Product Details

• Actors: Brandon Routh, Kevin Spacey, Kate Bosworth, James Marsden, Parker Posey
• Directors: Bryan Singer
• Writers: Bryan Singer, Dan Harris, Jerry Siegel, Joe Shuster, Michael Dougherty
• Producers: Bryan Singer, Chris Lee
• Format: AC-3, Closed-captioned, Color, Dolby, Dubbed, DVD, Special Edition, Subtitled, Widescreen, NTSC
• Language: English (Dolby Digital 5.1), Spanish (Dolby Digital 5.1)
• Subtitles: English, Spanish, French
• Region: Region 1 (U.S. and Canada only. Read more about DVD formats.)
  
• Aspect Ratio: 1.66:1
• Number of discs: 2
• Rated: PG-13 (Parental Guidance Suggested)
• Studio: Warner Home Video
• DVD Release Date: November 28, 2006
• Run Time: 154 minutes
• Average Customer Review: 3.6 out of 5 stars  See all reviews (781 customer reviews)
• ASIN: B000J10ERO
• Amazon Bestsellers Rank: #19,211 in Movies & TV (See Top 100 in Movies & TV)

  #8 in	Movies & TV > Action & Adventure > Series & Sequels > Superman > Feature Films
  #35 in	Movies & TV > Kids & Family > Characters & Series > Superman

• For more information about "Superman Returns (Two-Disc Special Edition)" visit the Internet Movie Database (IMDb)

Editorial Reviews

Amazon.com

If Richard Donner's 1978 feature film Superman: The Movie made us believe a man could fly, Bryan Singer's 2006 follow-up, Superman Returns, lets us remember that a superhero movie can make our spirits soar. Superman (played by newcomer Brandon Routh) comes back to Earth after a futile five-year search for his destroyed home planet of Krypton. As alter ego Clark Kent, he's eager to return to his job at the Daily Planet and to see Lois Lane (Kate Bosworth). Lois, however, has moved on: she now has a fiancé (James Marsden), a son (Tristan Leabu), and a Pulitzer Prize for her article entitled "Why the World Doesn't Need Superman." On top of this emotional curveball, his old archrival Lex Luthor (Kevin Spacey) is plotting the biggest land grab in history.

Singer, who made a strong impression among comic-book fans for his work on the X-Men franchise and directed Spacey in The Usual Suspects, brings both a fresh eye and a sense of respect to the world's oldest superhero. He borrows John Williams's great theme music and Marlon Brando's voice as Jor-El, and the story (penned by Singer's X-Men collaborators Michael Dougherty and Dan Harris) is a sort-of-sequel to the first two films in the franchise (choosing to ignore that the third and fourth movies ever happened). The humorous and romantic elements give the movie a heart, Singer's art-deco Metropolis is often breathtaking, and the special effects are elegant and spectacular, particularly an early airplane-disaster set-piece. Of the cast, Routh is excellent as the dual Superman/Clark, Spacey is both droll and vicious as Luthor, and Parker Posey gets the best lines as Luthor's moll Kitty. But at 23, Bosworth seems too young for the five-years-past-grizzled Lois. It's nice to see Noel Neill, Jack Larson (both from the classic Adventures of Superman TV series), and Eva Marie-Saint on the screen as well. Superman Returns is one of those projects that was in development for seemingly forever, but it was worth the wait -- it's the most enjoyable superhero movie since Spider-Man 2 and The Incredibles. --David Horiuchi

On the DVD
The two-disc edition offers about three hours of documentaries and other features. "Requiem for Krypton: Making Superman Returns" is an eight-part documentary about the movie, going back to Bryan Singer conceiving the movie back in 2004. There's a lot of on-set footage and analyses of special effects and stunts such as Brandon Routh's flying (helped by his swimming regimen), focusing more on the filming process than the design. For example, we see how the Metropolis scenes were shot but not how the often-striking sets were designed. Marlon Brando appears briefly in the bloopers section, and "Resurrecting Jor-El" spotlights the techniques used to create his footage. The eleven deleted scenes (about 15 minutes total) contain nothing earth-shaking, but it's nice to see more Eva Marie-Saint, one scene of Clark back in Smallville that could have altered the dynamic of his return to The Daily Planet, and a scene between Kevin Spacey and Parker Posey that is good for a laugh. --David Horiuchi

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Product Description

He's back. A hero for our millennium. And not a moment too soon, because during the five years (much longer in movie-fan years!) Superman sought his home planet, things changed on his adopted planet. Nations moved on without him. Lois Lane now has a son, a fiance and a Pulitzer for "Why the World Doesn't Need Superman." And Lex Luthor has a plan that will destroy millions - no, billions - of lives. Filmmaker Bryan Singer (X-Men) gives the world the Superman it needs, honoring the legend everyone loves while taking it in a powerful new direction. Brandon Routh proves a perfect choice to wear the hero's cape, leading a top cast that includes Kate Bosworth as Lois and Kevin Spacey as Lex. And the thrills - from a sky-grapple with a tumbling jumbo jet to a continent-convulsing showdown - redefine Wow. "I'm always around," Superman tells Lois. You'll be glad he is.

Customer Reviews

Most Helpful Customer Reviews

115 of 134 people found the following review helpful:

5.0 out of 5 stars Not Even Kryptonite Can Stop Him!, June 28, 2006

By	G P Padillo "paolo" (Portland, ME United States) - See all my reviews (VINE VOICE)    (TOP 1000 REVIEWER)    (REAL NAME)

I can now forgive Bryan Singer for ditching X-Men - possibly even he couldn't have saved X-3, but what he did with Superman Returns puts him at the top of the heap of action film directors. Quite simply Superman Returns is just about perfect. It has nearly everything one could want in a 21st Century incarnation for the Man of Steel and the physical production is visually as eye-poppingly glorious as anyone could hope for. The flying scenes (especially the Superman in space scenes) have a breadth and beauty around them that almost stops one's breath - absolutely stunning.

As we've come to expect, there is great humor throughout with winks to the comic books and previous Superman flicks and director Singer doesn't shrink from paying obvious homage to the Reeve flicks - a very nice touch, indeed. Singer doesn't shrink, either, from going for broke in the second half of the film's more emotional content and the balance between action, love story, and pseudo-religious, philosophical storyline is just about perfect.

For all the pre-opening hype criticisms centering around an unknown actor portraying comic's most beloved hero, Brandon Routh proves the naysayers pretty much wrong. He's got the look, the moves and the feel of the character down. If his Clark Kent doesn't quite have the presence Reeve brought to the role - (this Clark isn't quite as endearingly bumbling or nerdy) he makes Clark likeable and believable - and makes fully plausible why Lois finds him slightly forgettable. As The Man of Steel, however, Routh takes the challenge straight on and does not once disappoint his audience.

The opening sequences setting up the story have a classic old movie feel, a bit of exposition for history, hilarious snips of Lex Luthor beginning his bid for world domination, Lois and the rest of the world moving on in the years since Superman (and Clark's) leave of absence, all culminating in a breathtaking action sequence wherein our hero saves the lives of those aboard the space shuttle - and ties it all in with America's favorite pastime - Baseball!

Kate Bosworth's Lois is a bit bristley (Lois always was) but she always let's the vulnerable quality of her character crack through the tough-as-nails exterior.

Kevin Spacey's Lex starts off with a bang, but it isn't until the sequence with Lois aboard his yacht - the turning point of the film - that he gets to fully charm us with his evil craziness. If up til then I thought Spacey hadn't quite captured the role (as I envisioned anyway), from this point on he OWNED Lex.

Parker Posey is an entirely different creature than was Valerie Perrine. Where Perrine was all curves and opinions, Posey is all angles and dim. A different spin on the character, but a worthy one.

It was terrific to see Eva Marie Saint - now in her 60th year of films, in the small role of Martha Kent. Even washing dishes or driving her truck, Saint exudes movie star quality that proves the old adage "there are no small roles."

The movie's more than two and a half hours fly by and everyone - at least at the screening I attended - is left feeling like a kid again.

This is probably going to be the hit of the summer and well it should. It has just about everything one could want in a first "return" feature for this superhero and I'm already excited for 2009's sequel! See it on a big screen. Now!

45 of 50 people found the following review helpful:

5.0 out of 5 stars A Superman we can root for, June 28, 2006

By	Sherrie Jackson (St. Louis, MO United States) - See all my reviews (REAL NAME)

I remember seeing Superman IV in the theaters when I was six, how there were so many people swarming all around, how there was excitement. Clearly it was a shoddy movie, but to a kid you just can't buy that kind of palpable movie madness.

Now I'm as old as my parents were when they saw the very first Superman, and I've got to say this must be what it felt like. I think Bryan Singer is fast becoming one of the most respectable directors in Hollywood, and what he did with this movie--on a far, far grander scale than either of his X-Men movies--merits SOME kind of award come Oscar time.

We all know the story--Kryptonian boy comes to Earth, saves man from the foibles of archnemesis Lex Luthor, woos Lois Lane. Singer and Co. decided to have this movie pick up after Superman II (wise move) but you never really get a jarring sense of chronology--no General Zod references here. Instead, Supe has just returned from a nearly five-year journey to see if anything remains of his homeworld; alas, the answer is no.

What's strange is that him being gone is such a small deal when it comes to the overall movie. But that's okay; there's plenty more fantastic things to keep the average moviegoer and Superman afficionado happy. What I love most about this sequel is that so much of it feels like home--Brandon Routh has moments where he looks exactly like the dearly departed Christopher Reeve, and his voice is dead-on most of the time. He quotes several lines from the first movie to great effect. Kate Bosworth as Lois isn't as quirky as Margot Kidder but she still can't spell, and she does the best job I've seen in a long time of playing the "strong female" role without ever drawing your attention to it.

The plot also feels familiar--Superman spends a night righting wrongs across the world; Luthor AGAIN gets hold of that Adis Ababa kryptonite, and Supe AGAIN falls prey to it; but there are intriguing elements dealing with Fortress crystals that take Luthor into land-grabbing madness like we've never seen.

The special effects are superb, of course; you can't spend almost $300 million and get it wrong! Here is where I thought Singer might overdo things, but his restraint is commendable. He allows Routh to do all the old Superman things and yet they don't feel aged at all. Singer was concerned with how to entertain a generation where flying is no longer the spectacle it once was, and yet, watching the movie, it's hard to believe that any kid, no matter how jaded, could scoff at what's on screen. The movie is that well done.

Don't let detractors fool you. This kind of movie only comes along...once every thirty years or so.

68 of 78 people found the following review helpful:

5.0 out of 5 stars "Why The Cinema Needs Superman", June 28, 2006

By	Michael Roffman "pinball wizard" (Haddonfield, Illinois) - See all my reviews (REAL NAME)

After nearly twenty years, Superman returns triumphantly to the screen to save the day of both the moviegoer and the theater owners looking for golden entertainment. It might not hurt the studio producers too, but let's keep them out of this. Supes is back and there is popcorn to be made.

Director Bryan Singer (The Usual Suspects, X-Men) takes a dusty, beat up franchise and literally sinks his teeth into it. This has class written all over it and much like the director's previous work, this is really no surprise. It's a blessing in disguise.

After last year's schizophrenic Batman Begins and this year's laughable at most X-Men 3: The Last Stand, Superman Returns fails to follow suit. This is a film that takes all that was great in comic book filmmaking and just stains the screen with it. This is a film that knows what it wants to do and simply does it.

More than anything, this is a film.

Brandon Routh deliciously portrays Clark Kent/Superman as he awkwardly returns to his second home, planet Earth. There he finds that the world is in turmoil yet `getting by' without him. His greatest friends have long forgotten him while the love of his intergalactic life has moved on, now with a child and a husband to boot. Technically speaking, his return is without merit.

However, things seem to change for the worst when Lex Luthor (Kevin Spacey) also has his share in the homecoming. After evading a double life sentence, Luthor has plans for global domination--literally. He visits Superman's fortress, steals the invaluable alien crystals, and discovers a magnificent hidden truth inside that is damaging to both Superman and the world.

So in the end, yeah, the world starts the Superman hype again.

Taking on the heroic role of revitalizing the series, director Singer picks up the franchise where Richard Donner and Richard Lester's previous work respectively left off. This means ignoring the ill fortuned Superman III and IV, both films becoming too reliant on the gimmick rather than the story.

Everything here is back to the basics plus one.

Returns sports the same original theme conceived by John Williams, this time Singer's favorite composer John Ottman takes the reigns. By the time the theme picks up pace and the blue retro-terrific titles fly past the screen, you might want to pinch your arm and remind yourself that this is still 2006 and not 1978.

Effects aside, the film retains the magic and aura of the original entry with newcomer Brandon Routh filling in and gracefully replacing the late Christopher Reeve's tights and boots. He is enigmatic, spunky, and fortunately for the role of Clark Kent he is unbearably clumsy. Routh is Superman, delivering lines like "Good night, Lois" as if they're straight from the audio files that have collected dust for over twenty years now.

Supporting Routh at his side are Kate Bosworth as the ill-tempered journalist Lois Lane and the energetic and screen stealing Kevin Spacey who looks to be having just the right amount of fun as the arch nemesis Luthor. For Bosworth, this role is a long stretch from the surfer hey-day she came from nearly four years ago but she nails it with the right expressions and a perfect pitch.

Even Margot Kidder should be proud...

Spacey, on the other hand, portrays Lex Luthor as he should be. This is of course the same role originally staged by Gene Hackman. Yet instead of the forcibly awkward casting of Hackman, Spacey takes the character and soars to heights that might rival that of the caped crusader.

Gene Hackman might bite his lip at this one.

The film clocks in at two and a half hours which might welcome or daunt the audiences for the next coming month. Considering modern epics of the likes of King Kong or The Lord of the Rings series sport running times of three to four hours, it might be safe to say that moviegoers should be more than happy.

A longer running time allows the film to stretch, to explore, and to expand the storyline that might otherwise be constricted in anything shorter. Singer even takes a cue from director Peter Jackson's work by upping the characterization and organizing outlandish, superior action sequences over breathtaking settings.

It's times when the almighty caped one struggles that the film really shines. Never once do the action sequences seem overly done or outwardly jutting from the storyline. The thing works and blends so smoothly that there's no fruit to be left at the bottom.

The dialogue is snappy, the chemistry is modern science, and the effects succeed on a level of believability and boyhood wonder. This is a film for everyone that wants a film for themselves. For those looking for a hero that they'd rather look up to than relate to, Superman Returns delivers the package right on time.

It just might have taken twenty years and counting in the process.