Customer Reviews

Superman: Red Son

5 star:		(65)
4 star:		(25)
3 star:		(5)
2 star:		(4)
1 star:		(2)

 

 

I have enjoyed many of the Elseworlds books ever since the precursor, Gotham By Gaslight. This is probably the best Superman title and one of the best overall.

A few hours difference in the arrival of superman's space capsule could mean landing half a world away from Kansas and that is the premise. Superman has landed in the Soviet Union and has been raised by loyal Socialists. Superman's presence in the Soviet Union drastically alters the future.

Superman rises to power despite the conflict of political ideals and the Warsaw Pact signs on new members. We see the world change and see the lives of many familiar figures form the DC universe; Lois Lane, Lex Luthor, Batman, Green Lantern, Wonder Woman, etc.

This is more than just a remake of the Nazi Superman (Ubermensch) as seen on Saturday Night Live. The story is fairly believable and Superman is as true to his upbringing as in the regular DC universe. The story progresses nicely until we see the final surprise plot twist.

A wonderful story for Superman and Elseworlds fans.

First things first.

I am not a gigantic comics fan. I've never been to a comic book shop. I know the big names. Basically, if they had a live action TV show, I know them.

So, my opinion is not as well-informed as that of some.

But, I know what I like and I thought this was some grade-A, high test sci-fi with a good deal of political science thrown in.

Superman has always been of limited interest to me. He can't be hurt (technically, I know he can but who has Kryptonite sitting around?), he has the tools to deal with any situation. He has a healthy psyche. Good guy to have on your side but not particularly interesting.

But, let's take away his All-American freedom-loving politics and partner him with a truly soul-crushing totalitarian regime. Stalin backed by Superman's talents is a truly scary thought. Soviet theory becomes reality. A true dictatorship of the proletariat becomes possible since Superman hears and sees nearly everything.

With that you have enough to make this history teacher happy. Add to it the Lex Luthor (USA)/Superman (USSR) Cold War, a reference to Plato's "Republic", a Soviet Batman (loved him! Loved the hat!), Wonder Woman, Area 51 and Nixon winning the 1960 Presidential election instead of JFK and you've got a great read!

Some may quibble with details, but when you get down to it, aren't the comics supposed to entertain and take you to another world for a little while? Mission accomplished.

Bravo.

I give this one an enthusiastic A+.

This graphic novel is not a parody, it's an alternate history. A most unusual alt-history: an alternate to a fictional reality, rather than an alternate version of our history. (The most popular themes for alternate history are, What if the South won the Civil War?, and What if the Germans won WWII?)

Alternate history is a concept generally more familiar to those who read SF novels rather than comics/graphic novels. Many of us SF novel readers did read a lot of comics when we were younger, though, and I think this particular graphic novel is aimed at us. We read Superman - and Batman, Green Lantern, Wonder Woman - in the 50's, 60's and 70's. So, although we may not have read any other of this particular series of graphic novels, we have quite a bit of background in the Superman mythos - his real parents, where he grew up, girlfriends, enemies, etc.

I think that knowing that background from the original comics may make this book more enjoyable to my middle-aged generation than to people who are used only to the graphic novels. As well, my generation had the advantage of living through most of the history that was really happening from 1950 on. For those who know the history of the Cold War only from school, many of the details wouldn't make sense. It helps a great deal in reading this book if you are familiar with the course of the Cold War, and that you know not only who JFK was, but some of the celebrity gossip about him as well as the official records. (The name Norma Jean should mean something to you.) You should know what the Warsaw Pact was, and something about in what order the Soviet Union took over various countries.

I liked the way the book involved similar alternate twists on Batman, and brought in Wonder Woman and Green Lantern as well. Batman's hat is the funniest thing I've seen in a while!

A couple quibbles: having the artwork done by more than one artist is distracting; a couple times it was hard to recognize Lois Lane as herself. And I do wish that illustrators would STOP trying to use the Cyrillic alphabet incorrectly. If you can't use the letters for what they really are, don't use them, please. The thing that looks like a backwards R is NOT an R. The letter that looks like a backwards N is NOT an N. So stop it already! Just go for English in the signs and titles, or for accurate Russian. (One illustrator did this correctly, but on many pages, and the cover art, these letters are used incorrectly.) OK, that's one of my pet peeves, since I happen to be able to read Russian a little; it may not bother other people as much as it bugs me.

Summary? A graphics novel that may be of more interest to an older generation that doesn't usually read them, in a vein more familiar to SF readers than comics readers.

In this Elseworlds take on the Superman, the "what if?" proposed is if Kal-El's ship had crash landed on a ranch in the Soviet Union. I expected Superman's personality would have been altered considerably, but he is pretty much the same character, just with everything around his being radically different.

Not to say that history is completely re-written here. There's still a Metropolis and a Daily Planet where Lois works, however she is now married to Luthor. A major portion of this story concentrates on Luthor and his battle against Superman to keep the US communist free. Luthor has the most interesting character development out of the cast of characters here. You could ever argue that he is the story's protagonist.

Other familiar faces pop up in guest roles from the DC universe. Wonder Woman is pretty much unchanged. There is a new take on Hal Jordan's Green Lantern, and my favorite, Batmankoff. For an Elseworld's title, Mark Millar does a pretty decent job of deciding what to keep from the Superman mythology and what can be played with. Not everything makes sense exactly, but being that its a stand alone story, it grants itself creative license.

The artwork is pretty great. It suits the style of the story and is never ugly or boring. The colors are always eye pleasing as well. I enjoyed the sketches in the back showing the other possible redesigns for some of the characters. That's all in the way of features though.

If you're a fan, you'll probably get something out of it. It's a creative re-imagining of Superman and there's plenty of action and historical fiction weaved in as well.

Red Son, for those not in the know, is the Elseworlds tale showcasing how the world would have been different should Kal El have landed in Russia during the beginning of the Cold War. What occurs during the three issues is the rise of the Superman, and the fall of the world under his boot. Oh, it's not a tyrannical rule; Superman has made the world a Socialist community, with only a dilapidated America under President Luthor standing up against the alien's involvement.

It's a heady case that Mark Millar brings, but the work stands as one of the best and definite works for Superman. You may ask, `definitive for Superman? How? It's not a real story!" (...)! Millar defines his world using the very paradigm of who and what the Superman character stands for. Oh, our guy is most certainly there. It's just that we get to see how Superman would react given a different lot in life. He is still the highly noble, self-sacrificing hero that we all know and love. There isn't a person on this planet that doesn't know that familiar `S'-shield, and each one can pick up on the familiarity with the character as he and his cast are presented here. After all, it's the classic story of invulnerable alien versus his greatest nemesis-a brilliant mortal flesh and blood human. Ah....but Lex gets it done. In a brilliant way, Lex gets it done.

Art wise, Dave Johnson and Kilian Plunkett share the art chores throughout the telling. Johnson begins the story for the first part, and is joined and later finished by Plunkett. Johnson's work heralds the Superman Fleischer cartoons from the 1940's, where our hero is a broad shouldered man of action, simple in wants and benign in deeds. His work directly expresses the innocence of the years, and it's slow decay as time marches on. Plunkett finishes the tale up, and his style shows a harsher, aged time for the world and Superman. The decay of freedom is complete, and our hero bears that weight in full force. You can clearly perceive the gloom that hangs over all, which is...until....

You read it for yourself. What, you think I was going to tell you? Ha! And ruin it? You're out of your gourd!

Superman: Red Son more than stands out this year as the story that none should miss. It succeeds on all levels as a defining work that grabs your attention and leaves you overwhelmed come story's end. There is nothing more that I can say that the book doesn't say for itself.

I have never quite liked the super-boy-scout-flag-wavering type of character that is superman but this is a superhero-gone-real-politik essay. Absolutely essential for those who like intelligent comics.

I throughly enjoyed this story and would rate it right up there behind Dark Knight Returns and Daredevil : Born Again ( haven't read Watchmen yet ).

I love elseworlds stories , particularly with Superman because the common criticism is that he's indestructable and it becomes repetitive and boring.

My only criticism of the book is the shocking twist with the Russian Batman which doesn't really make sense. The re-imaginings of Superman , Batman , Wonder Woman , Lex Luthor , Lois Lane , and Green Lantern are interesting and there is wonderful little references that made me excited to keep reading. The artwork was impressive and the propoganda and political slant was done quite well.

I waited awhile to pick this up but you shouldn't.

The premise of this story is that Superman lands in Russia during the height of the Cold War. Most writers would've gone for an easy "Superman as a bad guy" story. Instead, we get a mature and refreshing take on the Man of Steel that surprisingly changes very little about his personality.

This is still the Superman we know, more or less. A good man with amazing powers trying to make the world a better place, struggling to make sense of his role in the larger scheme. It's very good. Very, very good.

I do have one minor complaints though. It is very strongly bound to Superman continuity (even if an alternatre version) and a lot of non-fans might have trouble following the story because many characters basically have cameos. This is due to the fact that the story takes place over several decades, highlighting each era of the Cold War. While very well written, it can seem a little rushed. But I'd rather the story move quickly than drag itself down with endless exposition.

Fun read. Intelligent read. Satisfying read. In other words, a very worthwhile take on the Superman character that might make you think, but, more importantly, will keep you entertained.

THis graphic novel took me completely by surprise in its presentation of how supe became a man who becomes all dictating to the realization of the monster he has become to humanity. Lex Luthor as the obsessed scientist who will do anything to stop had me gasping with surprise. And the twist ending will leave your jaw dropped.

Every culture has its icons. Characters or figures that are recognizable by anybody who lives there, figures that are almost impossible not to know. And America is very good at producing those icons and spreading them worldwide. I remember reading somewhere - I don't remember where at the moment - that the United States' chief export is dreams, and I think there's definitely something to that.

Of all the dreams to emerge from the American subconscious over the last century, Superman is one of the most enduring. Show that "S" shield to almost anyone on the planet and they'll probably know what it is. For most of his lifetime, he has stood for Truth, Justice and the American Way, with the third element to that tag line slowly vanishing as writers with a more global perspective take over the character.

Regardless of his jingoistic past, Superman still remains a popular American figure. He represents what we would like to be, as a country. Powerful and just, upright and honest, but at the same time kind and generous and, at heart, good. Superman has the power to control the world, but he doesn't - he chooses not to - and we like to believe that it was his small-town, American upbringing that instilled such humility in him.

This book examines how things might have gone.

In the late '80s, DC Comics introduced their "Elseworlds" imprint, with a pretty simple mandate: take canon DC characters and place them in new situations or environments. This way you could see how Batman might have turned out in an America that had never gained its independence, or what would have happened to the JLA without Superman, or if The Flash had taken the bullet meant for JFK. It opened creative doors, allowing writers to tell new stories about familiar characters without disrupting the regular continuity of the DC Comics line.

Of these, Superman: Red Son is one of the best. Mark Millar poses a simple question with a very complex answer: What if young Kal-L's rocket had landed in Soviet Ukraine instead of Kansas?

What emerges is a fascinating tale of a Superman brought up under Stalinist philosophy. Still the good man that we know him to be, Superman nonetheless chooses a very different means of interacting with the world. We see from the first few pages that the man cannot stand still - he is constantly in motion trying to save people, not just in the Soviet Union, but anywhere in the world. It is his responsibility, he believes, to keep people safe, much in the manner of Soviet philosophy where the government controls nearly every aspect of its citizens' lives.

Taken in by Stalin, Superman eventually rises to lead the Soviet Union to nearly world-wide dominance. Under his rule there are no accidents, no wars and no conflicts. Crime is nearly non-existent, and those who do not mesh well in this well ordered world are mentally reprogrammed until they do. There are dissidents, of course, like the mysterious Batman, a singular force of chaos in Superman's perfectly ordered world, but in the end, even he falls. The only true challenge to Superman's worldwide reign is the brilliant American scientist Lex Luthor, who has devoted his life to freeing mankind from alien tyranny.

It's a brilliant take on the myth, with a lot of very familiar characters worked in. The art is gorgeous, with a style and a color palette that evokes thoughts of Soviet-era propaganda posters, yet never fails to be dynamic and fascinating.

More important, however, is the message of the story. The idea that comics can have a message is something that a lot of people seem to ignore, fueling the idea that comics are just for kids. The message in Red Son is very important and very, very timely.

The story was published in 2003, a time when America was in great pain. We had been badly hurt and wanted to set things right. By doing so, however, we caused far more damage to the world than we had ourselves endured. By trying to fix other people's problems, we created even more, and the harder we pushed, the more the world pushed back. And this was not a new trend - one of the negative labels often affixed to the United States is that of "world policeman." We have a long, long habit of trying to help everyone, whether that is the right thing to do or not.

In that vein, the Superman of Red Son, despite being a Soviet, is a reflection of ourselves. He is a man of immense power, who decides to help everybody. His intentions are good, but good intentions are not always rewarded with good results. His world is orderly, yes - crime and violence are nearly unheard-of - but it comes at the price of individual freedom. People are no longer in control of their own destinies with Superman in charge, and while that may be a safe life, it is not one that I would like to live.

The political message of this book is subtle, but it's there. More interestingly, it's a message that can be enjoyed by a broad spectrum of political views. If you're a liberal, then it's taking a stance against imperialism, against the imposition of one country's values and politics over others', all in the name of making the world a better place. If you're a conservative, it's a call for individual liberty. A government that provides everything for its people is just another form of oppression - without the freedom to make their own choices, for good or for ill, people are not truly free.

In the end it's a complex tale, with no real good guys and no real bad guys. Except for Brainiac, who will probably never be anything but a bad guy. It's a story about the choices we make, both as citizens and as societies, and the understanding that we must have the freedom to make those choices. They may sometimes be the wrong ones, but making mistakes is part of the package. In the end, there can be no Superman to save us. We must save ourselves.