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Superman: Red Son Paperback – February 1, 2004


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Product Details

  • Paperback: 160 pages
  • Publisher: DC Comics (February 1, 2004)
  • Language: English
  • ISBN-10: 1401201911
  • ISBN-13: 978-1401201913
  • Product Dimensions: 10.1 x 6.5 x 0.3 inches
  • Shipping Weight: 13.6 ounces (View shipping rates and policies)
  • Average Customer Review: 4.5 out of 5 stars  See all reviews (237 customer reviews)
  • Amazon Best Sellers Rank: #13,892 in Books (See Top 100 in Books)

Editorial Reviews

About the Author

Dropping out university in his final year, Mark Millar pursued a writing career through ventures at 200 A.D. and Bristish television before finding success—and Eisner Award nominations— on DC's SUPERMAN ADVENTURES and THE AUTHORITY for Wildstorm.  Millar has since scribed many bestselling titles, including Marvel Comics Civil War. The Ultimates and Ultimate X-Men, while creator owned works such as Wanted and Kick-Ass have been made into motion pictures.  The Scotland-born and bred author resides in Glasgow with his family. --This text refers to an out of print or unavailable edition of this title.

More About the Author

Along with Brian Michael Bendis, Mark Millar has been one of the key writers for Marvel Comics in the 21st century. After proving himself in the '90s as a talent to watch while writing for DC Comics and the UK comic 2000AD, his arrival to Marvel came at a time when Ultimate Spider-Man had just shot up the sales charts. It was in this environment that Millar made his first major contribution to Marvel with Ultimate X-Men, as Millar integrated forty years' worth of X-Men history, characters and lore into a solid two-year run, making the companion title to Ultimate Spider-Man every bit the creative and commercial success. Next up was The Ultimates, a new rendering of the Avengers that was to continue building on the success of the Ultimate line. He and artist Bryan Hitch pulled it all off in spades: The Ultimates and its sequel, Ultimates 2, were ensconced at the top of the sales charts every month; what's more, they were critical successes, as well. Meanwhile, Millar was invited to enter the regular Marvel Universe to take a stab at two of its most iconic characters: Spider-Man and Wolverine. Paired with industry heavyweights to draw his stories -- Terry Dodson on Marvel Knights Spider-Man and John Romita Jr. on Wolverine -- Millar brought the same fast-paced and cleverly constructed plots with which his Ultimate fans were already familiar. Amid building a small library of Millarworld indie comic books -- including the titles Chosen and Wanted, the latter of which was turned into a Hollywood blockbuster starring Angelina Jolie -- he managed to write Civil War, the epic seven-issue miniseries that definitively reshaped the landscape of Marvel's heroes. Kick-A**, a Marvel Icon project done in tandem with John Romita Jr., made an impressive impact on the sales chart before also being adapted for a major motion picture. In addition, Millar has reunited with Civil War artist Steve McNiven in both the pages of Wolverine and their creator-owned book Nemesis.

Customer Reviews

The end of the story also has a very interesting twist and new take on the origin of Superman.
GameraRocks
I loved this alternate timeline story and I recommend anyone who is a fan of the superman character should pick this up and read it.
Amazon Customer
The story doesn't just tell you Lex Luthor is brilliant and Superman is idealist--it shows you.
newcomicnerd

Most Helpful Customer Reviews

96 of 99 people found the following review helpful By Joshua Koppel on February 4, 2004
Format: Paperback
I have enjoyed many of the Elseworlds books ever since the precursor, Gotham By Gaslight. This is probably the best Superman title and one of the best overall.
A few hours difference in the arrival of superman's space capsule could mean landing half a world away from Kansas and that is the premise. Superman has landed in the Soviet Union and has been raised by loyal Socialists. Superman's presence in the Soviet Union drastically alters the future.
Superman rises to power despite the conflict of political ideals and the Warsaw Pact signs on new members. We see the world change and see the lives of many familiar figures form the DC universe; Lois Lane, Lex Luthor, Batman, Green Lantern, Wonder Woman, etc.
This is more than just a remake of the Nazi Superman (Ubermensch) as seen on Saturday Night Live. The story is fairly believable and Superman is as true to his upbringing as in the regular DC universe. The story progresses nicely until we see the final surprise plot twist.
A wonderful story for Superman and Elseworlds fans.
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58 of 66 people found the following review helpful By DWD's Reviews TOP 1000 REVIEWERVINE VOICE on March 26, 2007
Format: Paperback
First things first.

I am not a gigantic comics fan. I've never been to a comic book shop. I know the big names. Basically, if they had a live action TV show, I know them.

So, my opinion is not as well-informed as that of some.

But, I know what I like and I thought this was some grade-A, high test sci-fi with a good deal of political science thrown in.

Superman has always been of limited interest to me. He can't be hurt (technically, I know he can but who has Kryptonite sitting around?), he has the tools to deal with any situation. He has a healthy psyche. Good guy to have on your side but not particularly interesting.

But, let's take away his All-American freedom-loving politics and partner him with a truly soul-crushing totalitarian regime. Stalin backed by Superman's talents is a truly scary thought. Soviet theory becomes reality. A true dictatorship of the proletariat becomes possible since Superman hears and sees nearly everything.

With that you have enough to make this history teacher happy. Add to it the Lex Luthor (USA)/Superman (USSR) Cold War, a reference to Plato's "Republic", a Soviet Batman (loved him! Loved the hat!), Wonder Woman, Area 51 and Nixon winning the 1960 Presidential election instead of JFK and you've got a great read!

Some may quibble with details, but when you get down to it, aren't the comics supposed to entertain and take you to another world for a little while? Mission accomplished.

Bravo.

I give this one an enthusiastic A+.
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36 of 45 people found the following review helpful By R. Kelly Wagner on August 3, 2004
Format: Paperback
This graphic novel is not a parody, it's an alternate history. A most unusual alt-history: an alternate to a fictional reality, rather than an alternate version of our history. (The most popular themes for alternate history are, What if the South won the Civil War?, and What if the Germans won WWII?)

Alternate history is a concept generally more familiar to those who read SF novels rather than comics/graphic novels. Many of us SF novel readers did read a lot of comics when we were younger, though, and I think this particular graphic novel is aimed at us. We read Superman - and Batman, Green Lantern, Wonder Woman - in the 50's, 60's and 70's. So, although we may not have read any other of this particular series of graphic novels, we have quite a bit of background in the Superman mythos - his real parents, where he grew up, girlfriends, enemies, etc.

I think that knowing that background from the original comics may make this book more enjoyable to my middle-aged generation than to people who are used only to the graphic novels. As well, my generation had the advantage of living through most of the history that was really happening from 1950 on. For those who know the history of the Cold War only from school, many of the details wouldn't make sense. It helps a great deal in reading this book if you are familiar with the course of the Cold War, and that you know not only who JFK was, but some of the celebrity gossip about him as well as the official records. (The name Norma Jean should mean something to you.) You should know what the Warsaw Pact was, and something about in what order the Soviet Union took over various countries.

I liked the way the book involved similar alternate twists on Batman, and brought in Wonder Woman and Green Lantern as well.
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8 of 9 people found the following review helpful By Chris Gladis on January 22, 2009
Format: Paperback
Every culture has its icons. Characters or figures that are recognizable by anybody who lives there, figures that are almost impossible not to know. And America is very good at producing those icons and spreading them worldwide. I remember reading somewhere - I don't remember where at the moment - that the United States' chief export is dreams, and I think there's definitely something to that.

Of all the dreams to emerge from the American subconscious over the last century, Superman is one of the most enduring. Show that "S" shield to almost anyone on the planet and they'll probably know what it is. For most of his lifetime, he has stood for Truth, Justice and the American Way, with the third element to that tag line slowly vanishing as writers with a more global perspective take over the character.

Regardless of his jingoistic past, Superman still remains a popular American figure. He represents what we would like to be, as a country. Powerful and just, upright and honest, but at the same time kind and generous and, at heart, good. Superman has the power to control the world, but he doesn't - he chooses not to - and we like to believe that it was his small-town, American upbringing that instilled such humility in him.

This book examines how things might have gone.

In the late '80s, DC Comics introduced their "Elseworlds" imprint, with a pretty simple mandate: take canon DC characters and place them in new situations or environments. This way you could see how Batman might have turned out in an America that had never gained its independence, or what would have happened to the JLA without Superman, or if The Flash had taken the bullet meant for JFK.
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