.

SPOILER. Finally, we have a major cop-out with the ending. After the villains have been vanquished and we're back at the Daily Planet, Lois tells Clark that his secret is safe with her. But rather than giving Lois the "magic kiss of forgetfulness" to erase her memory, Superman once again turns back time, using the same footage from Part 1. He turns back time so far that the villains end up back in the Phantom Zone, meaning that the entire movie never happened! This is followed by the final denouement from the released version, in which Clark Kent returns to the diner and takes down the bully who beat him up. However, because time has been turned back, Clark had never been here before, so this makes no sense either! There's also another serious lapse of logic regarding the time reversal which requires too much explanation, but it will be obvious to most viewers.

Most of the music is recycled from the first film. This didn't bother me, but someone else who was there said that the cues kept reminding him of the scenes from Part 1 in which they originally occurred.

All in all, the Donner Version is an interesting curiosity, with some good moments among a lot of misfires. But personally, I'm glad we have the Richard Lester version, which is more coherent tonally, makes more sense, and is more entertaining. Superman completists will no doubt want this DVD for the collection. For everyone else, I suggest you rent it before you buy it.