Supernatural

Robben Ford | Format: Audio CD

Product Details

• Audio CD (July 13, 1999)
• Original Release Date: July 13, 1999
• Number of Discs: 1
• Label: Blue Thumb
• ASIN: B00000JMKP
• In-Print Editions: Audio CD  |  MP3 Download
• Average Customer Review: 4.0 out of 5 stars  See all reviews (26 customer reviews)
• Amazon Best Sellers Rank: #62,041 in Music (See Top 100 in Music)

Editorial Reviews

Amazon.com

Guitarist Robben Ford has led parallel careers. There's the virtuosic white blues musician who jammed with Jimmy Witherspoon as a teenager, and there's the superclean session player and fusion-jazz cat of L.A. Express and Yellowjackets fame. These roles merge on Supernatural, produced by Susan Rogers (known for production work with Prince and Barenaked Ladies). Unfortunately, what comes out is a mediocre blue-eyed soul singer who has neither the voice nor the songs to match his guitar chops. Many of the tracks settle into listless studio funk grooves substituting polish for passion. Only when Ford reaches back to the blues for Paul Butterfield's "Lovin' Cup" does he crack a sweat. By that time, it's too late. --Rick Mitchell

Product Description

Japanese Version Featuring A Bonus Track: Jimmy's Dream. Features A Guest Appearance By Michael Mcdonald. --This text refers to an alternate Audio CD edition.

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Customer Reviews

Most Helpful Customer Reviews

10 of 11 people found the following review helpful:

3.0 out of 5 stars An artist in transition, August 3, 1999

By A Customer

This review is from: Supernatural (Audio CD)

Supernatural is Robben Ford's first pop album and conceptually is not unlike a typical Eric Clapton album which sprinkles a couple of blues tunes among a collection of ballads/rock/funk/gospel numbers. While there's nothing particularly unique about the mix of songs on this album, it's definitely a departure from the guitar-heavy albums Robben has made before.

The musicianship on the album is, naturally, top flight. And there are plenty of stellar guitar solos to escape into. My main struggle is that the songwriting doesn't keep pace. Over his career, Robben has penned some solid tunes (When I Leave Here from Handful of Blues is my personal favorite), but on balance, I'm partial to the covers he's done. While I don't dislike Supernatural, and it's grown on me somewhat after a dozen or so listenings, I haven't found myself particularly drawn to it either. (Because I'm a longtime fan of Robben's I gave this CD many more spins than I might have otherwise.)

Still I applaud him for trying new things -- especially string arrangements! I'd get bored if he were to release nothing but Blue Line-esque albums. (I must admit though, that my favorite song on Supernatural is the Blue Line-esque "Nothing to Nobody" -- not an example of Robben exploring new territories.) The songs on Supernatural are nice, but I can't imagine anyone rushing to cover any of them. Many of the songs are reminiscent of other aritists: I hear strains of Steely Dan and even later Steve Winwood, but there's nothing here that's bold or original.

The new album's lyrics would suggest that this is the most personal expression of Robben's feelings to date, but beyond having read about his musical influences and his equipment preferences, I don't know enough about Robben to connect the sentiment of his lyrics to the man himself. It's not like listening to Eric Clapton's latest confessional album, where the void left by a less-than-great song is filled in by his personal history which is pretty much a matter of public record these days. With Robben, I know he's a really likeable guy, but he's not exactly a public figure. He seems very shy to me. Without the personal connection, the lyrics, though heartfelt, come off as boilerplate. Maybe it's time to set up the Barabara Walters interview. (Just kidding.)

I have no idea what kind of sales figures Robben's albums have generated but judging from the number of listener's reviews at amazon.com I'm guessing that Talk to Your Daughter is his best-selling album, and the one for which he is best known. TTYD is all covers except for two songs. Almost 12 years after its release, Robben has yet to find a songwriting voice equal to that of his guitar playing abilities.

Demographically, Robben's appeal is as a musician's musician. This is pretty obvious to anyone who attends one of his shows. Robben is a far way off from mainstream appeal. It remains to be seen whether Susan Rogers' production will do for Supernatural what she accomplished for the Barenaked Ladies and their recent huge success in the US, but it seems clear that with this album Robben is intent on his broadening his profile. Supernatural has been advertised in the NYC media more prominently than I can recall any of his past albums.

Am I alone in my observation that the most songwriting comes easier to those musicians who aren't virtuosos at their instruments? The Beatles, The Rolling Stones, Carole King, Sting, Jimmy Webb, Bruce Springsteen, Elton John are a very short list that immediately come to mind. Certainly there are exceptions: Eric Clapton (though he's no RF), Billy Joel (he's got serious keyboard chops) are successful songwriters who are often considered virtuosos. By and large though, monster instrumentalists tend not to be monster songwriters -- not in the rock/pop realm anyway.

Anyway, I'm not through yet with Supernatural; hopefully it will continue to grow on me.

5 of 5 people found the following review helpful:

4.0 out of 5 stars Emotional Wave, July 7, 2004

By 

Lee Armstrong (Winterville, NC United States) - See all my reviews
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This review is from: Supernatural (Audio CD)

Robben Ford's "Supernatural" is now 5 years old and is certainly aging well. My favorite track is the bluesy "Nothing to Nobody." Ford's juicy guitar weeps woefully, "The preacher on Sunday tells me I'm just another child of God; Lord, if you're there & if you care, could you see fit to answer my prayer?" "Water for the Wicked" was co-written with the Doobie Brothers' Michael McDonald and has plenty of that blue-eyed funk & soul. "Don't Lose Your Faith In Me" experiments with a clever string arrangement on a soft samba-like track. One of my personal favorites is the little-known David Batteau who co-wrote "Hey, Brother" with Ford that is a great track about trying to heal injured friendships. Another addictive track is the funky "Deaf, Dumb & Blind," "I couldn't see when you showed your love to me; I was thinking only of myself & missing all that light from you." Ford cuts a slow smoking groove on the Arthur Alexander classic, "You Got Me Knockin'" with Ricky Peterson's soulful Hammond B3 organ swelling the emotional wave. The set closes with Paul Butterfield's toe-tapper "Lovin' Cup." "Supernatural" is a good set with enough strong tracks to warrant a second listen five years later! Enjoy!

5 of 5 people found the following review helpful:

5.0 out of 5 stars A Perfect Classic Rock Record, May 20, 2002

By 

"rukiddingme85044" (Phoenix, AZ) - See all my reviews

This review is from: Supernatural (Audio CD)

Robben Ford is not only a guitar player. He's also an amazing writer. People need to wake up and notice these songs. These are real songs written by a real guy.

This album is the perfect "classic rock" album. If this album came out in 1979 it would have been huge. (Especially since it's got Michael MacDonald guest singing!). That's not to say this album is dated, it's not. It's lyrically very timely, but the music has a classic southern rock feel that reminds me of great old album oriented music from the 70s.

Water for the Wicked (with Michael MacDonald) is the perfect fusion of blues and soul rock. Supernatural is a great straight ahead blues rock track. If and Don't Lose Your faith in me both make me want to cry. And the dude can play the guitar like no one's business. I'd like to see him rock out with Santana (Rob Thomas [stinks]). If this had a good fast straight ahead rock instrumental, I'd been in my absolute glory!
This is absolute perfect Saturday night getting ready to go out music...