Superwolf

Bonnie "Prince" Billy (Artist), Matt Sweeney (Artist)

Product Details

• Audio CD (January 25, 2005)
• Original Release Date: January 25, 2005
• Number of Discs: 1
• Label: Drag City
• ASIN: B00070Q8FE
• In-Print Editions: MP3 Download
• Average Customer Review: 4.9 out of 5 stars See all reviews (7 customer reviews)
• Amazon.com Sales Rank: #38,955 in Music (See Bestsellers in Music)

Editorial Reviews

Amazon.com
When word spread through indie gossip sites that Bonnie Prince Billy AKA Will Oldham AKA Palace was set to team with Matt Sweeney of Chavez, Zwan and Man ‘Zine fame, unless you were a dedicated fan of elaborate facial hair, it seemed hard to be very intrigued. But the Superwolf collaboration between the two is frayed, fuzzy and undeniably excellent. It’s hard not to get hooked from the first song, which declares "I am under your spell/ And you will have me I reckon," a near six-minute epic that goes from moody sparse organ bit to absolutely choogling guitar part, the words shouted like some Southern anthem or ancient sea shanty until it ends with an elongated coda that sounds a lot like a Jerry Garcia solo album. It sounds a bit like Neil Young ca. Tonight’s the Night covering British folk singer Nic Jones’ Penguin Eggs album. Sweeney and Oldham play most of the instruments and though the vocals are mostly by Oldham, they do harmonize well. It’s remarkable how Oldham continues to reinvent and reinvigorate his mystic mountain man persona The truly surprising thing is that the rest of the album is just as ridiculously good. --Mike McGonigal

Customer Reviews

Most Helpful Customer Reviews

9 of 9 people found the following review helpful:

5.0 out of 5 stars Yours for the Knowing, January 28, 2005

By	N - See all my reviews

Up to this point, my knowledge of Bonnie Prince consisted of Master and Everyone, Ease Down the Road, and I See a Darkness (which, in my humble opinion, contains the greatest love song ever written in All Around).

I had absolutely no knowledge of Matt Sweeney.

Given that, when I popped in Superwolf, the sound initially caught me off guard. I persisted, of course, and was rewarded with a fantastically woven tapestry of lyricism and melody. It's chock full of the sweet, easy melodies, harmonizing vocal overlays, and well-placed crescendos characteristic of Oldham's earlier stuff.

Favorite tracks:
Bed is for Sleeping - "Bed is for sleeping, love is for making, you know, love, I am yours for the taking."

Lift Us Up - "People, don't you wonder how the Lord has brought you under?"

Only Someone Running - "If you melted, then I would melt myself all into you"

8 of 9 people found the following review helpful:

5.0 out of 5 stars A Prince Becoming King, June 16, 2005

By	Rudy Foolish "mountain bucko" (Morgantown, WV USA) - See all my reviews

Will Oldham is an artist who has for years been hovering just outside the lens of the indie genre he is often credited with having birthed. Funny thing is, he never, for a moment, seems to want to let the categorizers of music zero in on him. Most reading this review are probably aware of how he has embraced the alter-ego concept and sent about 5 different monikers flying off into musical space, and how, after 5 incredible albums under his most recent nom de plume, he seems to have settled comfortably on the wonderfully cryptic and nonsensical Bonnie "Prince" Billy. With Superwolf, his latest release with the disgustingly talented Matt Sweeney and the follow-up to the devastatingly dark and beautiful Master & Everyone, Will Oldham the man has taken a bold step forward and assumed his place somewhere alongside the likes of Neil Young and Bob Dylan as a mature and persisting musical genius who can do no wrong with ink or guitar strings-and, in this case, yet unexplored electric guitar strings. In terms of career progression, Superwolf is Oldham's Rust Never Sleeps, his Before the Flood. It is a signed affidavit to all doubters that he is the real deal.

From Sweeney's very first riff on "My Home Is the Sea," one can immediately sense an assertiveness in Oldham's voice that was absent on previous undertakings. This contrasted with dramatic shifts in the shaky, tortured falsetto that has become his trademark, what you have are some unusual flourishes to what has thus been a consistently dark sound, a sliver of light in that ever-darkening canon of his. "Beast for Thee" and "Bed Is for Sleeping" are sad ballads filled with brief glimmers of hope by Sweeney's dreamy guitar playing, while "Rudy Foolish" and "Only Someone Running" are devastating tracks in and of themselves, but with arrangements and harmonies that somehow keep the thing floating above water, up there in the sunlight. The rest of the album is pure aching bliss, with the middle track, "Lift Us Up," serving as the crescendo and centerpiece, making the ebb and flow of agony and ecstasy a symmetrical two-faced beast. When I took a few of my friends to see this sparsely attended concert live, one (who'd never even heard of Bonnie "Prince" Billy) said, "My God, that was triumphant..."

As an added bonus, the album itself is full of interesting little tidbits, like the rather wordy political insert with interesting insights into cannibis and alcohol obsessed cultures, as well as the lovely sadistic artwork. Hearts drawn in blood and beautiful pornography are some of the contradictions offered, reflecting the richness and oddness of the man and his music. And there's a priceless shot of both men on the back cover, Sweeney looking stoned out of his mind in aviator shades, and Oldham in what looks like a mechanics overalls stringing an electric guitar. Given the accessibility of this album, if you've never heard of Bonnie "Prince" Billy (like many of my now-obsessed friends never did), this is a good place to get hooked.

5 of 6 people found the following review helpful:

5.0 out of 5 stars A Beast for Thee, January 25, 2005

By	Joe Smith (Kentucky) - See all my reviews

I am a huge fan of Will Olham and all his monikers. But after Greatest Palace Music I was kind of wondering where he might go next musically. I like country (real country, not Toby Keith)but Greatest Palace Music was a little too country for my taste. Needless to say, Superwolf is amazing. Matt Sweeney really adds some hard rock flavor to the mix. This is a great collaboration between two of indie rock's best musicians.